Office Voodoo
2010 - Sculpture (Sculpture)
Haegue Yang
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.
Haegue Yang is one of the leading international artists of her generation. From mundane objects and materials such as venetian blinds, theatrical and decorative lights, infrared heaters, scent emitters, and fans, Yang creates complex and nuanced installations that are informed by poetry, politics, and human emotions. Her works explore hidden spaces that might be considered marginal, but to the artist constitute profound backdrops for understanding vulnerable sites where informal development can occur. In her works, artificial approximations of sensual experiences — heat, light, smell, and humidity—conjure other places, other people. Yang’s work captivates precisely because of its ambiguity, which is rooted as much in the conceptual art of the 1960s and 1970s as it is in current theoretical discourses.
Colors:
Related works featuring themes of: » Architecture's Effects, » City Scenes, » Collage, » Film/Video, » Korean
© » KADIST
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
© » KADIST
Raymond Pettibon
2000Untitled (Wall Street’s Chosen Few…) is typical of Pettibon’s drawings in which fragments of text and image are united, but yet gaps remain in their signification...
© » KADIST
Firenze Lai
2013Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds...
© » KADIST
Raymond Pettibon
The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Yto Barrada
2007This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
© » KADIST
Wong Wai Yin
2008In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
© » KADIST
Raymond Pettibon
2006The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Raymond Pettibon
2007The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
© » KADIST
Federico Herrero
2009Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
© » KADIST
Choi Jeong-Hwa
2008The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Tony Labat
2008Commissioned by the San Francisco Museum of Modern Art and riffing on the “I Want You” army recruitment campaigns of the 1930s and 1940s, Labat asked Bay Area residents to interpret the slogan and make their own demands of the public in a series of live performance auditions...
© » KADIST
Donna Conlon and Jonathan Harker
2012In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...