Nothing New
2012 - Film & Video (Film & Video)
Oded Hirsch
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel. In the video, a fallen parachutist hangs tangled by his own lines, suspended between two electrical towers in a surreally desolate landscape of overgrown fields in the Jordan Valley of Israel. A group of over a hundred men and women approach the towers, working with almost mechanic efficiency to free the parachutist from the power lines overhead. Although the subject of a would-be rescue mission, it is never clear if the parachutist survived the fall – seemingly inanimate, he functions more as an object of convergence to bring the various actors on the ground together. Filmed near the Jordanian border with Israel, the video considers multiple iterations of borderlands – from the geo-political borders between nation states to the border between life and death occupied by the endangered parachutist – while also suggesting how these intermediate spaces can be static. Hirsch’s work, however, suggests that complacency can only be countered by communal effort and action. We never know the outcome of the groups’ attempt to save the parachutist, and this ambiguity troubles our desire and expectation for resolution. But in foregrounding the imperative need for collective response, Hirsch stakes out a critical space for shared experiences driven by empathy while advocating for greater common awareness and understanding.
Oded Hirsch produces video, installation, and photography that explore the phenomena of collective experience and participatory spectacle in present day Israel. Born and raised in Kibbutz Afikim, Israel, Hirsch examines how group structures function as a point of departure for deeper considerations of circumstance, choice, and communal action. Often removed from logic and reason, his videos show conflict and resolution as contemporaneous and co-essential phenomenon. While his works occasionally employ absurd tropes to disorienting effect, his narratives focus on situations that invite collective response, shared experience, and greater consciousness of the world around us. Recent solo shows include: The Mad Lift, Liverpool Biennial, UK; Nothing New, Thierry Goldberg Gallery, New York, NY; The Chelsea Project, EDS Galeria, Mexico City; and Sleep Tight Ramat-Gan Museum of Art, Tel Aviv, Israel. Recent group exhibitions include: MASS MoCA, MA; Queens Museum of Art, New York; The Jewish Museum, Munich, Germany; Black and White Gallery, New York; Lesley Heller Workspace, New York; Lora Reynolds Gallery, Austin, TX; and the Soap Factory, Minneapolis.
Colors:
Related works featuring themes of: » Color Photography, » Contemporary Conceptualism, » Contemporary Surrealistic, » Film/Video, » Israeli
» see more
© » KADIST
Adrian Wong
2012Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
© » KADIST
Vincent Leong
2012The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
Other related works, blended automatically
» see more
© » KADIST
Adrian Wong
2012Untitled (Grate I/II: Shan Mei Playground/ Grand Fortune Mansion) is part of a series drawn from architectural objects that mark the boundary of public and private spaces Wong encountered while strolling in Hong Kong...
© » KADIST
Vincent Leong
2012The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
© » KADIST
Yoshua Okón
2015Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
Related works sharing similar palette
» see more
Related works from the » 2010's created around » New York, New York
» see more
© » KADIST
Valeska Soares
2012Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
© » KADIST
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
© » KADIST
Hank Willis Thomas
2014Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Related artist(s) to: Oded Hirsch » Albert Dock, » Doug Aitken, » Liverpool Biennial, » Lorenzo Fusi, » Omar Kholeif, » Paul Domela, » Rhys Chatham, » Sally Tallant, » Tate Liverpool, » Ann Bukantas
» see more
© » KADIST
Doug Aitken
2009The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...
Related works found in the same semantic group
» see more
© » ARTOBSERVED
Alex Israel, Self-Portrait (Palette) (2023) Alex Israel returns to Almine Rech in Paris this fall for his fifth solo show with the gallery, adding a new perspective and mode of interpretation to the understanding and recontextualization of Pablo Picasso on the 50th anniversary of the artist’s death...
© » KADIST
Louisa Bufardeci
Ground Plan by Louisa Bufardeci is a large-scale, digitally-printed, architecturally rendered, wall drawing that pictures the permitted global flow of the world’s population...
© » THEARTNEWSPER
Protesters calling for Gaza ceasefire stage die-in at Canadian Museum for Human Rights Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Protesters calling for Gaza ceasefire stage die-in at Canadian Museum for Human Rights The action, staged on International Human Rights Day, lasted 64 minutes in observance of the 64 days since the Israel-Hamas war began Hadani Ditmars 13 December 2023 Share The 10 December protest at the Canadian Museum for Human Rights Listen from Queers for Palestine - Winnipeg Palestinian solidarity groups, activists and community members marked International Human Rights Day on Sunday (10 December) by calling for an immediate ceasefire in Gaza and staging a mass “die-in”for 64 minutes at the Canadian Museum for Human Rights (CMHR) in Winnipeg...