Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel. In the video, a fallen parachutist hangs tangled by his own lines, suspended between two electrical towers in a surreally desolate landscape of overgrown fields in the Jordan Valley of Israel. A group of over a hundred men and women approach the towers, working with almost mechanic efficiency to free the parachutist from the power lines overhead. Although the subject of a would-be rescue mission, it is never clear if the parachutist survived the fall – seemingly inanimate, he functions more as an object of convergence to bring the various actors on the ground together. Filmed near the Jordanian border with Israel, the video considers multiple iterations of borderlands – from the geo-political borders between nation states to the border between life and death occupied by the endangered parachutist – while also suggesting how these intermediate spaces can be static. Hirsch’s work, however, suggests that complacency can only be countered by communal effort and action. We never know the outcome of the groups’ attempt to save the parachutist, and this ambiguity troubles our desire and expectation for resolution. But in foregrounding the imperative need for collective response, Hirsch stakes out a critical space for shared experiences driven by empathy while advocating for greater common awareness and understanding.
Oded Hirsch produces video, installation, and photography that explore the phenomena of collective experience and participatory spectacle in present day Israel. Born and raised in Kibbutz Afikim, Israel, Hirsch examines how group structures function as a point of departure for deeper considerations of circumstance, choice, and communal action. Often removed from logic and reason, his videos show conflict and resolution as contemporaneous and co-essential phenomenon. While his works occasionally employ absurd tropes to disorienting effect, his narratives focus on situations that invite collective response, shared experience, and greater consciousness of the world around us. Recent solo shows include: The Mad Lift, Liverpool Biennial, UK; Nothing New, Thierry Goldberg Gallery, New York, NY; The Chelsea Project, EDS Galeria, Mexico City; and Sleep Tight Ramat-Gan Museum of Art, Tel Aviv, Israel. Recent group exhibitions include: MASS MoCA, MA; Queens Museum of Art, New York; The Jewish Museum, Munich, Germany; Black and White Gallery, New York; Lesley Heller Workspace, New York; Lora Reynolds Gallery, Austin, TX; and the Soap Factory, Minneapolis.
Weekly Picks: Singapore (19 - 25 November 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 19, 2018 Charlie by Bhumi Collective , Goodman Arts Centre Music Studio, 20 Nov – 7 Dec What would you say to an innocent child who has literally never seen the world? Bhumi Collective is delighted to present the Singapore premiere of Charlie by Victoria Chen, after two successful runs at the Edinburgh Student Arts Festival and the On the Rock Festival in 2017...
In his photographic series Périphérique (2005–2008), Mohamed Bourouissa used the composition of classical paintings to stage the portrait of friends and young people in the banlieue s (suburbs)...
Articles of Virtu - Photographs by Bryan Birks | Text by Magali Duzant | LensCulture Award winner Articles of Virtu Prized old automobiles—that most American of obsessions—are the entry point to the surprising beauty and tenderness of their owners, the communities they belong to, and the aspirations they hold dear...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
This untitled drawing was part of Sung Hwan Kim’s solo exhibition Sung Hwan Kim: A Still Window From Two or More Places , which took place in tranzitdisplay in Prague, Czech Republic in 2010...
To make Minimal Secret (2012), Jarpa created sculptures based on pages of declassified CIA information about the United States’ involvement in Chile...
In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...
Maude Arsenault – Resurfacing – AMERICAN SUBURB X Skip to content Her work invests the themes of female representation, private space, domesticity and intimacy within the framework of a photographic and material approach which oscillates between abstract compositions, self-portraits, landscapes and images documentaries...
Freehand artist Mr Doodle comes to Hong Kong on mission to ‘doodle the world’: Briton’s work on show at K11 Musea and Pearl Lam Galleries | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more British artist Sam Cox, better known as Mr Doodle, draws on a model spaceship at Hong Kong MTR station in Central, Hong Kong on November 19...