No Title

1992 - Photography (Photography)

5 x 7 inches

Félix González-Torres

location: New York, New York
year born: 1958
gender: male
nationality: American
home town: Guáimaro, Cuba

Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience. As with most of his works, the photograph is untitled followed by a parenthesis that provides some context clues. In this case, an inscription on the reverse of the photograph reads: For Laura (Alice B. Toklas + Gertrude Stein Flower Bed in Paris). Alice B. Toklas moved to Paris in 1906, leaving San Francisco after its devastating earthquake. She met Gertrude Stein the day after she arrived in Paris, and they remained life partners until Stein’s death forty years later. The couple was known as an integral facet of the Parisian avant-garde, hosting figures such as Picasso, Matisse, Braque, and Hemingway. Stein wrote. Taken four years before González-Torres passed away due to AIDS in 1996, this photograph is at once an homage to the couple’s story of love, their strength and resilience, as well as a deeply personal mediation on his own experience of love and loss. This romantic and wistfully melancholic work documents the historical precedent for influential, openly gay culture makers, and is an homage to their memory and significance.


Felix Gonzalez-Torres is known for taking everyday objects and situations and imbuing them with powerful new meanings. Although his formal language echoes Minimal and Conceptual art, the striking visual simplicity and beauty of his installations operate as vehicles to lure audiences, allowing him to incorporate deeply personal narratives, and more broadly to serve humanistic ends by addressing themes relating to identity, gender, desire, love, and loss. Several pieces from his oeuvre relate to his experience as an openly gay man who experienced the devastating effects that the AIDS epidemic in the US had on the queer community. The celebrated works Untitled (Perfect Lovers) (1991), consisting of two store-bought wall clocks ticking next to each other, and Untitled (1991), a billboard with the image of an empty, unmade bed—are both examples of deeply personal responses to the passing of his long-time partner, Ross Laycock, from AIDS.


Colors:



Susan Sontag
© » KADIST

Peter Hujar

1975

Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose...

Victory at Sea
© » KADIST

Colter Jacobsen

2007

Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...

Untitled
© » KADIST

Trisha Donnelly

2007

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Visalia Livestock Market, Visalia, California
© » KADIST

Sharon Lockhart

2011

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Hernan Bas’s ‘The Conceptualists’ at The Bass Miami
© » ARTOBSERVED

Hernan Bas

Hernan Bas’s recent works, particularly his series “The Conceptualists,” showcase his continued exploration into the realms of queerness, desire, the occult, and the absurd...

Rainbow Body
© » KADIST

Chitra Ganesh

2018

The title of Rainbow Body by Chitra Ganesh refers to an elevated state of, or metaphor for, the consciousness transformation known as a rainbow body...

This Exhibition
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Tino Sehgal

2004

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...

Sound of Ice Melting
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Paul Kos

1970

Sound of Ice Melting is based on the ancient Zen Buddhist koan about the sound of one hand clapping...

Flutter
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Zarouhie Abdalian

2010

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Scene I am Cuba
© » KADIST

Felipe Dulzaides

2006

I Am Cuba— “Soy Cuba” in Spanish; “Ya Kuba” in Russian—is a Soviet/Cuban film produced in 1964 by director Mikhail Kalatozov at Mosfilm...

Product Recall
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Carey Young

2007

“Product Recall” is a video perfomative pun on the action recalling memories in the form of a psychoanalytic session and the recall of faulty products from multinational corporations...

Rabbithole
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Chitra Ganesh

2010

Rabbithole by Chitra Ganesh is a digital animation that refigures a fundamental plot device in myths and fables...

Sultana's Dream
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Chitra Ganesh

2018

Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream ...

Towhead n’Ganga enclosed in darkness, lorded over by the sexualized folded high priestless form
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Mike Kelley

1996

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...

Beyond the White Walls
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Jeremy Deller

2012

Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...

Work No. 299
© » KADIST

Martin Creed

2003

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...

Frontier-Linear
© » KADIST

Doug Aitken

2009

The version of Frontier acquired by the Kadist Collection consists of a single-channel video, adapted from the monumental installation and performance that Aitken presented in Rome, by the Tiber River, in 2009...