Choux, Fenautrigues, Lot, Fr. Janvier 2003

2012 - Photography (Photography)

Jean-Luc Moulène


After training in literature and working in advertising, Jean-Luc Moulène became known in the 1990s for his ‘documentary’ photographic practice. His images could be considered as studies of natural and cultural phenomena; the Objets de grève ( Strike objects) series (1999) documents objects made in factories during social protests. Moulène uses the codes of media images and diverts them to liberate the gaze and produce a new imaginary. This poetic tactic is manifest in the series called Disjonctions , in which Moulène photographs still lives, portraits, daily urban scenes. The notion of disjunction, which can be interpreted in the grammatical sense (‘or’, ‘either… either…’) or in terms of logic (an alternative in a dilemma), is manifest in the image by the disunity of the elements in the composition. The artist is not just a photographer, he increasingly creates relations with drawing, sculpture, objects, texts and newspapers.


Colors:



Related artist(s) to: Jean-Luc Moulène » Florian Hecker, » Harun Farocki, » Lara Almarcegui, » Seulgi Lee, » Adel Abdessemed, » Akram Zaatari, » Allen Ruppersberg, » Amos Gitai, » Anri Sala, » Carol Rama

Ghost games
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Anri Sala

2002

Ghost Games , follows the enigmatic dance of crabs “steered” by a flashlight in the night of darkness of a South American beach...

U: Repair the cowshed after losing the cow = Too late
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Seulgi Lee

2018

The Korean title for U: Repair the cowshed after losing the cow = Too late is —a famous Korean proverb meaning “you are doing something when you are already late to do it”...

Untitled (City Limits)
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Allen Ruppersberg

1970

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

Serious Games 3, Immersion
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Harun Farocki

2009

For Immersion , Harun Farocki went to visit a research centre near Seattle specialized in the development of virtual realities and computer simulations...

"Two young men from Aadloun", Studio Shehrazade, Saida, Lebanon
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Akram Zaatari

1966

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

Anonymous, Madani's parents home
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Akram Zaatari

1950

“While taking the picture it was challenging to make the boys sit properly without moving...

Two Palestinian Sisters
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Akram Zaatari

1950

Hashem El Madani, a studio photographer in Saida, began working in 1948...

"Najm", Studio Shehrazade, Saida, Lebanon
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Akram Zaatari

1956

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

"Anonymous", Studio Shehrazade, Saida, Lebanon
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Akram Zaatari

1970

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

A girl and her brother. Studio Sherazade. 1960s
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Akram Zaatari

1960

“When you position your hand on someone’s shoulder, your shoulders become straight and horizontal...

Anonymous. Madani,’s parent’s home. The Studio, 1949-50
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Akram Zaatari

1950

“Other photographers used to send me negatives of cross-eyed people, asking me to retouch them...

"Anonymous (Jradi and a friend)", Studio Shehrazade, Saida, Lebanon
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Akram Zaatari

1972

“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani...

"Baqari’s wife", Studio Shehrazade, Saida, Lebanon
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Akram Zaatari

1957

“These are negatives that were scratched because of a jealous husband from the Baqari family, who never let his wife out by herself...

Anonymous, Studio Sherhazade
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Akram Zaatari

1950

“In the 1980s I started using coloured paper backdrops, one of which was yellow...