Anonymous, Madani's parents home

1950 - Photography (Photography)

29 x 19 cm

Akram Zaatari

location: Sayda, Al-Lubnan
year born: 1966
gender: male
nationality: Lebanese

“While taking the picture it was challenging to make the boys sit properly without moving. Sometimes a member of the family whould hide behind, holding the child.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948. Like all studio photographers his subjects came to him. The studio was a constant flux of visitors. It was perceived as a safe haven, where the subjects of his photographs could act out their fantasies within the conventional format of portrait photography. Madani records the poses, clothes and behaviour of his clients reflecting the social and political context in which they lived as well as the norms and the taboos. He portrays anonymous personages, people who normally fall below the radar of public interest.


Zaatari combines the skills of a historian, a curator and an artist. He is interested in salvaging and preserving the past, in challenging the perceived norms of history. ‘Diversity is the most important factor in resisting misrepresentation’ he stated. ‘Focusing on iniduality thus becomes a political mission.’ Akram Zaatari was born in 1966 in Saida, Lebanon. He lives and works in Beirut.


Colors:



Related works of genres: » lebanese contemporary artists  
» see more

Untitled (Beirut)
© » KADIST

Etel Adnan

2010

Adnan’s paintings are simple images with bold contrasting colors and rich textures...

The Reverse Sessions. Litophone
© » KADIST

Tarek Atoui

2017

For The Reverse Sessions , the artist reversed the order in which instruments are usually created, taking the sounds of a collection of ethnic musical instruments from The Dahlem Museum as the starting point...

Festival of Gratitude: Muammar Gaddafi
© » KADIST

Walid Raad

2022

For his first NFT release artist Walid Raad made a series of animated birthday cakes, titled Festival of Gratitude , for some of the world’s most toxic and larger-than-life leaders...

Appendix XVIII: Plates
© » KADIST

Walid Raad

2009

“The Lebanese wars of the past three decades affected Lebanon’s residents physically and psychologically: from the hundred thousand plus who were killed; to the two hundred thousand plus who were wounded; to the million plus who were displaced; to the even more who were psychologically traumatized...

Related works featuring themes of: » Lebanese  
» see more

Civil Society
© » KADIST

Marwan Rechmaoui

2021

Throughout his career, Marwan Rechmaoui has maintained a drawing practice...

Abo Baker
© » KADIST

Marwan Rechmaoui

2021

Throughout his career, Marwan Rechmaoui has maintained a drawing practice...

The Pixelated Revolution
© » KADIST

Rabih Mroué

2012

The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...

Other related works, blended automatically  
» see more

"Two young men from Aadloun", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

1966

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

Civil Society
© » KADIST

Marwan Rechmaoui

2021

Throughout his career, Marwan Rechmaoui has maintained a drawing practice...

Abo Baker
© » KADIST

Marwan Rechmaoui

2021

Throughout his career, Marwan Rechmaoui has maintained a drawing practice...

The Pixelated Revolution
© » KADIST

Rabih Mroué

2012

The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...

Other works by: » Akram Zaatari  
» see more

"Two young men from Aadloun", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

1966

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

Two Palestinian Sisters
© » KADIST

Akram Zaatari

1950

Hashem El Madani, a studio photographer in Saida, began working in 1948...

"Anonymous", Studio Shehrazade, Saida, Lebanon
© » KADIST

Akram Zaatari

1970

“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...

The Pixelated Revolution
© » KADIST

Rabih Mroué

2012

The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Related works found in the same semantic group  
» see more

Akram Zaatari
© » KADIST

Akram Zaatari talks about the influence of the Arab Image Foundation and the images of Hashem El Madani in his work...

Dazzlemen
© » KADIST

Tala Madani

2008

Madani works on a small scale and a large scale...

Stamp -X, Stamp -Y
© » KADIST

John Houck

2013

John Houck’s multi-layered photographic compositions immortalize nostalgic objects from the artist’s childhood, manipulated in the studio and in post-production into unreal still-life arrangements...

Untitled (Schindler House, #01)
© » KADIST

Luisa Lambri

2007

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...