Avenida Corona del Rosal

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...

Pedro Reyes’s Los Mutantes ( Mutants , 2012) is composed of 170 plates that combine characters from ancient and modern mythologies...

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive...

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...

Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...

silentstar, delicacy by Duane Linklater is a replica of a baby pink hoodie that the artist wore as a teenager, embellished with hand-painted elements and band patches...

Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Clémentine Adou — Xmas — Les Bains-Douches d'Alençon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Clémentine Adou — Xmas Exposition Installations, son - musique, techniques mixtes, vidéo Clémentine Adou, Red nose, red dot, 2023 Nez rouge, moteur — 5 × 5 × 5 cm Clémentine Adou & Tonus, Paris Clémentine Adou Xmas Encore 21 jours : 26 janvier → 3 mars 2024 « Le mouvement n’est pas quelque chose de matériel...

Weekly Southeast Asia Radar: Why I sing in English; how Cambodian art can survive | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Nyein Su Wai Kyaw Soe | Frontier March 12, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

Taking archaeology as her departure point to examine the trajectories of replicated and displaced objects, “Who will measure the space, who will tell me the time?” was produced in Oaxaca for her exhibition of the same title at the Contemporary Museum of Oaxaca (MACO) in 2015...

Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...

Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

Halfway between a painting and an installation City Sound of Rug gathers found images, synthetic foam, painted metal plates, and prints placed on the floor...

The artist's philosophical paintings are on view at the Kyoto City Kyocera Museum of Art...

Conrad Ruiz loves to paint subjects related to the “boy zone”: video games, weapons, games, science fiction, fantasy, and special effects...

Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...