Almohada

2011 - Installation (Installation)

Variable dimensions

Mateo Lopez

location: Bogota, Colombia
year born: 1978
gender: male
nationality: Colombian
home town: Bogota, Colombia

Mateo Lopez uses paper as a medium to conjure personal experiences. The artist creates drawings and trompe l’oeil objects, ranging from apples to clothing hangers to doors. These props are part of a performance; he often sets up his studio in public and uses cues from his own journeys as the inspiration for his work. The objects are not dull, but sensuous, creating their own life in a Proustian narrative; slices of apple, for instance, have texture summoning the juiciness of a crisp bite. Lopez carefully creates these phantom objects and imbues them with the colors of memory. Almohada means “pillow” in Spanish, and this 2011 sculpture is a literal and playful interpretation. The large pillow made of sheets of paper leans vertically against a wall, and papers printed with images of feathers spill over the top and cascade onto the floor.


Though he often works with paper and traditional techniques such as lithography, Mateo López is interested in expanding the scope of drawing and frequently operates outside of traditional studio situations to conjure personal experiences. His early studies in architecture equipped him to consider his medium in terms of time and space, and in three rather than two dimensions. The portability of López’s methods, along with his personal approach to collecting information from his personal journeys, has become a trademark of his installations. Drawings and trompe l’oeil objects, ranging from apples to clothing hangers to doors, extend beyond their sources of inspiration as sensuous entities, creating their own life in a Proustian narrative.


Colors:



Other related works, blended automatically

Roca Carbón (Charcoal Rock)
© » KADIST

Mateo Lopez

2012

With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

2012

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...

Casa de la cabeza (House of the head)
© » KADIST

Bernardo Ortiz

2011

Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Colombia
© » KADIST

Nicolás Consuegra

2014

Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...

Corrupted file from page 14, (V1)
© » KADIST

Alessandro Balteo Yazbeck

2008

Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...

A meditation on the possibility…
© » KADIST

Daniel Joseph Martinez

2005

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P...

Untitled
© » KADIST

Gabriel Sierra

2010

Untitled consists of a small wooden sculpture that leans against a wall...

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido)
© » KADIST

Claudia Joskowicz

2015

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...

Stone Deaf (Drawing)
© » KADIST

Milena Bonilla

2009

Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...

Untitled
© » KADIST

Jedediah Caesar

2009

For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...

Avenida Corona del Rosal
© » KADIST

Pablo Rasgado

2011

Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...

I can’t believe we are still protesting
© » KADIST

Wong Wai Yin

2021

Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...

Sunday (Domingo)
© » KADIST

Rivane Neuenschwander

2010

In this video, a parrot chews on seeds printed with punctuation marks...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Los rastreadores
© » KADIST

Claudia Joskowicz

2014

Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...

Ante la imagen
© » KADIST

Oscar Munoz

2009

In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...

Primero Estaba el Mar
© » KADIST

Felipe Arturo

2012

Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...

Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks)
© » KADIST

Nicolás Consuegra

2012

A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...