Almohada

2011 - Installation (Installation)

Variable dimensions

Mateo Lopez

location: Bogota, Colombia
year born: 1978
gender: male
nationality: Colombian
home town: Bogota, Colombia

Mateo Lopez uses paper as a medium to conjure personal experiences. The artist creates drawings and trompe l’oeil objects, ranging from apples to clothing hangers to doors. These props are part of a performance; he often sets up his studio in public and uses cues from his own journeys as the inspiration for his work. The objects are not dull, but sensuous, creating their own life in a Proustian narrative; slices of apple, for instance, have texture summoning the juiciness of a crisp bite. Lopez carefully creates these phantom objects and imbues them with the colors of memory. Almohada means “pillow” in Spanish, and this 2011 sculpture is a literal and playful interpretation. The large pillow made of sheets of paper leans vertically against a wall, and papers printed with images of feathers spill over the top and cascade onto the floor.


Though he often works with paper and traditional techniques such as lithography, Mateo López is interested in expanding the scope of drawing and frequently operates outside of traditional studio situations to conjure personal experiences. His early studies in architecture equipped him to consider his medium in terms of time and space, and in three rather than two dimensions. The portability of López’s methods, along with his personal approach to collecting information from his personal journeys, has become a trademark of his installations. Drawings and trompe l’oeil objects, ranging from apples to clothing hangers to doors, extend beyond their sources of inspiration as sensuous entities, creating their own life in a Proustian narrative.


Colors:



Other related works, blended automatically

Roca Carbón (Charcoal Rock)
© » KADIST

Mateo Lopez

2012

With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

2012

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...

Casa de la cabeza (House of the head)
© » KADIST

Bernardo Ortiz

2011

Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....

Abece “K”
© » KADIST

Johanna Calle

2011

Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...

Suburbia 1, Espinca bifida #3, Laconista7
© » KADIST

Johanna Calle

2003

Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities...

20 Surrogates
© » KADIST

Allan McCollum

1982

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...

Corrupted file from page 14, (V1)
© » KADIST

Alessandro Balteo Yazbeck

2008

Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...

Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks)
© » KADIST

Nicolás Consuegra

2012

A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido)
© » KADIST

Claudia Joskowicz

2015

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...

La Ligne du Temps
© » KADIST

Valeska Soares

2012

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

Round and Round and Consumed by Fire
© » KADIST

Claudia Joskowicz

2009

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

Avenida Corona del Rosal
© » KADIST

Pablo Rasgado

2011

Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...

Flutter
© » KADIST

Zarouhie Abdalian

2010

The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...

Mapa Mundi BR (postal)
© » KADIST

Rivane Neuenschwander

2007

Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...

Untitled (Blue Chapel)
© » KADIST

Robert Therrien

1985

In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...

I used to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance
© » KADIST

Daniel Joseph Martinez

1978

For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...

Trópico entrópico
© » KADIST

Felipe Arturo

2012

Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Ante la imagen
© » KADIST

Oscar Munoz

2009

In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...

Destilaciones
© » KADIST

Ximena Garrido Lecca

2014

Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...