The Third Seal-They Are Already Old, They Don't Need to Exist Anymore

2009 - Film & Video (Film & Video)

Tsang Kin-Wah

location: Hong Kong, China
year born: 1976
gender: male
nationality: Chinese
home town: Shantou, Guangdong Province, China

The Third Seal—They Are Already Old. They Don’t Need To Exist Anymore is part of The Seven Seals , Tsang’s ongoing series of digital videos that are projected as installations onto the walls and ceilings of dark rooms. Using texts and computer technology, the series draws its reference from various sources—the Bible, Judeo-Christian eschatology, existentialism, metaphysics, politics, among others—to articulate the world’s complexity and the dilemmas that people face while approaching “the end of the world.” The Third Seal is a nineteen-by-twenty-seven-foot projection on a single wall that, together with sound, creates an immersive and dynamic environment. Crawling up from the bottom of the wall are black, worm-like texts that comment on class struggle, revolutionary riots, labor and production, human existence, and social justice. Without a clear beginning or end, the work suggests a cycle and the non-linear nature of history, and, by extension, life and death.


Navigating relationships among words, images, and languages, Tsang Kin-Wah’s text-based work span various media: wall prints, silkscreen, and digital video projections. His wallpaper prints usually feature beautiful floral patterns that recall the swirls of nineteenth-century decorative wallpapers. However, upon closer inspection, details reveal the patterns to be composed of text in both English and Chinese characters. Their provocative and sometimes offensive meanings mock art, the art market, the artist and his Chinese ethnicity, as well as other broader culture issues. In 2009, Tsang began experimenting with new media and produced The Seven Seals , an ongoing series of digital video installation works that takes its name from the New Testament’s Book of Revelation. Tsang’s practice allows a range of interpretations and encourages viewers to search the relationship between image and text, between pictographic and phonetic writing systems.


Colors:



Related works from the » 2000's created around » Hong Kong, China

Unregistered City series #1 #2 #7
© » KADIST

Jiang Pengyi

2008

Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...

Dilemma, three way of fork in the road
© » KADIST

Jianwei Wang

2007

In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...

A Gust of Wind
© » KADIST

Zhang Peili

2008

In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...

Diversionist
© » KADIST

Cao Fei

2004

Diversionist is part of the Cosplayers Series from 2004...

New York Public Library Projects (NYPLP)
© » KADIST

Pak Sheung Chuen

2008

Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...

History of Chemistry I
© » KADIST

Lu Chunsheng

2004

A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...

Regard Eating Every Single Time as a Formal Declaration, My Stomach is Sexy out of Anger
© » KADIST

Xiaoyun Chen

2006

The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...

State Terrorism in Ultimate Form of PreRaphaelite Brotherhood
© » KADIST

Xiaoyun Chen

2006

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...

I Want to be Gentleman
© » KADIST

Lu Chunsheng

2000

Lu has developed an oeuvre that consists of characters in bizarre situations...

Collective Memories: Beijing Hotel
© » KADIST

Chen Shaoxiong

2007

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...

Phenomena
© » KADIST

Yang Xinguang

2009

Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...

Tremble
© » KADIST

Jiang Zhi

2009

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens...

RMB City: A Second Life City Planning 04
© » KADIST

Cao Fei

2007

Since 2007, Cao Fei has radically focused her work on Second Life, an online space that virtually mimics “the real world” and includes everything from the expression of ideas to economic investment...

Drag
© » KADIST

Xiaoyun Chen

2006

In the video work Drag, a man in a dark room pulls on the end of a rope...

Ink Diary
© » KADIST

Chen Shaoxiong

2006

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...