In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
Zhang Peili is generally recognized as the first Chinese artist to use video as a primary medium. A leading figure of the Chinese avant-garde movement and a founding member of the artist collective “Pond Society” in the 1980s, he has developed a highly respected international career. Zhang’s earlier works experimented with the aesthetics of boredom and looked at themes of technological, social, and political control. His more recent work interrogates viewing conventions, perceptions of time, and notions of progress through the remixing and editing of found footage. Zhang has been a mentor to many younger Asian artists working with new media.
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
Hampstead Heath's notorious gay cruising spot recreated for London exhibition Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions review Hampstead Heath's notorious gay cruising spot recreated for London exhibition Trevor Yeung, who will represent Hong Kong at the next Venice Biennale, considers the unspoken language of public sex for his Gasworks solo show Kabir Jhala 7 December 2023 Share Installation view of Trevor Yeung's Soft Ground at Gasworks, London Like many of us, the artist Trevor Yeung spent his time during the Covid-19 lockdowns in London taking long walks...
Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Nicolas Daubanes — Du béton, de l’acier et de la viande — La Maréchalerie, centre d’art contemporain — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Nicolas Daubanes — Du béton, de l’acier et de la viande Exposition Architecture, installations Derniers Jours Nicolas Daubanes, La grâce présidentielle, à la galerie Territoires Partagés, Marseille PAC 2022 © JC Lett Nicolas Daubanes Du béton, de l’acier et de la viande Encore 6 jours : 22 septembre → 17 décembre 2023 La pratique artistique de Nicolas Daubanes se déploie à travers le dessin, la sculpture, la vidéo et l’installation...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...
In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...