50 x 70 cm
Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions. During the process of depuration of forms he develops a series of translations whose inception is the daily life and culture of his community, deep in the Amazon rainforest. The works reveal structures rather than shapes, organization rather than form, exposing a way of seeing where nature and culture are not mutually exclusive but manifesting simultaneously.
Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest. His work is part of a tradition of abstraction in art, not connected to Western genealogies, but to Amazonian cosmologies, and lately he has contributed to the acknowledgment of the contemporaneity and relevance of such traditions in Latin America. His drawings describe the shapes of animals and plants – or the marks they leave – which are part of the Yanomami territory. They mimic, to a certain extent, the vital rhythms of different organisms, instead of representing them. The protection of Yanomami knowledge and memory is a key motivation behind Hakihiiwe’s work. While in the Amazon, where he spends most of his time with no communication outside his territory, he keeps a notebook of sketches. He works on them, synthesizing the forms of plants and animals he records. He then spends periods of time in Caracas where he translates these drawings using different techniques.
Oren Pinhassi’s work examines the relationship between the human figure and the built environment...
This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph...
Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...
In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...
In her work, Fantasmática Latinoamericana, Jarpa works from photographs of five public funeral processions following the mysterious deaths of five Latin American presidents...
SDEA Theatre Arts Conference Keynote Interviews: Drama lessons in a pandemic (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints May 2, 2021 By Sarah Tang SDEA is holding its first fully online Theatre Arts Conference this year from 22 to 30 May...
Particularly shaped by his own youth in the 1990s, his recent works have incorporated things like a marijuana leaf, a dragon-emblazoned chain wallet, metal grommets, and the ubiquitous (in the 90s) Stussy symbol...
Power Forward Wednesday, January 24, 2018 Bar 6pm, Program 7pm Ezekiel Kweku & Ameer Lo ggins in conversation, moderated by Sarah Hotchkiss Editors Astria Suparak & Brett Kashmere in person To celebrate the launch of Sports , the newest issue of artist-run publication INCITE: Journal of Experimental Media , KADIST hosts an evening of athletics, politics, art, and dialogue...
Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
Saturday, January 20, 2023, 1.30 pm (off-site) Performance by Duto Hardono, Variation & Improvisation for ‘In Harmonia Progressio’ (2017) at the Asian Art Museum Presented at and in collaboration with the Asian Art Museum, as part of Speculative Fabulation: New Voices, New Stories at the Asian Art Museum Friday, February 2, 2024, 7–9 pm The Fugue of the Cicada Songs An evening of sound performances organized in collaboration with Cone Shape Top, on the occasion of the launch of de montañas submarinas el fuego hace islas : Reader Volume Two co-published with Sming Sming Books Thursday, February 8, 2024, 5 pm (off-site) Yina Jiménez Suriel in conversation with Natalia Brizuela, Professor of Film & Media and Spanish & Portuguese Presented at and in collaboration with the University of California, Berkeley’s Center for Latin American and Caribbean Studies: 2334 Bowditch St, Berkeley, CA 94720 Wednesday, February 10, 2024, available to view on KADIST.tv from February 19, 2024 (this program takes place off-site and online) de montañas submarinas el fuego hace islas , screening program co-curated by Yina Jiménez Suriel and Arianna Mercado at MCAD Manila – Museum of Contemporary Art and Design, Manila de montañas submarinas el fuego hace islas , reader A bi-lingual reader, co-published with Sming Sming Books, with the support of the Center for Latin American and Caribbean Studies, University of California, Berkeley will be available in February 2024...
Created during Zhao Renhui’s residency at Kadist SF in 2014, Zhao Renhui began observing and cataloguing insects inspired by the scientific impulse towards exhaustive taxonomy of Sacramento-based Dr...
The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...