Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle. Her careful meditations in fabric reflect Plata’s ongoing interest in the relationship between people and their environments, in fragility, systems, and destruction.
Colombian artist Maria Fernanda Plata found herself drawn to fabric as a material with conceptual implications while on a residency in Vietnam. Interested in the materiality as well as the multiple registers of meaning bound up in simple form—the way that the term “fabric” is used to described the structure and form of societies, relationships, cultures, etc.—Plata began to explore her material through a process of deconstruction.
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Tsumeb Fragments was produced for the exhibition at Kadist, “Comot Your Eyes Make I Borrow You Mine” in 2015...
Hiroshi Sugimoto’s Time-Traveling Lens Skip to content Hiroshi Sugimoto, "Lake Superior, Cascade River" (1995), gelatin silver print (all photos AX Mina/Hyperallergic) LONDON — The first image at the Hayward Gallery’s show of work by Japanese photographer Hiroshi Sugimoto is a pair of upright apes walking through a volcanic landscape...
The Art of Fashion and Legacy: Carla Sozzani and Byronesque’s Unique Collaboration – A Shaded View on Fashion https://byronesque.com/fondazione_sozzani/ Dear Shaded Viewers, In a remarkable intersection of art and fashion, Carla Sozzani, the revered figure in the world of fashion, has embarked on a unique collaboration with Byronesque...
Met Museum to Return 16 Looted Khmer Artifacts Skip to content Unknown artist, "Head of Buddha" (7th century), sandstone, 24 x 13 x 12 3/4 inches (all photos courtesy the Metropolitan Museum of Art) An ancient larger-than-life sandstone Buddha head, a bronze sculpture of a seated Bodhisattva Avalokiteshvara, and a 10th-century goddess statuette from a remote temple complex are among 16 looted Khmer works currently in the process of repatriation back to Cambodia and Thailand, according to announcements by the Metropolitan Museum of Art and the US Attorney’s Office for the Southern District of New York (SDNY) released today, December 15...
Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution...
Zhang Kechun’s photographic series The Yellow River documents the effects of modernization along the eponymous Yellow River, the second longest in Asia...
Postponed: Curator Yina Jiménez Suriel in conversation with Natalia Brizuela, Professor of Film & Media and Spanish & Portuguese, Thursday, October 19, 2023, 5–6 pm The Center for Latin American and Caribbean Studies, University of California, Berkeley: 2334 Bowditch St, Berkeley, CA 94720 Curator Yina Jiménez Suriel will discuss her curatorial process and research project la historia de las montañas (the history of the mountains) , which examines emancipation, perceptual systems beyond the human, and the creation of new imaginaries outside/beyond Western structures...
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
This dyptich installation is coming from a research/ installation Sa koša ke lerole (2016 – ongoing) started during the Montreal biennale (curated by Philippe Pirotte), then recently exhibited at Grahamstown National Arts Festival...
Jeremy Grayson obituary | Photography | The Guardian Skip to main content Skip to navigation Skip to navigation Jeremy Grayson photographed Shirley Bassey, Sammy Davis Jr and Marlon Brando Jeremy Grayson photographed Shirley Bassey, Sammy Davis Jr and Marlon Brando Obituary Jeremy Grayson obituary My father, Jeremy Grayson, who has died aged 90, was a professional photographer who worked over the years for clients including the BBC, Radio Times, Talk of the Town and the London Palladium...
In the exhibition Pink as a Cabbage / Green as an Onion / Blue as an Orange , Asli Çavusoglu pursues her work on color to delve into an investigation into alternative agricultural systems and natural dyes made with fruits, vegetables, and plants cultivated by the farming initiatives she has been in touch with...
Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...