Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-sized pinhole camera that dates back to ancient times and which he has used to photograph trees from various regions. Through these works Graham looks back at the history of photography while making the viewers aware of their own retinal experience. In the case of the Ponderosa Pine series, the artist’s use of a pinewood frame gives the elephantine inverted tree both a physical presence and a rather morbid veil.
Conceptual artist Rodney Graham’s oeuvre is highly versatile and intellectual. By incorporating fictional narratives and alternative interpretations into an existing context, Graham creates visual puns that layer historical reference to examine social and philosophical systems. Not only is Graham the behind-the-scenes sculptor, photographer, filmmaker, inventor, scholar, writer and singer in his projects, he also literally appears in the finished works, impersonating various fictional characters.
Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris Login Newsletter Twitter Facebook Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Nina Azoulay — Comme un rond dans un carré Exhibition Installation, sculpture Closing Nina Azoulay, Olivia, 2024 © Nina Azoulay Nina Azoulay Comme un rond dans un carré Ends in 7 days: January 11 → February 18, 2024 La Project Room est le nouvel espace prospectif et expérimental du Frac qui prend place dans la dernière salle du Plateau...
Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Nina Azoulay — Comme un rond dans un carré — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Nina Azoulay — Comme un rond dans un carré Exposition Installations, sculpture Derniers Jours Nina Azoulay, Olivia, 2024 © Nina Azoulay Nina Azoulay Comme un rond dans un carré Encore 7 jours : 11 janvier → 18 février 2024 La Project Room est le nouvel espace prospectif et expérimental du Frac qui prend place dans la dernière salle du Plateau...
Controversy swirls around Centre Pompidou ahead of 2025 closure Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums news Controversy swirls around Centre Pompidou ahead of 2025 closure Talks between trade unions and the French culture ministry stall as workers fear for their future during the Paris museum’s five-year shutdown Vincent Noce 8 December 2023 Share A museum in turmoil: the Pompidou is due to close from 2025 until 2030...
Does anyone else miss art school? The sweet smell of invasive ceramic dust, the satisfying scrape of fresh charcoal across a giant sheet of Strathmore, the mortifying class-wide critique of your meager attempt at drawing a poorly-lit vase that you really should have spent more time on but you were partying all night at Avery’s “performative art sequence” at that creepy abandoned carwash...
Created from extracts of kitsch movies or Greek soap operas from the 1960s, these videos are like audiovisual ‘postcards’ reflecting a nostalgic and melancholic approach...
Morvarid K — This too Shall Pass — Galerie Bigaignon — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Morvarid K — This too Shall Pass — Galerie Bigaignon — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Morvarid K — This too Shall Pass Exposition Photographie Vue de l’exposition Morvarid K, This too Shall Pass, 2023 © D...
Some Southeast Asian picks from the Busan International Film Festival (via Bangkok Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 25, 2018 How do Aceh and Japan, two places that seem unrelated, separated by a vast distance of land and sea, connect on the personal and historical level? For one, they both have been hit by a tsunami — Aceh in the massive tragedy that struck many parts of Southeast Asia in 2004 and Japan in 2011...
Angel Vergara at Axel Vervoordt Gallery – ARTOMITY 藝源 Angel Vergara / Acts & Paintings, Hong Kong / Nov 18, 2023 – Mar 16, 2024 / Opening: Saturday, Nov 18, 1pm – 7pm / Artist Performance with Hong Kong New Music Ensemble, Nov 18, 3 pm – 3:30 pm / Axel Vervoordt Gallery 21/F, Coda Designer Centre 62 Wong Chuk Hang Road Entrance via Yip Fat Street, Wong Chuk Hang +852 2503 2220 Tuesday – Saturday, 11am – 7pm axel-vervoordt.com Painting is often considered a static art form...
Does new M+ exhibition based on East Asian ink landscape paintings go too far or not far enough? | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more “(All is) non-hierarchical” (2022), a ceramic sculpture by Macanese artist Heidi Lau, at “Shanshui: Echoes and Signals”, the new exhibition at Hong Kong’s M+ museum of visual culture based on East Asian ink landscape paintings...
Report of the Legal Subcommittee is a print featuring a map of the stars, together with a found transcription of a recent United Nations meeting in which various international delegations declare frustration with their 40-year-old, ongoing efforts to devise a legal definition of outer space...
The Rebellion of Roots by Daniela Ortiz depicts a series of situations in which tropical plants, held hostage in the botanical gardens and greenhouses of Europe, are protected and nurtured by the spirits of racialized people who died as a result of European racism...
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