86,5 x 73,5 cm
“To me, art equals responsibility”. That is probably why Alain Séchas creates works according to the human scale, immediately evoking the human body. But rather than using the human figure, he chose that of the cat: a round-eyed feline which never smiles. ” Doing cats becomes like a trap, so that we identify a lot with it (…) and all the imagery of the cat reappears: the Egyptian cat, comics, caricature etc”. Chosen as our anthropological equivalent, the cat plays various characters, often provocative, and becomes the intermediary between the artist and the viewer. More than a mere sculpture, he is a drawing with volume, a motif which endlessly changes: ” I have always said that my work was about drawing; a small drawing is as important as a large sculpture and its making is as difficult for me. » Falsely naive, the work of Alain Séchas stands out and opens our eyes, like his cat: « Forcing the viewer to see is to me the very definition of art », he says. With no complacency whatsoever. Peace and Love shows a family with children who embody some of the typical calamities of society written on their T-shirt: “murder”, “suicide”, “gore” thus criticising the values of the generation of May 1968.
Alain Séchas is an artist and cartoonist. Since the early 1980s, he has developed a highly recognizable and singular body of work composed of drawings, sculptures, videos and installations. With a desire to reflect on our human condition, our fears and frustrations, Séchas repeatedly pictures and stages anthropomorphic figures in grotesque or humorous settings. The contrast between the nature of the depicted scenes and the naïve line of his characters that recall the aesthetic of cartoons and toys is accompanied by a sense of derealization challenging the audience in their perception of art. The eccentric and irreverent quality of his work, being highly informed by the History of modern and contemporary art, is inscribed in a thoughtful gesture that aims to test the boundaries of artistic formalism.
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Baloji and the Art of Averting the Evil Eye | Contemporary And search for something search C& AMÉRICA LATINA EN FR MEMBERSHIP EN FR Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK Follow About Contact Newsletter Advertise Imprint Data protection Membership Contemporary And (C&) is funded by: Editorial All Editorial Features Installation Views Inside the Library Interviews News Opinions Events All Events Art Fairs Conferences Exhibitions Festivals Performances Screenings Talks / Workshops C& Projects C& Artists’ Editions C& Commissions C& Center of Unfinished Business Show me your shelves! C& Education Mentoring Program Critical Writing Workshops Lectures / Seminars Membership Opportunities Print C& Audio Archive On Tour Places Explore IN CONVERSATION INSTALLATION VIEW WE GOT ISSUES DETOX LABORATORY OF SOLIDARITY CONSCIOUS CODES CURRICULUM OF CONNECTIONS LOVE ACTUALLY OVER THE RADAR BLACK CULTURES MATTER INSIDE THE LIBRARY LOOKING BACK GO TO C& AMÉRICA LATINA About Contact Newsletter Advertise Imprint Data protection Membership In Conversation Baloji and the Art of Averting the Evil Eye Musician, filmmaker, and multitalented artist Baloji talks to C& about his first feature film and how the diasporic relationship gives access to an imaginary world that breaks free from shackles...
Mystery Zone, or A Lotta Endings : Open Space November 23, 2021 Mystery Zone, or A Lotta Endings by Poetry Collaborations with Creative Growth They lived happily ever after And then the sun came up And then the sun go down The couple is riding off into the sunset The End They threw a pie at the shark, the end “We’ll have to do this again sometime” “See ya later, turkey!” “I have a train to catch” My hero! Good night and God bless We’re closed! Take and catch an airplane Keep in touch, never come back! I imagine the dummy It’s how the turkey played the game With no strings attached Exit stage left And the two-timer was never heard from again How the turkey danced tutu in the ballet I will kick you off the curb I will kick you off the planet You cheating turkey! Love me never to say I’m sorry And they danced to music Dogs chance squares sometimes to bark The family played the piano Goodnite, Johnboy Forgiving you family And the wind swept the plain The wind moving the grass Like life Tune in tomorrow! The dog is happy with the owner What a happy ending The tail hit my leg Aloha! A flying dog flying in the mountains Gloomy gray sky The elevator doors closed — Juan Aguilera, Chris Corr-Barberis, D’Lisa Fort, Jorge Gomez, Gail Lewis, Larry Randolph, Elizabeth Rangel, Julie S., Nicole Storm, Monica Valentine, Kathy Zhong Tags: collaboration , poetry , Poetry Collaborations with Creative Growth Leave a comment Cancel reply Please tell us what you think...
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