145 x 165 x 35 cm
Karla Black is a Scottish artist living in Glasgow . Her work draws from a multiplicity of artistic traditions from expressionist painting, land art performance, to formalism. Her large-scale sculptures incorporate modest everyday substances, along with very traditional art-making materials to create abstract forms. Black chooses her media for their tactile aesthetic appeal: the familiarity of the texture of cellophane or the scent of cosmetics bridges the experience of tangible matter with the intimacy of memory or the subconscious. Black’s process is intensely physical and this energy is conveyed through ‘impromptu’ staging of her work; this suggestion of performance psychologically involves the viewer with the making process, provoking instinctive responses to her precarious assemblages. Black’s work evinces childhood memories of cakes and candy floss, of birthdays and ice cream. It is absorptive, immersive and engaging, painterly and sculptural, ephemeral and yet permanent. It always has a fragile appearance and is often fragile, capable of being destroyed by a draught or the actions of a viewer. It teeters on the edge of being and non being. Not Today is essentially a painting on three sheets of transparent plastic suspended from the walls by scotch tape. These materials are typical of Black’s art. Suspended in front of a white wall or even a window, the work is as much about light as it is about colour. The layers of the painting coalesce into one plane when the visitor stands before it and yet as a layered painting it also has actual depth. Black says of her work: “sculpture … can be a pure engulfment and absorption in the material world, when you’re not even aware of yourself, when you have no self consciousness, and you’re not being watched and you’re just purely absorbed in the material world. That is the best possible kind of escape – when you are fully connected to yourself. I think about art as a place to behave, as an escape, not just for me but for the people looking at it,” says Black. Her emphasis is on materials and their behaviour. “My work is just rooted in the physical, it just is a thing; it’s real. You don’t have to think, “What does it represent?” or “What does it mean?” It is just, like, it is here. And you’re here. And it is just that exchange.“
Karla Black is a Scottish artist living in Glasgow . Her work draws from a multiplicity of artistic traditions from expressionist painting, land art performance, to formalism. Her large-scale sculptures incorporate modest everyday substances, along with very traditional art-making materials to create abstract forms. Black chooses her media for their tactile aesthetic appeal: the familiarity of the texture of cellophane or the scent of cosmetics bridges the experience of tangible matter with the intimacy of memory or the subconscious. Black’s process is intensely physical and this energy is conveyed through ‘impromptu’ staging of her work; this suggestion of performance psychologically involves the viewer with the making process, provoking instinctive responses to her precarious assemblages. Black’s work evinces childhood memories of cakes and candy floss, of birthdays and ice cream. It is absorptive, immersive and engaging, painterly and sculptural, ephemeral and yet permanent. It always has a fragile appearance and is often fragile, capable of being destroyed by a draught or the actions of a viewer. It teeters on the edge of being and non being.
Weekly Picks: Indonesia (17 - 23 December 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do December 17, 2018 Top Picks of Indonesia art events in Bali and Solofrom 17-23 December 2018 The year is coming to a close but there are still a few exciting art events that might brighten your holiday season...
Turner Prize Winner Jesse Darling Claims the Spotlight - Artcentron Home » Turner Prize Winner Jesse Darling Claims the Spotlight ART Dec 15, 2023 Ξ Leave a comment Turner Prize Winner Jesse Darling Claims the Spotlight posted by ARTCENTRON Jesse Darling, Turner Prize Winner with Delirious at Towner Easbourne...
Georgia Dispatch: Living and Making in the American South Suzanne Jackson, Yanique Norman, and Katya Tepper in conversation with Erin Jane Nelson, in collaboration with Burnaway Long before Georgia surprised the world in two recent US elections, the Peach State was a vital cultural and political force, shaping everything from food and music to queer culture and Civil Rights activism...
Misting Miner is a vapor sculpture by Alexey Buldakov from the Urban Fauna Lab collective that gives material form to the invisible phenomenon of mining cryptocurrency...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Fall in love with art: delight in collecting paintings | Painting | The Guardian Skip to main content Skip to navigation Advertisement Fall in love with art: delight in collecting paintings Where it all began… This painting of two salmon by Julie Brook was Rachel Cooke’s first foray into art collecting...
Plan to Restore Pyramid in Granite Draws Criticism | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...
Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure...