Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous. Like much of Burton’s work, Negligee reflects both his experience as a commercial photographer and his interest in the voyeurism, desire, vulnerability, and power of the photographic act.
À Ố Làng Phố: Less trick, more treat in Vietnamese bamboo circus | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Nguyen The Duong March 2, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (730 words, 6-minute read) You go into a circus performance with certain expectations...
Timelapse Captures How the Sun Looks During Solar Storms Home / Photography / Astrophotography Breathtaking Timelapse Captures How the Sun Looks During Intense Solar Storms By Regina Sienra on December 3, 2023 Ver esta publicación en Instagram Una publicación compartida por Miguel Claro Astrophotography (@miguel_claro) Solar storms are one of the most fascinating astronomical events...
Weekly Southeast Asia Radar: Jakarta's controversial Performance Art Club; Bangkok Art Biennale | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar 69 Performance Club January 23, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Explain Me with Andy Adams of FlakPhoto: From Idyllic Photos to The Surveillance State About AFC Board AFC Editions Donate Art F City Explain Me with Andy Adams of FlakPhoto: From Idyllic Photos to The Surveillance State by Paddy Johnson and William Powhida on November 2, 2020 Explain Me + Podcast Tweet Image by Andy Adams...
Los Angeles museum repatriates Asante artefacts to Ghana Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Repatriation news Los Angeles museum repatriates Asante artefacts to Ghana The Fowler Museum at UCLA has repatriated seven artefacts that were taken during the Sagrenti War of 1874 Scarlet Cheng 5 February 2024 Share Unidentified member(s) of gold workers' guild (Asante peoples, Kumasi, Ghana), Royal necklace (gorget) or stool ornament; Before 1874; gold Fowler Museum at UCLA, Gift of the Wellcome Trust Seven handcrafted Asante objects have just travelled halfway around the globe to be returned, 150 years later, to the family of their original owners in Kumasi, Ghana...
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
‘If I start thinking I hate making baubles that’s the time to retire’: Will Shakspeare’s craft – in pictures | Art and design | The Guardian Skip to main content The artisans ‘If I start thinking I hate making baubles that’s the time to retire’: Will Shakspeare’s craft – in pictures Will Shakspeare’s Christmas baubles...
"A Land Imagined" and The Ghosts We Forget | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography February 21, 2019 By Alfonse Chiu (1200 words, six-minute read) The three definitions of the word “ghost” from the Oxford dictionary are as follows: the first, “an apparition of a dead person which is believed to appear or become manifest to the living”; the second, “a slight trace or vestige of something”; and the third, “a faint secondary image caused by a fault in an optical system, duplicate signal transmission, etc.” In all three, presence is a suggestion of memory, amenable to corrections by means of a quick scrub of one’s spectacles...
Proyecciones Espacio Odeón (Bogotá, Colombia) y Museo La Tertulia (Cali, Colombia) ¿Cómo enfrentamos la incertidumbre de estos tiempos? ¿Puede el juego, los sueños, o incluso las alucinaciones ayudarnos a imaginar otras posibles trayectorias? ¿Qué tipo de prácticas nos permiten relacionarnos con los territorios que habitamos? Tomando como punto de partida el potencial de lo inquietante en medio de una amenaza invisible, Sigo esperando es una serie de proyecciones en las fachadas del Espacio Odeón (Bogotá) y del Museo La Tertulia (Cali)...
8 Overlooked Women Old Masters Who Were Ahead of Their Time | Artsy Skip to Main Content Advertisement Art 8 Overlooked Women Old Masters Who Were Ahead of Their Time Annabel Keenan Dec 13, 2023 5:29PM Installation view of “Ahead of her Time: Pioneering Woman from the Renaissance to the Twentieth Century” at Robilant + Voena, 2023...