8,1 x 11,6 x 2 cm
The photograph Monologic – Yo-Yo 1, 2 (U. F. O.), (1982), shows Koller playing with a big white Yo-Yo in a drab concrete building among a group of tower blocks. For him, games like ping-pong or the yo-yo representsed the possibility of a more playful society in the face of socialist standardization. Koller’s semiological manipulations of landscape and topography, of places and (his own) faces, investigate the possibilities of shifting meaning by the simplest alterations. In deadpan-humorist fashion, most poignantly displayed in a series of photo-portraits that cover a period of more than four decades, he systematically explores the relationship between art and alienation, or the idea of art as alienation. “U. F. O.-naut J. K.” becomes the artist’s altered ego, an extraterrestrial maker and distributor of universal signs: question marks, Ping-Pong balls, or wave lines, a more recent signature symbol, formed by tennis balls in a swimming pool in 1992 or drawn on the floor in the “antiperformance” Nova vaznost’, 1991.” (Tom Holert, Artforum, October, 2004).
In its stringency, obsession and peculiarity, the oeuvre of Julius Koller is one of the most idiosyncratic and consistent in European art since the 1960s. Yet Koller is not only a seminal figure in the history of the neo- and post-avant-garde; his work has long been a critical inspiration for artists and intellectuals. In the most recent past, Koller’s concepts of the Anti-Happening, the Anti-Picture, the Universal-cultural Futurological Operation (U.F.O.), his actions, objects, texts and the enormous referential archive he built up, have attracted growing interest on the part of a broader art public. From around 1960, in response to the modernist mainstream in Slovak art, Julius Koller began to develop his aesthetic position of the “antihappening.” His strategy consists in using real objects and everyday life as the predefined program for an aesthetic operation: from 1965, in texts rubberstamped on paper that refer to the context of the “anti-happening,” and then in 1967/1968 in pictures for which Koller used white latex paint instead of oils and which saw the first appearance of the question mark—the symbol of Koller’s brands of naming, or “making known,” that was later to undergo many mutations in various media and states of aggregation. The “invitation cards for an idea”—as Koller called the text works relating to the “anti-happenings”—and the palimpsests and serial arrangements of the “anti-pictures” set themselves apart from the academicism of Modernism in more than just formal terms. Koller foregoes every form of technical mastery. The “anti-pictures” are amateurish in style, ensuring that they fulfill their task, defined by Koller as “engaging rather than arranging.” Julius Koller was born in 1939 in Piestany, Slovakia. He died in 2007 in Bratislava.
This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
ALICEGAVINSERVICES™ — La MABA — Exposition — Slash Paris Connexion Newsletter Twitter Facebook ALICEGAVINSERVICES™ — La MABA — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour ALICEGAVINSERVICES™ Exposition Design, graphisme, techniques mixtes Derniers Jours Alice Gavin, ALICEGAVINSERVICES™, sans titre Crédit photo : Léonard Méchineau ALICEGAVINSERVICES™ Encore 6 jours : 14 septembre → 17 décembre 2023 Cet automne, dans le cadre de sa saison dédiée au design graphique, la MABA présente, du 14 septembre au 17 décembre, une exposition consacrée à ALICEGAVINSERVICES™...
Weekly Picks: Indonesia (5 - 11 November 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do November 5, 2018 Top Picks of Indonesia art events in Bandung, Jakarta, Solo, and Semarang from 5 – 11 November 2018 If you’re in Bandung, come and attend the last day of [NOT] ARTOFFICIAL – OUT OF TRACK , an art exhibition on Ikebana...
Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand...
Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Guillaume Chamahian — Détritique 2 — Analix Forever Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Guillaume Chamahian — Détritique 2 Exhibition Photography, mixed media, video Upcoming Guillaume Chamahian, Le baiser, 2023 Impression sur plaque de grès Guillaume Chamahian Détritique 2 In 2 days: Wednesday, December 20, 2023 3 PM → 9 PM Artiste du réel, de ses représentations, traitements et retraitements, Guillaume Chamahian travaille à la croisée de la photographie documentaire, de l’art conceptuel, de la dénonciation politique et l’art d’investigation...
ALICEGAVINSERVICES™ — La MABA — Exhibition — Slash Paris Login Newsletter Twitter Facebook ALICEGAVINSERVICES™ — La MABA — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back ALICEGAVINSERVICES™ Exhibition Design, graphic design, mixed media Closing Alice Gavin, ALICEGAVINSERVICES™, sans titre Crédit photo : Léonard Méchineau ALICEGAVINSERVICES™ Ends in 6 days: September 14 → December 17, 2023 Cet automne, dans le cadre de sa saison dédiée au design graphique, la MABA présente, du 14 septembre au 17 décembre, une exposition consacrée à ALICEGAVINSERVICES™...
Tangled and tackled: Black Ties at Sydney Festival 2020 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Garth Oriander January 31, 2020 By Maria Herminia Graterol Garrido (550 words, 4-minute read) The challenges of fusing and representing more than one culture while planning and executing a memorable wedding are well-known to us in real life and in fiction...
On March 30, 2015, at 5:52am, David Horvitz caught his daughter, Ela Melanie, as she was being born, in the back of an Uber driving through Midtown Manhattan...
Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) ...
Wonderland is a music video for the Turkish hip-hop group Tahribad-I Isyan (Rebellion of Destruction)...
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