He counts the stars and call them all by name

2014 - Photography (Photography)

Robert Zhao Renhui


Created during Zhao Renhui’s residency at Kadist SF in 2014, the photographic grid features a selection of some 6,000 members from single family of flies –hoverfly– identified over the last 25 years by Sacramento-based Dr. Martin Hauser, Senior Insect Biosystematist at the California Department of Food and Agriculture and longtime acquaintance of the artist. Worldwide specialist of hoverflies, Dr. Hauser collected the insect and meticulously sorted them out. The label below each fly indicates the country where it is from, its species, its size, etc. Some of the hoverflies look like bees and wasps, for a yet-unknown reason. During his career, Dr. Hauser identified many new species of hoverfly: holotypes, the single specimen upon which new nominal species are based (red tag), and isotypes that follow duplicates of the holotypes (green tags). By colliding these scientific methods of explaining the world with visual art, Zhao Renhui perhaps invites critical reflection on human’s thrift for objective knowledge and datas by blurring the lines between objective documentation and fictional narrative.


Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy. Zhao portrays humans as figures curious about their natural environment, which is at times mysterious and unpredictable. Through observing human behavior in front of animals, Zhao’s critical lens examines various modes and preconceived notions of what he calls a “zoological gaze”—the manner through which humans view animals and nature. This perspective challenges the dualistic separation between the human and the non-human worlds. Under the name of a fictional institution, The Institute of Critical Zoologists (ICZ), Zhao’s work creates visual ambiguities that destabilize assumptions about the ways in which images present facts, represent reality, and disseminate truths. Zhao was in residency at KADIST San Francisco in 2014.


Colors:


Related works sharing similar palette

Mary Weatherford Revisits a 1957 ARTnews Profile of Painter Joan Mitchell
© » ARTNEWS RETROSPECTIVE

Mary Weatherford Revisits an ARTnews Profile of Joan Mitchell – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All September 4, 2020 10:27am ©ARTnews In 1957, art critic Irving Sandler paid a visit to the studio of painter Joan Mitchell , an Abstract Expressionist known for her brushy images capturing nature...

Stone Deaf (Drawing)
© » KADIST

Milena Bonilla

2009

Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...

Cyclope by Carlos Amorales
© » KADIST

For the last two years, Mexico-City based artist Carlos Amorales has been developing a series of works in relation to what he calls “Cubismo ideológico”...

Adaptando la Carta #1, #2, #3, #4, #5
© » KADIST

Fabiola Torres-Alzaga

2013

Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...

Adição por subtração - 4
© » KADIST

Marcelo Cidade

2010

Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...

Marina Xenofontos “Public Domain” Camden Arts Centre / London
© » FLASH ART

Marina Xenofontos "Public Domain" Camden Arts Centre / London | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

2019

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...

Colombia
© » KADIST

Nicolás Consuegra

2014

Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...

Now on show in New York City: BJP’s Female in Focus winners
© » 1854 PHOTOGRAPHY

Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...

Meanwhile, someone wants to learn to be a samurai.
© » KADIST

The curator and writer Juana Berrío will follow the process of «room for us» in order to identify particular concepts addressed during the discursive events and series of workshops...

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

2012

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...

Floating Mountain (Mt Hemo)
© » KADIST

Vidya Gastaldon

2011

Gastaldon has made a number of soft sculptures using materials associated with knitting and sewing that have alternately fetishistic, nightmarish or contemplative qualities...

Wateoma husipe / Larvas de oruga / Caterpillar larvae
© » KADIST

Sheroanawe Hakihiiwe

2019

Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...

Dorian, a cinematic perfume
© » KADIST

Michelle Handelman

2009

In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present...

Primero Estaba el Mar
© » KADIST

Felipe Arturo

2012

Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...

Untitled (Figure no. 1)
© » KADIST

Oren Pinhassi

2020

Oren Pinhassi’s work examines the relationship between the human figure and the built environment...

Untitled (City Limits)
© » KADIST

Allen Ruppersberg

1970

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

The Drawings of Catriona Secker
© » HIGH FRUCTOSE

In her graphite drawings and paintings, Catriona Secker finds inspiration in biology textbooks and vintage natural history tomes...

Wild Money
© » KADIST

Laura Gannon

2017

The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...