Drowned Wood Standing Coiled (2011) consists of two sculptures, inextricably linked. In each, pieces of driftwood are bundled together vertically and entwined with rope, which cascades to the floor in a tightly wound coil. Placed side by side on the ground, these sculptures anthropomorphize into partners who are literally and figuratively bound. Gracefully composed and energetically poised in relation to one another, they become symbolic of human relationships and our desire for connection.
Christopher Badger begins with a root fascination—a shape, a landscape, or a sound—and then pursues it methodically to its logical, and usually open-ended, conclusion. Though his work touches on timeless questions and engages with “forms as forms,” his process allows for unusual transparency. When he revisits a modernist form, he denies its singularity, pointing to the multiple threads that make it up and the myriad directions in which it could potentially go. Obstinate problems are met with an abundance of hypotheses, each seemingly equally compelling.
RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture...
Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
Weekly Picks: Malaysia (16 – 22 July 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Malaysia July 16, 2018 Hua (華) Settler Imaginary in Borneo , at Malaysia Design Archive, 19 July 8pm Academic Dr Zhou Hau Liew presents ‘ Preliminary Thoughts on the Hua Settler Imaginary in Borneo: Cultural Mapping, Revolutionary Communism, and the Ideas of Chineseness ’...
Victory at Sea is a simple mechanism made from cardboard and found materials that mimics the Phenakistoscope, an early cinematic apparatus...
Q&A: AO Show Creative Director Tuan Le Had a Vision for Performance Art in Vietnam (via Saigoneer) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 13, 2018 Some may say that modern performance art in Vietnam looks the way it does thanks to the works of Tuan Le and his colleagues...
Birender Kumar Yadav comes from Dhanbad, India, a city built on its proximity of iron ore and coal and once forested and inhabited by Indigenous people who compose the Gondwana...
Tom Nicholson’s Comparative Monument (Palestine) engages a peculiar Australian monumental tradition: war monuments that bear the name “Palestine”...
Orang Phebien: Telling the story of the Baweanese | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Illustration: Hadi Osni August 5, 2020 Lesser known narratives involving migration in Singapore are in the spotlight with The Arts House’ latest edition of LumiNation ...
Kastura (2012) is an installation consisting of 24 black-and-white photographs of the Katsura Imperial Villa in Kyoto bequeathed by Kimura’s grandfather; free-standing structures on which they are hung; and ornamental plants...
Each day, Yuji Agematsu smokes a pack of cigarettes and wanders the streets of New York City looking for trash...
Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...
Adrien Missika follows in the footsteps of the Brazilian landscape architect and artist Roberto Burle Marx (1909-1994), a designer of gardens, parks and promenades who introduced modern landscape architecture to Brazil...