170 x 75 cm
From afar, Chimeric Antibodies by Angela Su may look like scientific drawings or botanical illustrations. Yet, upon closer look, sexual organs and imagined human and plant elements start becoming recognizable, and realistic. Each intricate, large-scale drawing indeed mixes human body parts, machines and other organic constructions as they become intertwined and inseparable. In doing so, the artwork challenges the way we perceive the body and explore the relationship between the human body and the machine, and between humans and nature. As a consequence, perceptions on sexuality, sex organs and representations of the body are questioned through a symbiosis between humans, machines and nature. The composition of Chimeric Antibodies I and 3 is inspired by ancient or alchemical imagination of energy flow and by old drawings of energy fields of atoms and molecules. Angela’s interest in old scientific illustrations relate to her questioning of how different they are from present day depictions, in the same way as maps could be, and how it has shaped our understanding of what “nature” is, the body, and defined notions of gender. The lack of visualizing technology and equipment in the past also leaves a lot of space for imagination. As the artist says, “there is always a negotiation or oscillation between the real and the imaginary. And this is what I try to convey and explore through my drawings.”
Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts. Known for her intricate scientific drawings where delicacy of technique is contrasted with ambiguous and sometimes unsettling content, Angela Su combines in her works the analytical approach of a scientist with a deep sensitivity toward the felt, visceral experience. She connects her ideas through her imaginative drawings to this blending of science and alchemy, and recognizes the mutability or change, in species, whether human animal or the insect variety. Interested in science-fiction, medicine, and advanced computational technologies, her works (drawings, video, hair embroidery and installation) focus on the interrelations between our state of being and scientific technology, and more recently her mental and physical illness and social control.
Saturday, January 20, 2023, 1.30 pm (off-site) Performance by Duto Hardono, Variation & Improvisation for ‘In Harmonia Progressio’ (2017) at the Asian Art Museum Presented at and in collaboration with the Asian Art Museum, as part of Speculative Fabulation: New Voices, New Stories at the Asian Art Museum Friday, February 2, 2024, 7–9 pm The Fugue of the Cicada Songs An evening of sound performances organized in collaboration with Cone Shape Top, on the occasion of the launch of de montañas submarinas el fuego hace islas : Reader Volume Two co-published with Sming Sming Books Thursday, February 8, 2024, 5 pm (off-site) Yina Jiménez Suriel in conversation with Natalia Brizuela, Professor of Film & Media and Spanish & Portuguese Presented at and in collaboration with the University of California, Berkeley’s Center for Latin American and Caribbean Studies: 2334 Bowditch St, Berkeley, CA 94720 Wednesday, February 10, 2024, available to view on KADIST.tv from February 19, 2024 (this program takes place off-site and online) de montañas submarinas el fuego hace islas , screening program co-curated by Yina Jiménez Suriel and Arianna Mercado at MCAD Manila – Museum of Contemporary Art and Design, Manila de montañas submarinas el fuego hace islas , reader A bi-lingual reader, co-published with Sming Sming Books, with the support of the Center for Latin American and Caribbean Studies, University of California, Berkeley will be available in February 2024...
Weekly Picks: Singapore (15 – 21 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 15, 2019 Plunge: Esplanade’s The Studios 2019 by Arts Republic & Centre 42 , 21 April 5pm, library@esplanade If you’ve caught any shows from Esplanade’s The Studios 2019 season and can’t wait to talk about them, come join us at this special edition of Plunge! Co-hosted by reviewers from Arts Republic and Centre 42’s Citizens’ Reviews programme, this session welcomes theatre enthusiasts to gather and share their post-show musings in a casual setting...
Mika Tajima’s Pranayama sculptures are built from carved wood and chromed Jacuzzi jets and are presented as artefacts...
Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand...
Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver — L’ahah Griset — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Chambre à brouillard — Juliette Agnel, Clément Bagot, Nicolas Darrot, Youcef Korichi, Alyssa Verbizh, Anne-Charlotte Yver Exposition Dessin, edition, film, installations.....
In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system....
Behold A City 4 extols the old grandeur of Manila, the nation’s storied capital – the complex nexus of heritage, modernity, and all sorts of compulsions, political or otherwise, that attempt to define it...
In this interview, artist Pio Abad discusses his solo exhibition Kiss the Hand You Cannot Bite that draws from multiple histories of exile, resistance, and displacement from the ’70s and ’80s that brought Filipinos to California, home today to one of the largest diasporas of this community in the world...