The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory. Based on photographic sources from journalism, they have preserved a ‘memento mori’ in the intimate form of a sculpture, yet derived from a source which is not only public but also voyeuristic. They have been entirely dislocated from their original context, and transferred to the realm of photography again, into fragile silver gelatin prints. In this process, Reza Aramesh has expanded our consciousness of death and the body from the public spectacle of torture, towards a place which is sublime and unreachable, where the meaning of violence has been not transformed, but rather temporarily suspended.
Working across a wide range of materials and processes, Aramesh examines simultaneously the history of Western art and contemporary commentary on the politics and history of the Middle East, concocting a unique visual language to address the contemporary conditions of violence and bio-politics. Earlier solo exhibitions include Ab-Abnar, Leila Heller Gallery (New York), Isabelle Van den Eynde (Dubai), among others. His work has been showcased in many international group shows, including ICA (London), Goodman Gallery (Cape Town), Goethe Institute Brussels, Frieze Sculpture Park, Tate Britain and most recently, “The Great Game”, Pavilion of Iran at the 56th International Art Exhibition – La Biennale de Venezia.
Galleries informed that art fair Art Stage Singapore cancelled (via The Straits Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar January 16, 2019 SINGAPORE – At least five galleries slated to participate in Art Stage Singapore say the art fair has been cancelled by organisers...
Hopf’s works reference the effects that developments in economics and technology have had on our bodily and mental composition...
The Dragon is the Frame by Mary Helena Clark is an elegy that is somewhat paradoxically organized as a film noir or murder mystery, one that pays direct homage to Hitchcock’s Vertigo ...
BIPAM 2021: Delight, despair, dialogue and the despot | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints September 17, 2021 By Nabilah Said (1,800 words, 6-minute read) I’ve never actually attended the Bangkok International Performing Arts Meeting (BIPAM)...
Pavel Aguilar, Carlos Amorales, Jonathas de Andrade, Pavel Aguilar, Edgardo Aragón, Fredi Casco, Rometti Costales, Sam Durant, León Ferrari, Joscelyn Gardner, Beatríz González, Pierre Huyghe, Guillermo Kuitca, Cristóbal Lehyt, Jesse Lerner, Alfredo López Morales, Teresa Margolles, Noé Martínez, Cildo Meireles, Eustaquio Neves, Nohemí Pérez, Naufus Ramírez Figueroa, Antonio Reynoso, Pablo Swezey and Carla Zaccagnini...
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron...
Monuments of the Disclosed by Ahmet Ögüt is an NFT series of digital monuments to whistleblowers...
Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...