Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
Chris Wiley produces photographs that question how we experience our built environments. Trained in contemporary art theory, his practice interrogates notions of the real by subverting familiar tropes in architectural photography. His prints do not depict buildings and structures in their entirety. Instead, Wiley chooses to depict individual details and forms that are often lost in long-shot photography. His images deliberately flatten three-dimensional objects into dense composites of texture, color, and shape and heighten our attenuation to how we see the world around us, offering fragments of perceptual space that privilege sensory experience over narrative and form over content.
Each day, Yuji Agematsu smokes a pack of cigarettes and wanders the streets of New York City looking for trash...
AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s...
The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...
Graffiti Tower Unleashed: An Overnight Sensation During Art Basel Miami | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY “So I count 17, 18, 19, 20 people that are not from Miami,” Alan Ket observes as he scans the office tower at Biscayne and 1st Street, now an outstanding crown jewel in Miami’s graffiti scene...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...
The Shedding by Anju Dodiya is part of a series of mattress paintings the artist creates using fabric stretched on padded and shaped boards...
Weekly Picks: Indonesia (11 - 17 March 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do March 11, 2019 Top Picks of Indonesia art events in Jakarta and Bandung from 11-17 March 2019 The Jakarta Arts Council and Bekraf is back with its Teater Arsip program...