Physical and mental exploration have been founding elements in Joachim Koester’s research for several years. While exploration was mainly a matter of geography during the 19th century, the 20th century brought the mental exploration of our unconscious, triggered by the discovery of psychoanalysis. Koester is interested in documenting minor events, forgotten by History, in order to reintroduce them into collective memory. Using 16mm documentary films, photographic series or books, his work transforms stories into images and vice versa, appearing as a quest for the invisible and the vanishing.
With a keen interest in the stranger corners of the long human story, and a persistent interest in the supernatural, the transcendent, and the psychedelic, Joachim Koester’s work follows the artists own undying interest in physical and psychological limits. While exploration was a matter of crossing geographies before the 19th century, the 20th century brought the mental exploration of our unconscious, hastened by the discovery of psychoanalysis. Koester is interested in visualizing specific events—those forgotten, overlooked, or suppressed by the official historical record—in order to reintroduce them into collective memory. Using 16mm documentary films, photographic series or books, his work transforms stories into images and vice versa, appearing as a quest for the invisible and the vanishing.
Tarantism is the name of disease which appeared in southern Italy, resulting from the bite of a spider called Tarantula...
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
This work includes sketches for Extrastellar Evaluations , the project she produced at Kadist...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
One Universe, One God, One Nation was inspired by Hannah Arendt’s analysis of space exploration and by the astrological horoscope of Chinese political and military leader Chiang Kai-shek (1887-1975)...
Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...