Personaje 21

2008 - Drawing & Print (Drawing & Print)

Carlos Amorales

year born: 1970
gender: male
nationality: Mexican
home town: Mexico City, Mexico

Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance. Central in his work is the construction and alteration of what he calls his Liquid Archive, a collection of images, narratives, drawings, shapes, and ideas that he uses to construct his unique visual language—a critical and stimulating space for fantasy, reality, and the blurring of the two. Amorales creates tensions between revealing and hiding the personal and the universal in his often-ambiguous and fluid constructions.


Colors:



Related works featuring themes of: » Collective History, » Contemporary Conceptualism, » Cultural Commentary, » Design, » Mexican

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Fridge-Freezer
© » KADIST

Yoshua Okón

2015

Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...

Up All Night, Waiting for the Chelsea Hotel Magic to Spark my Creativity
© » KADIST

Mario Garcia Torres

2010

In Up All Night, Waiting for the Chelsea Hotel Magic to Spark My Creativity Mario García Torres constructs and documents a hypothetical scene, situating himself within a lineage of artists and creatives that used to congregate at the historic hotel...

TWO MILLION (Hong Kong Dollar)
© » KADIST

Kwan Sheung Chi

2013

One Million is a video work depicting the counting of bills...

Intentionally Left Blanc
© » KADIST

Hank Willis Thomas

2012

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

Borrando la Frontera
© » KADIST

Ana Teresa Fernández

2011

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...

Sentimentite (Invasion of Ukraine 38/100, from Chapter 4: Reshaping World Order)
© » KADIST

Agnieszka Kurant

2022

For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...

Do ut des (I give that you may give back)
© » KADIST

Mariana Castillo Deball

2009

Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Automóvel
© » KADIST

Cinthia Marcelle

2012

Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...

Undocumented Intervention
© » KADIST

Julio Cesar Morales

2006

Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...

ONE MILLION (Japanese Yen)
© » KADIST

Kwan Sheung Chi

2012

Kwan Sheung Chi’s work One Million is a video work depicting the counting of bills...

“Brave Beauties” series - Dimpho Tsotetsi, Parktown
© » KADIST

Zanele Muholi

2014

As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...

A Flags-Raising-Lowering Ceremony at my home’s clothes drying rack
© » KADIST

Kwan Sheung Chi

2007

A Flags-Raising-Lowering Ceremony at my home’s cloths drying rack (2007) was realized in the year of the 10th anniversary of the establishment of The Hong Kong Special Administrative Region of the People’s Republic of China...

Tribute to Inside Looking Out - For the male artists along my way
© » KADIST

Wong Wai Yin

2008

In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...

Black Hands, White Cotton
© » KADIST

Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Sentimentite (COVID-19 Global Lockdowns 53/100, from Chapter 6: The Pandemic)
© » KADIST

Agnieszka Kurant

2022

For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...

An-My Lê on Vietnam, the Chaos of War, and the Tangibility of Memory
© » APERTURE

An-My LE

For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....