Olive Oil (from the Propo Series)

Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...

Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...

The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...

In 2012, former Guatemalan President José Efran Ros Montt was charged with genocide and crimes against humanity; Regina José Galindo’s video Tierra is a chilling reimagining of the atrocities recounted during his trial...

Apartment on Cardboard (2000) is an exterior view of an abstracted apartment building...

Martin Creed | The Dick Institute Experience the work of one of this country’s most ingenious, audacious and surprising artists at the Dick Institute ARTIST ROOMS Martin Creed presents highlights from the British artist’s thirty-year career...

The photograph Monologic – Yo-Yo 1, 2 (U...

Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...

The 10 $1 bills that make up From a Whisper to a Scream (2012) read like instructions in origami...

Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...

Barry McGee’s Untitled is a collection of roughly fifty, framed photographs, paintings, and text pieces clustered together in corner...

Wordplay was a central focus of Koller’s work, in particular the acronym U...

The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime...

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...

The five drawings included in the 101 Collection are representative of Pettibon’s characteristic cartoonish style...

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...

This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...