Paper Tigers…from a whisper to a scream

Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period...

Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel...

Retired Pillar represents the death and deterioration of legacy of colonial Shanghai...

Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...

Long Long Live (2013) takes the viewer to the setting of the Oasis Villa on Green Island, once a reform and re-education prison to house political prisoners during Taiwan’s martial law period...

Vallance’s Rocket is a vibrant picture in which masses of color and collage coalesce into a central vehicle, yet the whole surface seems lit with the roar of space travel...

In 8 Ball Surfboard (1995),Alexis Smith combines her long-term interests in California culture and conceptual assemblage...

Kitt Bennett's "aerial mural work" was recently combined with satellite technology to craft the world's most massive independently created piece of "gif-iti" (or GIF-style graffiti) on 96,875-square-feet of waterfront space in Australia...

Thursday 19 December 2009 at 7pm, at Bétonsalon...

During Summer 2011, few months after the nuclear accident, performance artist Kota Takeuchi got a job at the Fukushima Daiichi plant and kept a blog about the labour conditions of clean-up workers...

Saturday, January 31, 5pm Join us for the release of Javier Téllez’s new monograph Games Are Forbidden in the Labyrinth ...

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...

Her 2016 video installation quotes the sitcom-as-form and also draws from a 1907 comedic short, Laughing Gas...

Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...

The Breaks reflects Capistran’s interests in sampling and fusing different cultural, social, and historical sources...

White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...

Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...

Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

Prior to the mid-1800s, tactile interaction was routine for visitors experiencing collections of art, and touch permeated accounts of aesthetic appreciation...

Once a "secret world of whispers," the art market today is much more accessible thanks to massive efforts to move it online...

And words were whispered by Sancintya Mohini Simpson is a series of ten works on paper based on the lived experiences of Indian women taken to the Natal region of South Africa from the 1860s to the early 1900s to work in tea and sugarcane plantations during apartheid, which included servitude in its broadest and most sinister definition...

These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...