Plug the well ( July / August 2003)

- Painting (Painting)

157 x 126cm

Keith Tyson

location: Ulverston, United Kingdom
year born: 1969
gender: male
nationality: British

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence. Philosophical problems such as the nature of causality, the roles of probability and design in human experience, and the limits and possibilities of human knowledge, animate much of his work. Language as a coded system, as a representation medium, but also as something that generates a whole variety of realities also plays a central role. The heterotopias of the real and imagined, near and far, thinkable and inconceivable converge and find meaning. Using phrases, along with a list of them that could be continued ad infinitum, Keith Tyson creates images that cause the distant and the near, the fictitious and the real to operate from within a location. His media include painting, drawing and installation. His exhibits are hybrid forms, they are games, images, machines, mechanisms that offer places from which literature, inventories, phenomena spread out into spheres that are infinite in both space and time. In Tyson’s work the idea of dimensions play out in terms of prolongation of time and space, and the idea of breadth and compression. Tyson is not so much concerned with representation rather he is interested in subject of machines, mechanisms and engines that confront our models for handling reality and the re-evaluation of our subjective positions. Keith Tyson was born in Ulverston, UK, in 1969. He lives and works in London.


Colors:



Related works featuring themes of: » British

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

2012

Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...

You see with no lights
© » KADIST

Ryan Gander

2004

You see without light is a group of photographs around the theme of Bauhaus...

The Fifth Quarter
© » KADIST

Toby Ziegler

2005

The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...

Untitled (Breathless)
© » KADIST

Ian Wallace

2000

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...

Nachbau
© » KADIST

Simon Starling

2007

Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...

Not Today
© » KADIST

Karla Black

2013

Karla Black is a Scottish artist living in Glasgow ...

Meeting #100
© » KADIST

Jonathan Monk

Meeting #100 is one in a series of text works by Jonathan Monk...

Wagon Wheel
© » KADIST

Toby Ziegler

2007

Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure...

One we are not
© » KADIST

Ryan Gander

2004

Ryan Gander is a collector...

20
© » KADIST

Chris Wiley

2012

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

A vehicle with no Lights
© » KADIST

Ryan Gander

2004

A vehicle without light is a group of more personal photographs...

Untitled (Waiters dancing with Itinerants, Onomatopoeia)
© » KADIST

Charles Avery

2012

Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island...

Untitled (Perfect Lovers + 1)
© » KADIST

Cerith Wyn Evans

2008

Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...

Untitled (Rolled up)
© » KADIST

Jonathan Monk

2003

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...

Masks (Merkel F6.1)
© » KADIST

Simon Fujiwara

2016

Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...