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Line describing a cone
© » KADIST

Anthony McCall

Film & Video (Film & Video)

The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year. This piece, which was initially screened in independent film contexts, it soon began to be shown at art museums and ended up becoming one of the key works of the artistic movement that opened up the visual arts towards cinema. With a duration of 30 minutes, the film shows the creation of a white curve being projected onto an empty space.

Landscape for Fire
© » KADIST

Anthony McCall

Film & Video (Film & Video)

Landscape for fire is a major work by Anthony McCall. The film recounts a performance where characters in white, light up fires in a very orchestrated choreography of lights in a vast flat landscape. The performance is carefully planned – the fires are lit and geometrically aligned in a precise temporal progression.

Fire Cycles III (Subcycle 10)
© » KADIST

Anthony McCall

Drawing & Print (Drawing & Print)

This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances. These took place between 1972-74 in the UK at the Museum of Modern Art in Oxford, Colchester School of Art, in Reading and in North Weald as well as in Sweden at Fylkingen Society of Contemporary Music and Arts, Stockholm, and in the USA at the William Patterson University, Wayne, New Jersey. Many of these events were photographed by David Kilburn and Carolee Schneemann, only one in 1972 was filmed.

Wagon Wheel
© » KADIST

Toby Ziegler

Sculpture (Sculpture)

Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure. It is based on a pornographic image by Giulio Romano (ca.1499-1546). Romano had completed Raphael’s frescos in the Vatican after the latter’s death but was not paid for the work.

The Fifth Quarter
© » KADIST

Toby Ziegler

Painting (Painting)

The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection. Various vanishing points and interior perspectives, like in another painting dated the same year called Continental Breakfast , create a complex matrix in which motifs, shadowy or geometric forms coexist to further confuse the map of this space. A disturbing yet alluring virtual reality composed of a medley of seemingly abstract designs is depicted through digital and painterly means.

Beyond the White Walls
© » KADIST

Jeremy Deller

Film & Video (Film & Video)

Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing. The artist narrates the many projects he has completed or which are in progress beyond the gallery walls. It is beyond the gallery where Deller is at his most effective and where his art reaches out to and into people’s lives.

BC/AD
© » KADIST

Ian Breakwell

Film & Video (Film & Video)

“BC/AD” (Before Cancer, After Diagnoses) is a video of photographs of the artist’s face dating from early childhood to the month before he died, accompanied by the last diary entries he wrote from April 2004 to July 2005 (entitled “50 Reasons for Getting Out of Bed”), from the period from when he lost his voice, thinking he had laryngitis, through the moment he was diagnosed with lung cancer and the subsequent treatment that was ultimately, ineffective. The diary entries are at once poignant, ironic, laced with gallows of humor, with his continued eye for the little incidents in life, interweaving the past with his experience of the present. The morphing of the portraits—the eyes and sight remaining leveled—is haunting, beginning with very blurry images of childhood and ending with a pin-sharp photograph of Breakwell the month before he died.

Untitled (Breathless)
© » KADIST

Ian Wallace

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless). The work uses collage techniques—it is stapled down and has a thick strip of contact sheet paper taped over it—that convert the media coverage on Godard’s film into a filmic object itself. The black paper enacts a kind of cinematic “jump cut” on the article, while simultaneously drawing attention to the medium of the film, as well as the photograph reproduced in this newspaper article.

Study for my Heroes in the Street (Stan)
© » KADIST

Ian Wallace

Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world. Patches of canvas cover parts of this otherwise representational photograph and ask the viewer to consider the role that editing and play in our perception of the urban landscape and modernity.

Masks (Merkel F6.1)
© » KADIST

Simon Fujiwara

Painting (Painting)

Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face. Masks (Merkel F6.1) was created in consultation with Merkel’s personal make-up artist; it features the special makeup that Merkel wears for HD cameras applied onto canvas. The image has been magnified to a near-microscopic level, rendering an ambiguous skin tone across which the makeup’s denser patches produce an abstract composition.

Work No. 299
© » KADIST

Martin Creed

Photography (Photography)

This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005. His broad smile, on the verge of laughter, encourages reciprocity on behalf of the onlooker. This could be said to be a typical tactic in Creed’s work as it is so infused with humor and irony.

Plug the well ( July / August 2003)
© » KADIST

Keith Tyson

Painting (Painting)

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence. Philosophical problems such as the nature of causality, the roles of probability and design in human experience, and the limits and possibilities of human knowledge, animate much of his work. Language as a coded system, as a representation medium, but also as something that generates a whole variety of realities also plays a central role.

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

Installation (Installation)

Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube. The work refers to the positive occupations of space and the absence of form and structure, to the relationship between the visible and the invisible, to memory, and to the relationship we have to images and to our history. The work refers to childhood, biography and learning to question how meaning is made and how history is remembered and performed.

You see with no lights
© » KADIST

Ryan Gander

Installation (Installation)

You see without light is a group of photographs around the theme of Bauhaus. This includes a reference to one of Gander’s works which is the Bauhaus manifesto without dots on the letter ‘i’, as well as drawings of his ideal art school.

Espadrilles
© » KADIST

Rosalind Nashashibi

Painting (Painting)

Rosalind Nashashibi’s paintings incorporate motifs drawn from her day-to-day environment, often reworked with multiple variations. The development of colour palettes in her painting work could be compared to the work in her films where she delicately draws an internal visual language which provides the viewer equal space to her protagonists. Possible readings of her work are left deliberately open, encouraging thought in terms of association rather than the imposition of a narrative structure.

Untitled (Map)
© » KADIST

Charles Avery

Drawing & Print (Drawing & Print)

Charles Avery has been constructing a narrative in his work since 2004. Between fantasy and reality, The Islanders is a very particular universe he has created in which to gather his disparate ideas. His practice primarily involves drawing, sculptures, texts and installations which participate in the epic and dreamlike narrative whole in the course of making.

Untitled (Waiters dancing with Itinerants, Onomatopoeia)
© » KADIST

Charles Avery

Drawing & Print (Drawing & Print)

Since 2005, Charles Avery has devoted his practice to the perpetual description of a fictional island. Replete with its own population and constantly shifting topography, Avery’s intricately conceived project amounts to an ever-expanding body of drawings, sculptures, installations and texts which evince the island. Exhibited incrementally these heterogeneous elements serve as terms within the unifying structure of the island – as multiple emissions of an imaginary state, and as a meditation on the central themes of philosophy and the problems of art-making.

Things that mean things and things that look like they mean things
© » KADIST

Ryan Gander

Film & Video (Film & Video)

The work consists of a work inside a work. The spectator is presented with a commissioned documentary on a flat-screen Tv on the subject of the production of the making of an artwork that doesn’t exist entitled The magic and the meaning (2008). The imaginary film, The magic and the meaning , is described only within the documentary, which follows parts of the making of the film, extracts from interviews with the writer and film maker Dan Fox and the artist and maker of the work Ryan Gander; as well as showing short slow-motion sections of the film that does not exist.

Our love is like the Flowers, the Rain, the Sea and the Hours
© » KADIST

Martin Boyce

Installation (Installation)

In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space. The trees, unique sources of light in the exhibition space, produce their own environment. These sculptures, as if extracted from a set, are enough to suggest an atmosphere, a landscape, or a movie.

Travelogue lecture with missing content
© » KADIST

Ryan Gander

Installation (Installation)

This work is meditative and fragile. These abstract forms are projected slides belonging to another lecture, Travelogue , where the images have been removed. What is left is the hole of the frame of the slide that light draws upon and projects on the wall.

One we are not
© » KADIST

Ryan Gander

Photography (Photography)

Ryan Gander is a collector. He keeps all sorts of documents to create from. His studio is full of found images, personal images, documents copied from internet or cutout of newspapers.

A vehicle with no Lights
© » KADIST

Ryan Gander

Installation (Installation)

A vehicle without light is a group of more personal photographs. This includes an image of a pirate radio in the 1960s, a story from the BBC website and the photo of Mary Aurore. Mary Aurore, is in fact a character he invented whose identity is impossible to determine but who appears in various works.

Not Today
© » KADIST

Karla Black

Painting (Painting)

Karla Black is a Scottish artist living in Glasgow . Her work draws from a multiplicity of artistic traditions from expressionist painting, land art performance, to formalism. Her large-scale sculptures incorporate modest everyday substances, along with very traditional art-making materials to create abstract forms.

H.2.N.Y Skeleton of the Dump
© » KADIST

Michael Landy

H.2. N. Y Skeleton of the Dump revolves entirely around the performance “Homage to New York” (1960), of the Swiss artist Jean Tinguely (1925-1991), during which the machine built by the artist in the gardens of the Museum of Modern Art (MOMA) had to self-destruct itself in 27 minutes, but, in the end, it had to be finished off by firemenbeing called in after it erupted in flames. Since the discovery of Jean tinguely’s retrospective at the Tate Gallery in London, in 1982, Michael Landy spent two years researching and sketching (charcoal, oil, glue, ink) from his previous research carried out at Museum Tinguely in Basel, and at the MOMA in New York.

After the Archive Collections Room
© » KADIST

Andrew Grassie

Painting (Painting)

In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces. The artist chose to depict the space before and after, thus creating the series titled “After the Archive Collections Room.” This group of paintings displays a space locked into time with its scaffolding and broom exposed, depicted just before an exhibition on a collection of archives.

20
© » KADIST

Chris Wiley

Photography (Photography)

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.

Nachbau
© » KADIST

Simon Starling

Photography (Photography)

Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis. Starling found photographs of a hang dating back to 1929, taken by Albert Renger-Patzsch, the German New Objectivity photographer. Firstly, he researched the artworks that were presented then which for the most part had been restituted or acquired by private collectors after the war.

Gan Chin Lee

Gan Chin Lee is a Malaysian artist of Chinese descent known across Southeast Asia for his realist paintings that painstakingly register the ethnic and religious complexities of Malaysia...

Ryan Gander

Jonathan Monk

Abraham Oghobase

Abraham Onoriode Oghobase’s artistic practice explores identity in relation to socio-economic and historic geographies...

Anthony McCall

Ian Wallace

Martin Creed

Bady Dalloul

Bady Dalloul cunningly employs collage across various media: texts, drawings, video, and objects to produce powerful works commenting on the past and the present...

Toby Ziegler

Cerith Wyn Evans

Erika Tan

Erika Tan’s practice is primarily research-driven with a focus on the moving image, referencing distributed media in the form of cinema, gallery-based works, Internet and digital practices...

Chris Wiley

Charles Avery

Martin Boyce

Andrew Grassie

Fabien Giraud & Raphael Siboni

The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...

Keith Tyson

Uriel Orlow

In his research-based and process-oriented practice Uriel Orlow’s work is concerned with “spatial manifestations of memory, blind spots of representation and forms of haunting”...

Brook Andrew

Brook Andrew is a Wiradjuri and Ngunnawal Aboriginal Australian artist and scholar whose interdisciplinary practice examines hegemonic narratives relating to colonialism and modernism...

Tacita Dean

Karla Black

Ian Breakwell

Michael Landy

Geoffrey Farmer

Leah Gordon

Leah Gordon is an artist, curator, and writer, whose work considers the intervolved and intersectional histories of the Caribbean plantation system, the Trans-Atlantic Slave Trade, the Enclosure Acts and the creation of the British working-class...

Isadora Neves Marques

The work of writer, visual artist and filmmaker Isadora Neves Marques focuses on the politics of nature, in specific relation to ecology; economics; cultural production; and social and ontological segregation...

Ximena Garrido Lecca

Pangrok Sulap

Pangrok Sulap is an Indigenous artist collective comprised of members from the Dusun and Murut clans of Malaysian Borneo...

Jess

Jess Collins (most commonly known as Jess), is a celebrated San Francisco artist known for his highly symbolic paintings and layered collages that combine imagery from mythology, alchemy, popular culture and the male body...

Tala Madani

Madani’s paintings have a caricatural quality that suggest a satirical intention...

© » ANOTHER

this quarter (02/12/2024)

Uncovering Britain’s Groundbreaking Black-British Women Photographers | AnOther February 05, 2024 Text Elodie Saint-Louis Lead Image Eileen Perrier, ‘Untitled’ from the series Afro Hair and Beauty Show, 1998, from Shining Lights by Joy Gregory (ed.) (MACK, 2024) Courtesy of the artist and MACK In Shining Lights , the “first critical anthology to bring together the groundbreaking work of Black women photographers active in the UK during the 1980s and 1990s ”, a constellation of rarely-seen stars finally take their rightful place in the sky...

© » ARTSY

about 3 months ago (01/25/2024)

10 Rising British Artists to Watch at “New Contemporaries” 2023 | Artsy Skip to Main Content Advertisement Art 10 Rising British Artists to Watch at This Year’s “New Contemporaries” Bella Bonner-Evans Jan 25, 2024 6:57PM Installation view of “Bloomberg New Contemporaries” at Camden Art Centre, 2024...

Martin Creed
© » TATE EXHIBITIONS

about 4 months ago (01/06/2024)

Martin Creed | The Dick Institute Experience the work of one of this country’s most ingenious, audacious and surprising artists at the Dick Institute ARTIST ROOMS Martin Creed presents highlights from the British artist’s thirty-year career...

© » DAZED DIGITAL

about 4 months ago (12/18/2023)

How Black British rappers are being censored by the police | Dazed ⬅️ Left Arrow *️⃣ Asterisk ⭐ Star Option Sliders ✉️ Mail Exit Music Feature Art Not Evidence is a new campaign fighting against the use of rap lyrics as evidence in UK criminal trials 18 December 2023 Text Jack Ramage UK drill rapper, Chinx (OS) , has to tread on eggshells when making music...

© » ARTNEWS

about 4 months ago (12/15/2023)

British Museum Deputy Director Leaves After Review Into Thefts – ARTnews.com Skip to main content By Karen K...

© » ARTFORUM

about 4 months ago (12/15/2023)

British Museum’s Deputy Director Departs in Wake of Theft Inquiry – Artforum Read Next: ANONYMOUS WAS A WOMAN NAMES 2023 GRANTEES Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

© » ARTLYST

about 4 months ago (12/13/2023)

The British Museum is grappling with an internal crisis due to the loss and damage of approximately 2,000 artefacts, including valuable Roman gems...

© » THEARTNEWSPER

about 4 months ago (12/13/2023)

Review into British Museum thefts calls for fundamental reforms Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search British Museum thefts news Review into British Museum thefts calls for fundamental reforms The Independent Collection Security Review urges the museum to take urgent action, including fully recording the collection and tough management changes Martin Bailey 13 December 2023 Share The report has been heavily criticised by Ittai Gradel, the Danish gems specialist who privately warned the British Museum about the theft in 2020 Photo: Jeff Whyte The independent review into thefts at the British Museum reveals serious problems with the institution’s governance...

© » ARTNET

about 4 months ago (12/12/2023)

The museum's independent review following a major theft scandal identified more than 1,000 objects still missing...

© » THE GUARDIAN

about 4 months ago (12/12/2023)

Renaissance bronze Apollo donated to British nation to pay inheritance tax bill | Museums | The Guardian Skip to main content Skip to navigation Skip to navigation The Apollo Belvedere, by Antico, described as ‘the quintessential Italian Renaissance bronze masterpiece’...

© » ART & OBJECT

about 4 months ago (12/12/2023)

Artist Tracey Emin Elected to British Museum Board, and More News | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ARTNEWS

about 4 months ago (12/12/2023)

Review Urges British Museum to Tighten Security and Collection Records – ARTnews.com Skip to main content By Karen K...

© » THEARTNEWSPER

about 4 months ago (12/11/2023)

An acerbic but highly readable view of the British art world Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review An acerbic but highly readable view of the British art world The critic and former curator Julian Spalding holds forth on his dislike of conceptual art and his love for Beryl Cook Georgina Adam 11 December 2023 Share True to form, Spalding makes no secret of his vehement dislike of conceptual art...

Ryan Gander
© » CONTEMPORARYARTDAILY

about 5 months ago (12/02/2023)

November 12 – December 2, 2023...

© » DIANE PERNET

about 5 months ago (11/15/2023)

Title: Celebrating Emerging British Artistry: The Troubadour Gallery to Host Solo Shows by The Cameron Twins and Zoë Moss – A Shaded View on Fashion ‘Look mum my painting got into Patrick Hughes’ art collection’...

© » LONDONIST

about 6 months ago (10/13/2023)

London's Smallest Art Gallery Is In a Phone Box | Londonist London's Smallest Art Gallery Is In A Phone Box Outside The British Museum By Will Noble Will Noble London's Smallest Art Gallery Is In A Phone Box Outside The British Museum Why not, well, call in at the city's diddiest art gallery...

Catherine Opie
© » ROYAL ACADEMY

about 7 months ago (10/05/2023)

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

© » LARRY'S LIST

about 7 months ago (10/05/2023)

The British patron’s annual meetings on the Greek Island were a “who’s who of the contemporary art world”...

© » ARTLYST

about 7 months ago (09/26/2023)

Last August, 1,200 to 2,000 valuable objects were reported "missing, stolen or damaged" by officials at the British Museum...

© » FRANCE24

about 8 months ago (08/26/2023)

British Museum missing some 2,000 artefacts; director resigns Skip to main content British Museum missing some 2,000 artefacts; director resigns The number of artefacts that have disappeared from the British Museum is estimated at 2,000, chairman of trustees George Osborne said on Saturday, admitting the collection did not have a complete catalogue...

© » FRANCE24

about 9 months ago (07/24/2023)

French movie stars pay final farewell to British-born actor and singer Jane Birkin Skip to main content French movie stars pay final farewell to British-born actor and singer Jane Birkin Stars of the French screen on Monday turned out to bid a final farewell to the British-born actor and singer Jane Birkin who died earlier this month after charming France for decades with her style and panache...

© » LARRY'S LIST

about 17 months ago (12/01/2022)

The British collector invites us into the Mougins Museum, founded to house his extraordinary collection of antiquities...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

British Telecom Tycoon David Ross to Sell Portion of Collection at Sotheby’s - via ARTnews...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Sotheby’s to Offer Selected British Pop Art from Businessman David Ross’s Collection - via Barron's...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Airline owns art by Tracey Emin, Anish Kapoor and Chris Ofili, with some works valued at more than £1m...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

She is the Italian Princess who for 25 years has fought to receive a share of one of the world’s most treasured art collections after claiming her mother was the secret love child of a famed British aesthete....

© » ARTNET

about 27 months ago (01/20/2022)

It is the first time that the 'Angels' singer has decided to sell works from his private art collection...

© » RANDIAN ART MARKET

about 42 months ago (11/14/2020)

British-Chinese artist Gordon Cheung left out of pocket by Shanghai gallery – The Art Newspaper...

© » ARTS EQUATOR

about 61 months ago (04/18/2019)

"Miss British": Embodying the Post-Colonial Complaint | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Esplanade - Theatres on the Bay April 18, 2019 By Aparna Nambiar (1440 words, six-minute read) “How has colonialism affected you?” This question flashes upon the giant screens that span the studio walls of The Esplanade Theatre Studio...

© » ARTREPORT

about 100 months ago (01/19/2016)

British Street Artist Hush Makes His Curatorial Debut At NY’s Vandal – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result British Street Artist Hush Makes His Curatorial Debut At NY’s Vandal by December Projects Jan 22, 2016 in Artist Interviews 0 Installation Close Up, Hush...

© » KADIST

about 51 months ago (02/01/2020)

© » KADIST

about 87 months ago (03/04/2017)

© » KADIST

about 108 months ago (05/28/2015)

© » KADIST

about 112 months ago (02/11/2015)

© » KADIST

about 133 months ago (05/24/2013)

© » KADIST

about 148 months ago (02/17/2012)

© » KADIST

about 157 months ago (06/01/2011)

© » KADIST

about 160 months ago (03/07/2011)

© » KADIST

about 165 months ago (10/01/2010)

© » KADIST

about 169 months ago (06/02/2010)