Ink Diary

2006 - Film & Video (Film & Video)

Chen Shaoxiong

location: Beijing
location: Guangzhou, China
year born: 1962
gender: male
nationality: Chinese
home town: Shantou, Guangdong Province, China

After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” For Ink Diary , Chen recorded his daily life and impressions within a rapidly-changing urban setting in ink wash paintings which he then turned into an animated film. The complex result of this simple process is both highly innovative and reflective of modernization.


Chen Shaoxiong, was a founding member—along with Lin Yilin and Liang Juhui (and later Xu Tan)—of the well-known artist collective “Big Tail Elephant” which arose in response to the rapid urbanization od Guangzhou in the early 1990s. The group created a large body of multimedia work including performance, photography, video, installation, and paintings. In his solo work, Chen focuses his efforts on the new forms of perception of urban visions and life imposed by the age of information and global travel. Using both new media, like photography and video, and more traditional forms like painting, he produces ironic and uncanny images of a new reality and its constant negotiation between reality and fiction, memory and imagination, past, present and future.


Colors:



Related works featuring themes of: » Animation, » Black and White, » China, » Contemporary Participation, » Chinese

RMB City: A Second Life City Planning 04
© » KADIST

Cao Fei

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© » KADIST

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© » KADIST

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Knight #6
© » KADIST

Karl Haendel

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Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...

Portrait: Cover and Clean
© » KADIST

Qiu Anxiong

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A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...

Diversionist
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Cao Fei

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Diversionist is part of the Cosplayers Series from 2004...

603 Football Field
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Qing Zhang

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603 Football Field presents a soccer game played inside a small student apartment in Shanghai...

Dilemma, three way of fork in the road
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Jianwei Wang

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In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...

Mao, who curves himself along the edge of the paper
© » KADIST

Liu Yin

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The Tower of Babel: Independence of the country
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Du Zhenjun

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Beyond Geography
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Li Ran

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Publica
© » KADIST

Liu Yin

2010

Liu Yin’s cartoon-like paintings and drawings explore the ambivalences of love, nature, and consumerism...

The Result of 1000 Pieces
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Lin Yilin

1994

All his artworks utilize the use of body – the artist’s own body and that of others...

Nightmare-Wallpaper (No.DCCC901-16#8): An-Angel-in-Conversation-with-a-Young-Lady
© » KADIST

Pak Sheung Chuen

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The series Nightmare Wallpapers represents a shift if Chuen’s practice, allowing the artist to immerse himself in an “artistic pilgrimage of self healing” following the failure of the 2014 Umbrella Movement...

Lift with care
© » KADIST

Hu Yun

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This research-based artwork acts as a memorial to early twentieth century European exploration of China...

Drag
© » KADIST

Xiaoyun Chen

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In the video work Drag, a man in a dark room pulls on the end of a rope...

Empire's Borders II-Workers
© » KADIST

Chen Chieh-Jen

2010

Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...

Unregistered City series #1 #2 #7
© » KADIST

Jiang Pengyi

2008

Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...

State Terrorism in Ultimate Form of PreRaphaelite Brotherhood
© » KADIST

Xiaoyun Chen

2006

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...