Fire Cycles III (Subcycle 10)

1974 - Drawing & Print (Drawing & Print)

60,8 x 23 cm

Anthony McCall

location: London, United Kingdom
year born: 1946
gender: male
nationality: British

This score is a graphic record of the detailed choreography of one of Anthony McCall’s Landscape for Fire performances. These took place between 1972-74 in the UK at the Museum of Modern Art in Oxford, Colchester School of Art, in Reading and in North Weald as well as in Sweden at Fylkingen Society of Contemporary Music and Arts, Stockholm, and in the USA at the William Patterson University, Wayne, New Jersey. Many of these events were photographed by David Kilburn and Carolee Schneemann, only one in 1972 was filmed. Dressed entirely in white, the artist and his collaborators lit braziers outdoors at nightfall, to the sound of foghorns. According to printed documentation, Subcycle 10 lasted 144 minutes between 4.42pm-7.06pm. If one refers to another drawing dated March 1973 in the Getty Research Institute, the numbering from 0-148 are the minutes and the columns with the numbers “12, 8, 4” indicate the time sequence. The geometric precision of these diagrams documents McCall’s specifically imagined spatial plan of interaction with unpredictable elements of fire, air and environmental conditions to create a near ritualistic event harking back to age-old traditions. The grid system formalizes the pacing or staging of this earthwork. McCall had begun his body of works drawing with light with the ‘Fire Event’ series of performances in his studio in London in 1971.


Since the 70s, the British artist Anthony McCall has continued to push the boundaries of art. Exploring the boundaries between cinema and sculpture, he uses light and time as his signature materials. His work spans across drawing, installation, and performance, one of his preferred mediums. McCall is a key figure of British avant-garde film from the 70s. His first films retrace his outdoor performances. Experimental film in 16mm is one of his main mediums that he uses in confrontation with sculpture and performance. McCall is an indispensable reference to a younger generation of artists working in video and installation in England and abroad. Anthony McCall was born in Great Britain in 1946. He lives and works in New York.


Colors:



Related works featuring themes of: » British

Plug the well ( July / August 2003)
© » KADIST

Keith Tyson

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...

Epiphany…learnt through hardship
© » KADIST

Ryan Gander

2012

Epiphany…learnt through hardship is composed of a bronze sculpture depicting the model of the little dancer of Degas, in the pose of a female nude photographed by Edward Weston (Nude, 1936) accompanied by a blue cube...

Made in Heaven
© » KADIST

Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Our love is like the Flowers, the Rain, the Sea and the Hours
© » KADIST

Martin Boyce

2003

In the installation Our Love is like the Flowers, the Rain, the Sea and the Hours, Martin Boyce uses common elements from public gardens – trees, benches, trashbins– in a game which describes at once a social space and an abstract dream space...

The Fifth Quarter
© » KADIST

Toby Ziegler

2005

The Fifth Quarter might have taken its mysterious inspiration from the eponymous Stephen King story collated into the Nightmares & Dreamscapes collection...

11
© » KADIST

Chris Wiley

2012

Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...

One we are not
© » KADIST

Ryan Gander

2004

Ryan Gander is a collector...

Beyond the White Walls
© » KADIST

Jeremy Deller

2012

Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...

Untitled (Breathless)
© » KADIST

Ian Wallace

2000

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...

let this be us
© » KADIST

Richard T. Walker

2012

let this be us is a single-channel video by Richard T...

Untitled (Rolled up)
© » KADIST

Jonathan Monk

2003

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...

Study for my Heroes in the Street (Stan)
© » KADIST

Ian Wallace

1986

Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...

After the Archive Collections Room
© » KADIST

Andrew Grassie

2009

In 2008, Grassie was invited by the Whitechapel Gallery to document the transformation of some of its spaces...