© » KADIST
Abraham Cruzvillegas
Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials. The title is a reference to a building Frank Lloyd Wright designed for Tokyo, which was completed in 1923. In its heyday, which lasted until after World War II, the hotel was reserved for elite personnel, many of them foreigners.
© » KADIST
Eleanor Antin
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.
© » KADIST
Glenn Ligon
Drawing & Print (Drawing & Print)
Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints. Though simple, each contains a nested stack of historical and self-referential quotations. Both black-and-white prints depict a version of Ligon’s 1988 painting, Untitled (I Am A Man) , which declares the words of the parenthetical in blocky black letters.
© » KADIST
Trisha Donnelly
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.
© » KADIST
Félix González-Torres
Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience. As with most of his works, the photograph is untitled followed by a parenthesis that provides some context clues. In this case, an inscription on the reverse of the photograph reads: For Laura (Alice B. Toklas + Gertrude Stein Flower Bed in Paris).
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Hank Willis Thomas
The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism. Historically, in countries such as the US and South Africa, the term “boy” was used as a pejorative and racist insult towards men of color, slaves in particular, signifying their alleged subservient status as being less than men. In response, Am I Not A Man And A Brother?
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting. Using a found photograph depicting a passionate crowd of African Americans—their attitude suggesting the fervor of a civil-rights era audience— Intentionally Left Blanc reverts in its exposed, “positive” format to an image in which select faces are whitened out and erased, the exact inverse of the same view in its “negative” condition. This dialectic of light and dark re-emerges when we view the same faces again, only this time black and featureless, a scattering of disembodied heads amidst a sea of white.
© » KADIST
Hank Willis Thomas
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911. “Bread for all, and Roses, too’—a slogan of the women in the West,” is Oppenheim’s opening line, alluding to the workers’ goal for wages and conditions that would allow them to do more than simply survive. Thomas’ painting includes several black, white, brown, yellow, and red raised fists—clenched and high in the air in the internationally recognized symbol of solidarity, resistance, and unity.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content. Meaning, therefore, changes depending on one’s perspective—and in the case of Thomas’ installation, only emerges when one knows that there is always something hidden, always more to one of his works than immediately meets the eye. This lenticular print with text shifts as you walk in front of it from its title, “Black Imitates White” to the inverse, “White Imitates Black”(and some other possibilities in between) emphasizing that there are always at least two perspectives to the same scenario, and thereby encouraging us as viewers to consider them all together rather than trying to identify with any one subjectivity.
© » KADIST
Hank Willis Thomas
Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s. I am the Greatest presents the famous quote by Mohammad Ali to think about his important presence in the African American community. In dialogue with the painting I am a Man, also in the Kadist collection, this assertion that begins the same way takes the line from the protest poster several steps further.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Hank Willis Thomas
Drawing & Print (Drawing & Print)
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title. As with many of his works, the artist has taken a found image and manipulated it to draw out and dramatize the formal contrast between the black hands holding white cotton. Cotton, of course is one of the most familiar fabric sources to us, and becomes incredibly soft once processed.
© » KADIST
Hank Willis Thomas
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race.
© » KADIST
James Welling
#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.
© » KADIST
James Welling
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it. Although Welling’s approach to photography is more conceptually oriented than poetic, the resulting image in Stowe (a direct photogram of a crumpled piece of cloth) somehow resembles a curtain, perhaps suggesting that an artificial even fictive component in photographic representation. While the curtain might echo other imagery, Welling’s approach is not allegorical but rather abstract in a way that reinforces the materiality of the object.
© » KADIST
Cildo Meireles
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
© » KADIST
Julius Koller
Drawing & Print (Drawing & Print)
Anti-Happening refers to Koller’s 1965 manifesto, ‘Anti-Happening (System of Subjective Objectivity)’. In opposition to the notion of a ‘happening’ as a way of actualising group identity, in his manifesto, Koller stated that his concept of the ‘anti-happening’ aimed at a ‘cultural reshaping of the subject, at awareness, at the surroundings and the real world’ [i] . Unlike happenings, these actions do not involve the staging of psychologically expressive performances.
© » KADIST
H.H. Lim (Hooi Hwa)
Images is a two channel video work addressing the relationship between art and ritual. On the left side, the artist is filmed in a sparse, red room with his tongue nailed onto a red table. With Lim’s freedom of movement and speech limited, the viewer focuses on the facial expressions of the artist as different streams of thoughts and realizations enter his mind.
© » KADIST
Oscar Tuazon
Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology. Engaging different methods of construction, he frequently uses wood, concrete, glass, steel, and piping as materials to create his structures and installations. Tuazon’s works have roots in minimalism, conceptualism, and architecture, and have a direct relationship with both the site in which they are presented, as well as with their viewer, often through physical engagement.
© » KADIST
Laura Lima
Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns. Visually, the work evades more complex descriptions, demanding a separate set of conventions to describe its semi-textural, semi-sculptural surface. Lima’s principle of demanding alternative descriptive conventions and exploring the experiential dimension of interacting with her work is fully visible in Anonymous , which is in many ways best qualified, in its sheer variety of shapes and textures, by its title.
© » KADIST
Matthieu Saladin
Drawing & Print (Drawing & Print)
L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B. C. of 150 historical episodes of debt cancellation (one event per poster). Unlike usual stacks, each poster is different, in its content, but equally in its design (realized by the graphic studio Vier5). As the public takes the posters, the artwork developed into a verified history of cancellation that emerges, a kind of counter-history of indebtedness.
© » KADIST
N. Dash
Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive. Through these delicate and time-consuming processes, the artist’s bodily interaction with the material becomes clear, with marks of its making and traces of the artist’s hand embedded in the surface of her quiet compositions.
© » KADIST
Kara Walker
In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.
© » KADIST
An-My LE
The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture. In the background, the steel pillars creates a division of space implying a separation the two men according to their geographic regions of origin or residence, their vocations, their ethnicities, and their attitudes toward war. Yet, the mirrored body language of the two characters also suggests their reconciliation into a dialogue perhaps characterized by the protagonists’ physical and spiritual conversation.
© » KADIST
Christine Sun Kim
Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022). Sun produced this NFT from a still image of the animation that features a drawn notation of the sign “echo” in American Sign Language. Visually the black and white image depicts two side by side mounds, one labelled ‘Hand’ and the other labelled ‘Palm’.
© » KADIST
Bjorn Copeland
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco. These rather austere collages were created by simply cutting and inverting the text from existing information signs. In Sign #2 , for example, the original image that presumably carried the message “NO RIDERS” was placed upside down.
Hank Willis Thomas
- location: New York, New York
- year born: 1976
- gender: male
- nationality: American
- home town: Plainfield, New Jersey
Julius Koller
- location: Pieštany, Slovenská Republika
- year born: 1939
- gender: male
- nationality: Slovakian
Alexandre da Cunha
- location: London, United Kingdom
- year born: 1969
- gender: male
- nationality: Brazilian
- home town: Rio de Janeiro, Brazil
Gabriel Orozco
- location: New York City, Paris
- location: Mexico
- year born: 1962
- gender: male
- nationality: Mexican
- home town: Jalapa, Mexico
Yee I-Lann
- location: Kuala Lumpur, Malaysia
- year born: 1971
- gender: female
- nationality: Malaysian
- home town: Sabah, Malaysia
Lin Yilin
- location: Beijing & New York
- year born: 1964
- gender: male
- nationality: Chinese
- home town: Guangzhou, China
Nontawat Numbenchapol
Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...
Lisa Oppenheim
- location: New York, New York
- year born: 1975
- gender: female
- nationality: American
- home town: New York, New York
Abraham Cruzvillegas
- location: Mexico
- year born: 1968
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
Rocky Cajigan
Rocky Cajigan is a Bontoc Igorot artist working in the contemporary contexts of Indigenous people from the Cordilleras region in the northern state of Luzon island in the Philippines...
Chris Wiley
- location: New York, New York
- year born: 1981
- gender: male
- nationality: British
An-My LE
- location: New York, New York
- year born: 1960
- gender: female
- home town: Saigon, Vietnam
Yang Guangnan
- location: New York City, United States
- year born: 1986
- home town: Inner Mongolia, China
Christine Sun Kim
- location: New York, New York
- year born: 1980
- gender: female
- nationality: American
- home town: Orange County, California
Ari Marcopoulos
- location: New York, NY
- location: Sonoma, CA
- year born: 1957
- gender: male
- nationality: Dutch
- home town: Amsterdam, Netherlands
James Welling
- location: New York, New York; Los Angeles, California
- year born: 1951
- gender: male
- nationality: American
- home town: Hartford, Connecticut
Kara Walker
- location: New York, New York
- year born: 1969
- gender: female
- nationality: American
- home town: Stockton, California
Matthieu Saladin
Through a conceptual approach, Matthieu Saladin (born in 1978 in France) develops his practice around an exploration of how contemporary economic mechanisms shape social relations and subjectivities...
Ming Wong
- location: Berlin, Germany
- year born: 1971
- gender: male
- nationality: Singaporean
- home town: Singapore
Ho Rui An
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Claire Fontaine
Claire Fontaine is a Paris-based collective, founded in 2004...
Musquiqui Chihying
Through his artistic career, Musquiqui Chihying has striven to dislocate and reconstruct established modes of behavior within systems and structures of power...
Lenora de Barros
Lenora de Barros studied linguistics and started her artistic career in the 1970s...
N. Dash
- location: New Mexico & New York
- year born: 1980
- gender: female
- nationality: American
- home town: Miami Beach, Florida
Judy Chicago
- location: Belen, New Mexico
- year born: 1939
- gender: female
- nationality: American
- home town: Chicago, Illinois
Teresa Burga
A pioneer of Latin American Conceptualism, since the 1960s, Teresa Burga has made works that encompass drawing, painting, sculpture, and conceptual structures that support the display of analytical data and experimental methodologies...
Kate Gilmore
- location: New York, New York
- year born: 1975
- gender: female
- nationality: American
- home town: Washington, D.C.
Bjorn Copeland
- location: New York, New York
- gender: male
© » ARTSY
about 3 months ago (02/12/2024)
Neo-Expressionist artist Karl Horst Hödicke has died at 85...
© » ART & OBJECT
about 3 months ago (02/12/2024)
10 Must-See Works at the Museum of Modern Art | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » LENS CULTURE
about 4 months ago (01/19/2024)
Golikro - Photographs by Olivier Khouadiani | Essay by Rebecca Horne | LensCulture Award winner Golikro Calling upon lost ancestral traditions in his black and white photographs, Olivier Khouadiani enlists the children of Amanikro, a village in Côte d’Ivoire, to connect past and present in the face of the future...
© » ART AND CAKE
about 4 months ago (01/18/2024)
Artist Spotlight: Douglas Alvarez – Art and Cake January 18, 2024 January 18, 2024 Author Artist Spotlight: Douglas Alvarez Coffee Shop What does a day in your art practice look like? When not dealing with graphic design projects, I start my mornings working on the painting on my easel...
© » ARTLYST
about 4 months ago (01/17/2024)
Brent Sikkema, the Manhattan art dealer renowned for representing artists such as Jeffrey Gibson and Kara Walker found dead The post Brent Sikkema – Visionary Art Dealer Of Jeffrey Gibson And Kara Walker Murdered appeared first on Artlyst ....
© » ASX
about 4 months ago (01/05/2024)
Mårten Lange – Threshold – AMERICAN SUBURB X Skip to content Humans leave traces of their presence almost everywhere they inhabit in the built environment...
© » HYPERALLERGIC
about 5 months ago (12/13/2023)
Rules & Repetition: Conceptual Art at the Wadsworth Atheneum Skip to content “The Maze and Snares of Minimalism” (1993) by Carl Andre in front of Alfred Jensen’s “The World As It Really Is” (1977), on view in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum The Wadsworth Atheneum Museum of Art presents works by groundbreaking conceptual artists of the 1960s and ‘70s alongside more recent acquisitions in Rules & Repetition: Conceptual Art at the Wadsworth Atheneum ...
© » ART & OBJECT
about 5 months ago (12/12/2023)
9 Picks from New York’s Major Fall Auctions | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ART & OBJECT
about 5 months ago (12/12/2023)
Ed Ruscha's Poetry of the American Experience | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » SOUTH CHINA MORNING POST
about 5 months ago (12/05/2023)
German artist Neo Rauch on ‘punching back’ at critics as he holds second solo exhibition in Hong Kong | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more German artist Neo Rauch with his “Die Nachtfalterin” (2023) at David Zwirner gallery in Central, Hong Kong, where he is holding his latest solo exhibition...
© » APERTURE
about 5 months ago (12/01/2023)
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....
© » ARTSY
about 5 months ago (11/29/2023)
William Anastasi, a prominent Conceptual artist, has died at 90...
© » BROOKLYN STREET ART
about 5 months ago (11/26/2023)
Welcome to BSA Images of the Week! How are feeling? Did you have a good Thanksgiving day, and did you see the crowds and balloons and marching bands along the parade route and the still intact orange and yellow leaves on the trees on Central Park West? Did you see Dolly Parton dressed as a Dallas Cowboy cheerleader singing at the halftime game, and did you see your girl Ava from up the block [...]...
© » ARTOMITY
about 6 months ago (11/14/2023)
Neo Rauch at David Zwirner Hong Kong – ARTOMITY 藝源 Neo Rauch / Field Signs / Nov 16, 2023 – Feb 24, 2024 / Opening Reception: Thursday, Nov 16, 5pm – 7pm Discusion led by Dr Shen Qilan: Friday, Nov 17, 5pm – 6pm The talk will be conducted in English...
© » ARTOMITY
about 6 months ago (11/01/2023)
Asia Art Archive annual fundraiser auction – ARTOMITY 藝源 aaa2023auction.com Asia Art Archive (AAA)’s 2023 Annual Fundraiser features an auction of over 55 works, generously donated by artists, galleries, and individuals...
© » GALERIA FOKSAL
about 7 months ago (10/20/2023)
Karol Radziszewski, Nose up the Ass - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Karol Radziszewski Karol Radziszewski, Nose up the Ass October 20, 2023 Opening: Friday, October 20th, at 6:00 till 10:00 pm The exhibition runs: October 20th — December 2nd curated by: Maria Rubersz Working with objects from the past, the archivist opens them up to the future...
© » LARRY'S LIST
about 14 months ago (03/01/2023)
With his wife Barbara, he made a major donation to the Hirshhorn Museum and Sculpture Garden in 2018....
© » ARTS EQUATOR
about 18 months ago (11/10/2022)
Make Hantus Great Again: Breaking Bread With the Undead | ArtsEquator Skip to content "Make Hantus Great Again", Teatre Ekamatra's latest production, combines kooky supernatural characters with social commentary this Halloween...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Among the artists he collected were John Baldessari, Marcel Broodthaers, stanley brouwn, Donald Judd, On Kawara, and Joseph Kosuth....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Herman Daled, Conceptual Art Collector Whose Holdings Were Acquired by MoMA, Has Died - via ARTnews...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Collect Like an Expert: How to Find Great Emerging Artists | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Your Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
© » ARTS EQUATOR
about 25 months ago (04/21/2022)
Disability Arts — Expanding Ecosystems, Protecting Foundations | ArtsEquator Skip to content Disability arts researcher Yeongmin Mun reflects on ecosystems, access and platforms in response to the online panel discussion, Ground Up: Building Effective Ecosystems for Disability Arts ...
© » ARTS EQUATOR
about 27 months ago (02/24/2022)
Disability Arts: Critical Conversations between South Korea and Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints February 24, 2022 Disability Arts: Critical Conversations between South Korea and Singapore Presented by ArtsEquator, Equal Dreams and Taeyoon Choi Studio Disability Arts has emerged as a powerful and dynamic area of practice within the wider arts and cultural landscape regionally in recent years...
© » ARTS EQUATOR
about 40 months ago (01/15/2021)
Festival Forum: Meeting-In-Progress at National Gallery Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 15, 2021 Where can we find each other? And where do we go from here? Happening on Saturday, January 23 2021, Festival Forum: Meeting-In-Progress discusses ideas, processes and ways forward in this new year of not-so-new normals....
© » ARTS EQUATOR
about 45 months ago (08/20/2020)
An Elder Millennial’s Guide to Classic Singapore TV & Movies | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles August 20, 2020 By Joel Tan Okay, as if we needed another existential crisis during the Pandemic of 2020, more than a hundred classic Singapore TV shows and movies just got dumped on Netflix ...
© » ARTS EQUATOR
about 62 months ago (04/14/2019)
Weekly Picks: Singapore (15 – 21 April 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 15, 2019 Plunge: Esplanade’s The Studios 2019 by Arts Republic & Centre 42 , 21 April 5pm, library@esplanade If you’ve caught any shows from Esplanade’s The Studios 2019 season and can’t wait to talk about them, come join us at this special edition of Plunge! Co-hosted by reviewers from Arts Republic and Centre 42’s Citizens’ Reviews programme, this session welcomes theatre enthusiasts to gather and share their post-show musings in a casual setting...
© » ARTS EQUATOR
about 63 months ago (03/14/2019)
Programming The Studios 2019: An Interview with Lynn Yang | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles March 14, 2019 By Selina Chong (519 words, two-minute read) The Studios is Esplanade’s longest running platform for supporting Singapore’s theatre scene...
© » ARTS EQUATOR
about 71 months ago (06/27/2018)
M1 Open Stage + DiverCity - Contact Contemporary Dance Festival Thinking and Talking about Arts and Culture in Southeast Asia Articles June 27, 2018 This year, with an increased number of international programme collaborators, M1 Open Stage features innovative and exhilarating works by a diverse range of dance artists over two nights...
© » ARTREPORT
about 101 months ago (01/19/2016)
British Street Artist Hush Makes His Curatorial Debut At NY’s Vandal – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result British Street Artist Hush Makes His Curatorial Debut At NY’s Vandal by December Projects Jan 22, 2016 in Artist Interviews 0 Installation Close Up, Hush...
-
1960-1969
Judy Chicago
1969Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
Lisetta Carmi
1969On New Year’s Eve in 1965, Lisette Carmi met and photographed a group of transgender people living and working on the Via del Campo in Genoa–the main street for prostitution in the city, located in the former Jewish ghetto...
-
1970-1979
Eleanor Antin
1973Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
Cildo Meireles
1975Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
Cecilia Vicuña
Drawing & Print
1977(Drawing & Print) Palabrarma (obreros palabreando) by Cecilia Vicuña is a series of works in which the artist blends poetry, political commentary and graphic design...
Julius Koller
1978This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created...
-
1980-1989
Julius Koller
Drawing & Print
1982(Drawing & Print) Wordplay was a central focus of Koller’s work, in particular the acronym U...
Mladen Stilinovic
1985The Exploitation of the Dead cycle is composed of a very large number of elements which the artist reorganizes differently every time...
-
1990-1999
Félix González-Torres
1992Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience...
Gabriel Orozco
1992Gabriel Orozco often documents found situations in the natural or urban landscape...
Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
Ari Marcopoulos
1998A photograph of a tin box full of marijuana simply titled Green Box, speaks to the constantly changing status of the substance–once taboo or illicit, now a symbol of a growing industry in Northern California...
-
2000-2009
Glenn Ligon
Drawing & Print
2000(Drawing & Print) Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...
Gabriel Orozco
2002Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Abraham Cruzvillegas
2004Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
H.H. Lim (Hooi Hwa)
2004Images is a two channel video work addressing the relationship between art and ritual...
James Welling
2005#17 Pink is a photogram, a photographic image produced without the use of a camera...
Kara Walker
2005In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...
Gregory Crewdson
2005Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...
Diana Thater
2005In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...
Alexandre da Cunha
2005His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...
Alexandre da Cunha
2005Glaze (Savana) (2005) is an assemblage of found materials: a car wheel, a tire, and a wooden plinth of the type traditionally used to display sculpture...
James Welling
2006Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Claire Fontaine
2006Foreigners Everywhere is a series of neon signs in several different languages...
Trisha Donnelly
2007Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Ben Shaffer
2007Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Kate Gilmore
2008In the six-minute single-channel video Higher Horse , Kate Gilmore perches herself on top of a tall pile of plaster blocks, in front of a pink colored wall with vein-like streaks of red...
Ari Marcopoulos
2008In Jackass (2008) by Ari Marcopoulos, his two sons, Cairo and Ethan, are pictured relaxing in a disheveled bedroom in their Sonoma home...
Otobong Nkanga
2008Born in 1974, Kano, Nigeria, Otobong Nkanga lives and works in Antwerp, Belgium...
Bjorn Copeland
2009Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
-
2010-2019
An-My LE
2010The print Patient Admission, US Naval Hospital Ship Mercy, Vietnam (2010) features an Asian Buddhist monk and an American Navy Solider on board the Mercy ship –one of the two dedicated hospital ships of the United States Navy– sitting upright in their chairs and adopting the same posture...
Stephen G. Rhodes
2010For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame...
Shahzia Sikander
2010The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
Alexandre da Cunha
2010In Laissez-Faire (Rainbow Flag) da Cunha has turned a beach towel into both a painting and a flag...
Ranu Mukherjee
2011Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Yang Guangnan
2011Itch explores the relationship between technology and daily human experience with a motorized arm that extends from within the gallery’s wall, moving up and down while holding a projector that shows a desperately scratching pair of hands....
María Buenaventura
2011The Territory is not for sale is a process of reflection and research with people, thinkers and community leaders from Usme, a rural part of Bogotá on the tenuous verge of becoming urban...
Alexandre da Cunha
2011The series West (Flag 1), West (Flag 3), and West (Flag 6) continues da Cunha’s ongoing exploration of the form’s various vertical, horizontal, and diagonal stripes...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
Hank Willis Thomas
2012Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
Hank Willis Thomas
Drawing & Print
2012(Drawing & Print) Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Hank Willis Thomas
2012Like many of his other sculptural works, the source of I am the Greatest is actually a historical photograph of an identical button pin from the 1960s...
Oded Hirsch
2012Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Valeska Soares
2012Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Nicholas Mangan
2012Executed in 2012, A World Undone revolves around a single, metaphorically rich substance, drawing on geological research into an ancient mineral, Zircon, unearthed in remote Western Australia...
Hank Willis Thomas
2013The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...
Yee I-Lann
2013Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Burak Delier
2013Burak Delier’s sculpture Homage to Balotelli’s Missed Trick is a symbol of resistance to the demand for success and performance...
Igor Grubic
2013The installation “East Side Story” is based on events that took place in the streets of Belgrade in 2001 and Zagreb in 2002, during the Gay Pride demonstrations, where the participants were the victims of verbal and physical injury by neo-Nazi groups and other citizens...
Hank Willis Thomas
Drawing & Print
2014(Drawing & Print) Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Hank Willis Thomas
2014South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Oscar Tuazon
2014Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology...
Adriano Costa
2014Westminster Agua Viva is made from Westminster City Council(‘s) recycling bin bags, glued together, that the artist has painted and cut or cut and painted...
Erika Verzutti
2015Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Matthieu Saladin
Drawing & Print
2016(Drawing & Print) L’effeuillage des effacements (The Stripping of Erasures) 2016, presents a piles of posters gathered in decreasing chronological order from 2015 to 2400 B...
Laura Lima
2017Anonymous by Laura Lima consists of a series of fabric-based forms, over which rope has been arranged in varying textures and patterns...
Juliana Huxtable
2017Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
Diego Marcon
2017Monelle by Diego Marcon was filmed at night inside the infamous Casa del Fascio, the headquarters of the local Fascist Party in Como Italy, designed by Giuseppe Terragni under Mussolini’s rule...
Rocky Cajigan
2017From the Ending by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
Rocky Cajigan
2017From the Beginning by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
Camel Collective
2018Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects...
Gary-Ross Pastrana
2018Gary-Ross Pastrana’s video installation Rewilding consists of three large-scale projections placed across the exhibition space...
Christina Quarles
2018The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen...
Naomi Rincón-Gallardo
2019Resiliencia Tlacuache / Opossum Resilience by Naomi Ricón Gallardo is a fabulation in which four characters find themselves in temporalities that overlap Mesoamerican narratives about the creation of the world with the contemporary time of accumulation by dispossession...
Xaviera Simmons
2019Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...
Tanatchai Bandasak
2019Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
Gabriel Chaile
2019For the project Aguas calientes Gabriel Chaile exchanged silverware from three popular soup kitchens (mutual aid organizations to provide food for people in need) in Buenos Aires to brand new cooking utensils to shape his project...
Teresa Burga
Drawing & Print
2019(Drawing & Print) In her new series titled Ninas Peruanas Cusquenas , Teresa Burga depicts young indigenous women from Peru’s Andean region, dressed in traditional garments...
Musquiqui Chihying
2019The Sculpture by Musquiqui Chihying comprises a two-channel lecture performance and a photograph...
-
2020-2029
Yee I-Lann
20207-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
Wisrah Villefort
2020This video is a montage of documentary and virtual images found on the Internet...
Lenora de Barros
2021Lenora de Barros’s poetics are known for setting in motion an intimate relationship between image and the written word...
Christine Sun Kim
2022Hand Palm Echo 1 is a digital animation based on Christine Sun Kim’s staircase mural at The Drawing Center in New York (10 March – 22 May, 2022)...
Ana Vaz
2022Ana Vaz describes her film É Noite na América (It is Night in America) as an eco-terror tale, freely inspired by A cosmopolitics of animals by Brazilian philosopher Juliana Fausto; in which she investigates the political life of non-human beings and questions the modern idea of the exceptionality of the human species...
Antonio Vega Macotela
2022The mines at Potosí are both the site and subject of this work, also titled Potosí, by Antonio Vega Macotela...
