In his performative action Subterranean Doomsday Vendor , Draeger positions himself in the subway system of Mexico City, as part of the common occurrence of bootleg media vendors. His contribution lies in dissemination of prophecy as he tests the public’s reactions to the types of content and media which can be circulated in such common spaces.
Swiss artist Christoph Draeger lives and works between Vienna and NY. His investigations focus on the dominance of media over society as he exploits topics of catastrophe, tragedy and entropy as an underlying social condition. His media based works utilize found and made material and his variations of the apocalyptic thematic spin upon layers of historical events.
Podcast 84: Traditional Arts: Dikir Barat, Kavadi Attam and Nanyin | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 8, 2020 ArtsEquator speaks to Lyn Lee, Nirmala Seshadri and Soultari Amin Farid about Nanyin, Kavadi Attam and Dikir Barat and the study and practice of traditional arts in Singapore...
For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Foreigners Everywhere is a series of neon signs in several different languages...