Map of the universo from El Cerro

2016 - Installation (Installation)

48 3/4 x 49 inches

Chemi Rosado-Seijo


Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico. The project was initiated in 2002 by painting the exteriors of residents’ homes different shades of green, paying homage to the way the community has been built in harmony with the topography of the mountains where it stands. Through negotiation and collaboration with community leaders, volunteers, students and residents, over 100 homes have been painted. In 2010 Rosado-Seijo and the El Cerro community began the arduous process of repainting the homes. In preparing the surface of the walls they scratched and peeled off layers of paint from years of accumulation, which were saved and later brought into the studio to be re-examined. By framing the readymade forms that the remnants of paint created, Rosado-Seijo developed a series of works that catalogue artifacts from the project while referencing topographical maps that the paint fragments resemble, such as the island of Puerto Rico, the Caribbean, the Americas, or in the case, the universe. The fragments are presented as specimens, viewable from either side, revealing the residues from bygone years. Playing the role of cartographer and historian, Rosado-Seijo constructs narratives filled with political and geographic tensions while reminding us of the interconnectedness of human architecture.


Chemi Rosado-Seijo’s work consists of community-based interventions linked to the site where they have been developed. Often his artwork, projects or interventions are set and/or developed with the communities that have inspired them. He graduated from the painting department of the Puerto Rico School of Visual Arts in 1997. In 1998, he worked with Michy Marxuach to open a gallery that transformed into a not-for-profit organization presenting resources and exhibitions for contemporary artists in Puerto Rico. In 2006, he inaugurated La Perla’s Bowl, a sculpture built with residents of San Juan’s La Perla community that functions as both a skateboarding ramp and an actual pool. Since 2009, Rosado-Seijo has been organizing exhibitions in his apartment in Santurce, creating a center for meeting and exchange in the Puerto Rican contemporary art scene.


Colors:



Related works sharing similar palette  
» see more

Dominique Petitgand
© » KADIST

Dominique Petitgand à propos de “Le bout de la langue” (2003)...

Criticism and Tears: The Emotional is Political in the Marcos State
© » ARTS EQUATOR

Criticism and Tears: The Emotional is Political in the Marcos State | ArtsEquator Skip to content When a film taps on emotions to distort historical facts, criticism that uses a rational, adversarial voice, above the work and the audiences who enjoy it may fail to dislodge the emotive power of the work’s narrative...

“Spilt Gravy Ke Mana Tumpahnya Kuah” Makes Us Consider Time, History and the Prickly Question of Family
© » ARTS EQUATOR

“Spilt Gravy Ke Mana Tumpahnya Kuah” Makes Us Consider Time, History and the Prickly Question of Family | ArtsEquator Skip to content After years of waiting, Spilt Gravy Ke Mana Tumpahnya Kuah hits the screens in Malaysia on 9th June...

Frick Pittsburgh reschedules Islamic art exhibition amid controversy
© » TRIBLIVE

Frick Pittsburgh reschedules Islamic art exhibition amid controversy | TribLIVE.com Art & Museums Frick Pittsburgh reschedules Islamic art exhibition amid controversy Ryan Deto Friday, Nov...

YUMA o la tierra de los amigos (YUMA, or the Land of Friends)
© » KADIST

Carolina Caycedo

2014

YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Until It Makes Sense
© » KADIST

Mario Garcia Torres

2004

Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...

The Transparencies of the Non-Act
© » KADIST

Mario Garcia Torres

Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...

Related works found in the same semantic group  
» see more

Border Biennial showcases art across the Texas-Mexico border
© » THEARTNEWSPER

Border Biennial showcases art across the Texas-Mexico border Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news Border Biennial showcases art across the Texas-Mexico border It’s the first physical iteration of the El Paso and Juárez exhibition in five years, after the onset of the Covid-19 pandemic shut down the 2020 edition Carlie Porterfield 15 December 2023 Share Pico del Hierro-Villa's Las Virgencitas Enamoradas (2022) Courtesy of the artist The Border Biennial, which celebrates art and culture across the US-Mexico border, is returning for the first time since the onset of the Covid-19 pandemic and related travel restrictions interrupted the 2020 edition of the event...

El Greco / Tino Sehgal Centro Botín / Santander
© » FLASH ART

El Greco / Tino Sehgal Centro Botín / Santander | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...

Jorge González
© » KADIST

Jorge González joins KADIST San Francisco for a short residency to expand on his long-term research on Indigenous craft techniques and knowledge specific to the Carribean...

Relación de tráfico de personas 1525-1533 I (Study of Trafficking of Persons 1525–1533 I)
© » KADIST

Noé Martínez

2019

As he investigates the forms that slavery took through different events that occurred during the sixteenth century in the Huasteca region of Mexico, Noé Martínez tells, in a non-linear narrative, the history of human trafficking in Relación de tráfico de personas 1525-1533 I (Study of Trafficking of Persons 1525–1533 I) ...