Imagine How Many

2017 - Textile (Textile)

172.09 x 238.76 cm.

Margo Wolowiec


Imagine How Many by Margo Wolowiec is a woven polyester depiction of blurred text and floral images found on social media, distorted beyond complete recognition. It resembles a newspaper with a conspicuous “fold” down the middle, but its contents are undoubtedly drawn from Wolowiec’s practice of image aggregation and do not follow the clear formatting newspapers normally possess. Instead, Wolowiec has created an alternative publication of sorts, drawing in a third, comparative source of “networked” imagery and information, inserting the concept of publication and social media into her greater examination of the structures governing dissemination.


Margo Wolowiec uses her multidisciplinary practice to examine space, material versus conceptual practices, and affective responses. Working predominantly with textiles, the artist aggregates “non-images” and controversial texts from the internet, she then creates complex, visually fragmented fabric compositions, which cut in and out like static. She analogizes the networked layering of woven fibers with the technological networks from which she draws her images, articulating a novel, analog means of imagining and relating to the greater technological ontology upon which contemporary society depends. Her forms are largely sourced from visualizations of glitches and aberrations found on Internet-based social networking platforms such as Instagram, Facebook, and Tumblr. In translating pixelated images into fiber art through painstaking technique of hand dye and weaving, Wolowiec offers a wholly original response to producing art in the digital age by narrowing the gap between traditional practices of handcraft and contemporary modes of image making offered through new media technologies.


Colors:



Other related works, blended automatically  
» see more

Not This Time
© » KADIST

Margo Wolowiec

2015

Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world...

Related works sharing similar palette  
» see more

What We Lose When Curating Follows the Money
© » HYPERALLERGIC

What We Lose When Curating Follows the Money Skip to content Gerhard Richter, "Tante Marianne" (1965), oil on canvas (all photos Olivia McEwan/ Hyperallergic ) LONDON — Something feels off from the introductory lines of the exhibition booklet for Tate Modern’s Capturing the Moment ...

Restaurant Tramo in Madrid embraces a more responsible future, bite by bite
© » WALLPAPER*

Restaurant Tramo embraces a responsible future, bite by bite | Wallpaper (Image credit: Photography by Juan Baraja...

Diane Arbus: A printed retrospective, 1960-1971
© » KADIST

Pierre Leguillon

2008

End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...

Friction / Where Is Lavatory?
© » KADIST

Taiyo Kimura

The wall installation Friction/Where is Lavatory (2005) plays off anxieties about time but utilizes sound to create a disconcerting experience of viewership: comprised of dozens of wall clocks sutured together, the work presents a monstrous vision of time at its most monumental...

Other works by: » Margo Wolowiec  
» see more

Not This Time
© » KADIST

Margo Wolowiec

2015

Wolowiec’s textile work Not This Time (2015) translates pixelated images into sensuous fabric and ink based forms that are at once beautiful in their abstraction and anxiety-ridden in their visualization of a malfunctioning digital world...

Related works found in the same semantic group  
» see more

John Sainsbury, Supermarket Magnate Who Transformed London’s Museums, Dies at 94 - via ARTnews
© » LARRY'S LIST

He and his brothers $35 million toward the building of a wing at the National Gallery....

A Feminist Memory Project in Nepal
© » APERTURE

An expansive archive illustrates the role of women in shaping over a century of the country's political and public life....

Drag
© » KADIST

Xiaoyun Chen

2006

In the video work Drag, a man in a dark room pulls on the end of a rope...