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White Corner
© » KADIST

Alexandre Arrechea

Film & Video (Film & Video)

White Corner (2006) is a video installation, projected on two protruding perpendicular walls. On one level the work constitutes a self-portrait of the artist, whose image is projected on both walls, separated by the corner. Yet while facing, they don’t quite confront each other.

Report of the Legal Subcommittee
© » KADIST

Carey Young

Drawing & Print (Drawing & Print)

Report of the Legal Subcommittee is a print featuring a map of the stars, together with a found transcription of a recent United Nations meeting in which various international delegations declare frustration with their 40-year-old, ongoing efforts to devise a legal definition of outer space. This admission seems to hold a rich poetic potential, the human attempts to bureaucratize and control outer space seemingly frustrated by the sublime scale and mystery of its infinite depths.

Product Recall
© » KADIST

Carey Young

Film & Video (Film & Video)

“Product Recall” is a video perfomative pun on the action recalling memories in the form of a psychoanalytic session and the recall of faulty products from multinational corporations. Young enters a practicing psychoanalyst room and begins a session. Dressed in corporate business attire, Young encompasses both the corporation and individual.

Splinters and Seconal
© » KADIST

Ed Ruscha

Painting (Painting)

In 1970, Ruscha began a series of paintings made from stains. He experimented with a variety of materials (gun powder, dust, blood, among many others) to leave surface traces of different objects. The resulting images are negative shapes amidst blurry environments like Splinters and Seconal in which a grey surface is imprinted with the materials mentioned in the title.

Sal Sem Carne
© » KADIST

Cildo Meireles

Sculpture (Sculpture)

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.

Universal Futurological Question Mark (U.F.O)
© » KADIST

Julius Koller

Photography (Photography)

This work is one of Koller’s many variations which he began to use from 1970 to describe the ‘cultural situations’ he created. His “Anti-Happenings” turned mundane events into ‘cultural’ and ‘subjective’ situations. He sought to create new cultural situations that weren’t new art, but rather new ways of living: a new creativity for a new humanistic culture.

Collection of 16 Films
© » KADIST

David Haxton

Film & Video (Film & Video)

16 films is a selection of David Haxton’s single-screen videos, which he began producing in the 1970s as a continuation of some of the conceptual underpinnings of his earlier film installations. As the described by Haxton, “[he] became interested in in examining the nature of the medium [of film] including light, movement, and the formation of a three-dimensional illusion of space in a flat surface.” This selection of films were produced in 16mm film between 1970 and 1982 and have been digitally mastered in high definition from the original 16mm films, which are preserved by the Academy Film Archive in Los Angeles. Reminiscent of the paired back, low-fi quality of other conceptual video work from that period, Haxton abides to a certain criteria to restrict aspects of the medium: he does not do any editing, always fixes the camera onto a single position for the whole duration of the films, and he limits the actions of the performers.

100 Boots
© » KADIST

Eleanor Antin

Photography (Photography)

Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.

Palabrarma (obreros palabreando)
© » KADIST

Cecilia Vicuña

Drawing & Print (Drawing & Print)

Palabrarma (obreros palabreando) by Cecilia Vicuña is a series of works in which the artist blends poetry, political commentary and graphic design. The title itself is a portmanteau that unites the words palabra (word) and arma (weapon) that speaks literally of the power of words through their poetic potential. A poet herself, Vicuña developed a long series of palabrarmas on diverse media that were often used as slogans in political demonstrations.

Susan Sontag
© » KADIST

Peter Hujar

Photography (Photography)

Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose. A friend and supporter of his work as well as his subject, Sontag wrote the introduction for Hujar’s only book published during his lifetime: Portraits in Life and Death.

U.S. Treasury Nose
© » KADIST

Ilene Segalove

Drawing & Print (Drawing & Print)

For the collage U. S. Treasury Nose Segalove appropriated an image of a governmental-type agent inspecting an object on a table with a magnifying glass. By inserting written comments like “not a straw,” “not a spoon,” “not a razor blade,” the artist equates the inspector with a cocaine user. In this way, with keen, deadpan humor, the artist refers to all the stereotypes and social clichés associated with drug abuse particularly in the 1970s.

La Cultura de la Felicidad (The Culture of Happiness)
© » KADIST

Luis Pazos

Photography (Photography)

La Cultura de la Felicidad (The Culture of Happiness) is a series of five photographs addressing everyday life—a couple in a bed, lovers on a bench and a family reunion. The subjects wear masks made of white cardboard. The series suggests the idea of a reality hidden under the appearances of the power in place that denies violence to citizens.

Au Bord du Fleuve Niger
© » KADIST

Malick Sidibé

Photography (Photography)

Au bord du Fleuve Niger (1976) offers a unique insight into the lives of the 1970s in Bamako. The photograph provides a glimpse into the notoriously active and exciting life alongside the Niger River, where parties would often last until the early hours of the morning. The gaze of the teenage boys who pose for Sidibé bears witness to an intimate space between the lens of the camera, the artist, subjects and the viewer.

27 Punk Photos: 11. Dim Wanker: F Word, May, 1978
© » KADIST

Bruce Conner

Photography (Photography)

In 1977, as an already-established artist best known for his films, Bruce Conner began to photograph punk rock shows at Mabuhay Gardens, a San Francisco club and music venue. 27 Punk Photos: 11. Dim Wanker: F Word, May, 1978 (1978) is representative of a series of photographs by Conner, whose subject became a fascination for the artist.

Saturday afternoon in Sunward Park, Boksburg
© » KADIST

David Goldblatt

Photography (Photography)

David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa. The photographic essay negotiates the troublesome landscape of the apartheid through capturing the intimate in-between moments that are seemingly inconsequential and visually inoffensive. However, it is in this series that Goldblatt provides a candid insight into the white communities during the apartheid.

Untitled (City Limits)
© » KADIST

Allen Ruppersberg

Photography (Photography)

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California. Taken outside Palmdale, Littlerock, Pearlblossom, Victorville, and Barstow, towns where the population does not exceed 20,000, Ruppersberg’s trip follows the outskirts of Los Angeles. As with many of his other photographic series, the artist here inserted into each view a constant element that disturbs the otherwise quiet scenes: a hand holding an open magazine.

XXX…I had arranged to meet some friends at 7:40pm
© » KADIST

Jiri Kovanda

Drawing & Print (Drawing & Print)

All Kovanda’s artistic practice poses the question of visibility. Having worked on actions and performance, the artist decided to ‘disappear’ from his artworks during twenty years; in 2007, his performance Kissing through glass in the institutional setting of Tate Modern was acclaimed by critics. Some works are only visible thirty years later via traces and archives; the artist’s rehabilitation by institutions and galleries offers a new critical reading of his practice which had until then remained rather confidential.

"White String at Home", November, 19-26, 1979, Prague
© » KADIST

Jiri Kovanda

Photography (Photography)

This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio. During an interview with Hans Ulrich Obrist, the artist highlighted that he had never had a studio and that this work space blended with his apartment. A piece of string cuts across the room in a diagonal; it functions as a scale to measure time and space.

And Europe Will Be Stunned
© » KADIST

Yael Bartana

Film & Video (Film & Video)

Yael Bartana received great international attention for the trilogy series And Europe Will be Stunned (2007 – 2011). The series, which includes the films Mary Koszmary (Nightmare) (2007) , Mur i wieza (Wall and Tower) (2009), and Zamach (Assassination) (2011), centers on a young Polish politician’s call for the return of 3.3 million Jewish people who emigrated to Palestine. The films employ the same techniques of Leni Riefenstahl’s Nazi propaganda films, combining fact and fiction with the past and the present.

Collectors’ Favorites
© » KADIST

Jennifer Bornstein

Film & Video (Film & Video)

Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos. When it comes her turn to “perform,” Bornstein displays mundane and disposable—but elaborately archived or framed—consumer objects such as coffee lids, plastic straws, candy wrappers, and product labels. Through the medium of public broadcasting, then, she makes visual the frequently overlooked but massive cultural penetration of advertising, and its proliferation of “throwaway culture” via images.

Canned Laughter
© » KADIST

Yoshua Okón

Film & Video (Film & Video)

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city. Okón focuse d on Ciudad Juárez as a site for many ‘ maquiladoras ’ ( factories) and on its role within the global context. A mixed media and video installation , the work takes the form of a fictitious factory that produces canned laughter for sitcoms.

Untitled (Ticket Roll)
© » KADIST

Gabriel Kuri

Installation (Installation)

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials. Untitled (Ticket Roll) belongs to this group of sculptures and consists of three smooth ornate marble elements and a roll of public transport tickets. The artist poetically associates finesse and fragility as in a number of these works.

Useless Wonder
© » KADIST

Carlos Amorales

Film & Video (Film & Video)

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket . The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.

Why fear the future?
© » KADIST

Carlos Amorales

Drawing & Print (Drawing & Print)

Produced on the occasion of an exhibition at ARTIUM of Alava, Basque Centre-Museum of Contemporary Art, this deck of cards is a selection of images from Carlos Amorales’s Liquid Archive. and abstract silhouetted motifs, in a black and white palette, are combined to create a world lodged between fantasy and reality typical of the tarot game. Airplanes, letters, naked women, Osama Bin Laden, Che Guevara, mythological figures, skulls, wrestlers’ masks are some of the visuals that populate this printed object.

From Useless Wonder 04
© » KADIST

Carlos Amorales

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket. The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.

Subject, Silver, Prism
© » KADIST

Brian Jungen

Sculpture (Sculpture)

There are several elements to Subject, Silver, Prism . Silver ink is applied to blocks of black foam. A simple stand, reminiscent of cheap furniture, supports a drum constructed from deer hide stretched over plastic cooking bowls and held taut by the hide and twine.

El hombre que hizo todas las cosas prohibidas
© » KADIST

Carlos Amorales

Film & Video (Film & Video)

Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance. Central in his work is the construction and alteration of what he calls his Liquid Archive, a collection of images, narratives, drawings, shapes, and ideas that he uses to construct his unique visual language—a critical and stimulating space for fantasy, reality, and the blurring of the two. Amorales creates tensions between revealing and hiding the personal and the universal in his often-ambiguous and fluid constructions.

Untitled (Pasta Painting)
© » KADIST

Scott Reeder

Painting (Painting)

Reeder’s works often start with language—and his Pasta Paintings are no different. After the phrase for the title came through his head, the artist set about trying to figure out how to make a mark with pasta. These paintings are the result, made using the pasta as something of a stencil, with the paint being applied after the noodles have been scattered on the painting’s blank surface.

Carlos Amorales

Paul Kos

Julius Koller

Jiri Kovanda

Yael Bartana

Carey Young

Olaf Breuning

Olaf Breuning’s photographs, videos, performances and installations play with codes of mass production with references to publicity, fashion and cinema and “high” and “low” art...

Akram Zaatari

Anthony McCall

David Goldblatt

Ei Arakawa and Sergei Tcherepnin

Ei Arakawa and Sergei Tcherepnin began their audio-visual and performative collaboration in 2007...

Ilene Segalove

In line with the work of well-established West Coast conceptualists like John Baldessari, Ilene Segalove has been producing works in video, sculpture, photography, and mixed media for the past twenty-five years...

Luis Pazos

Argentinian artist, born in 1940, Luis Pazos transitioned from an experimental poetry and editing practice to the creation of actions and happenings in the 1970s...

Jennifer Bornstein

Ed Ruscha

David Haxton

Although trained as a painter, David Haxton is known for his exploration of light through the mediums of photography and film...

Eleanor Antin

Brian Jungen

Cheikh Ndiaye

The work of Cheikh N’Diaye (b...

Robert Zhao Renhui

Robert Zhao Renhui’s multimedia practice questions fact-based presentations of ecological conservation and reveals the manner in which documentary, journalistic, and scientific reports sensationalize nature in order to elicit viewer sympathy...

Aubrey Williams

Aubrey Williams was one of the founding members of the Caribbean Artists Movement, formed in the 1960s in the United Kingdom, after settling there in the early 1950s...

Dannielle Bowman

Working in photography, Dannielle Bowman’s photographs are multilayered, pushing a more nuanced understanding of American history and culture across various physical locations and time periods...

Cildo Meireles

Bruce Conner

Carole Douillard & Babette Mangolte

Carole Douillard Kabyle-French artist Carole Douillard uses the presence of figures, be it her own, or of performers, to produce sculptural works within space...

Daniel Joseph Martinez

Jeffrey Vallance

Robert Smithson

Alexandre Arrechea

Antonio Ole

António Ole is one of Angola’s most influential artists...

© » ARTSY

about 3 months ago (02/12/2024)

Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due | Artsy Skip to Main Content Advertisement Art Late Painter Sarah Grilo’s Abstractions Are Finally Getting Their Due Annabel Keenan Feb 12, 2024 9:44AM Portrait of Sarah Grilo by Lisl Steiner...

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about 3 months ago (02/09/2024)

Hans Ulrich Obrist Is Here to Save the Art of Handwriting | Artsy Skip to Main Content Advertisement Art Hans Ulrich Obrist Is Here to Save the Art of Handwriting Josie Thaddeus-Johns Feb 9, 2024 4:23PM Portrait of Hans Ulrich Obrist by Tyler Mitchell...

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about 3 months ago (02/08/2024)

The Data Behind Artsy’s Online Art Fair, Foundations | Artsy Skip to Main Content Art Market The Data Behind Artsy’s Online Art Fair, Foundations Arun Kakar Feb 8, 2024 5:39PM Underway through February 14th, Artsy’s online art fair Foundations spotlights 130 tastemaking galleries from more than 35 countries worldwide, united by their ability to uncover fresh and underrecognized artists...

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about 3 months ago (02/02/2024)

Anselm Kiefer’s Intimate Watercolors Reveal His Softer Side | Artsy Skip to Main Content Advertisement Art Anselm Kiefer’s Intimate Watercolors Reveal His Softer Side Katie Tobin Feb 2, 2024 4:07PM Anselm Kiefer, Für Adalbert Stifter: Waldsteig, 2015...

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about 3 months ago (02/01/2024)

India’s Art Market Is Thriving—Here’s Why | Artsy Skip to Main Content Advertisement Art Market India’s Art Market Is Thriving—Here’s Why Reena Devi Feb 1, 2024 3:18PM Installation view of India Art Fair, 2023...

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about 3 months ago (02/01/2024)

How Small Galleries Are Evolving to Face the Challenges of 2024 | Artsy Skip to Main Content Art Market How Small Galleries Are Evolving to Face the Challenges of 2024 Maxwell Rabb Feb 1, 2024 6:39PM Small galleries form the bedrock of the contemporary art world...

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about 3 months ago (01/31/2024)

How Berlin Gallerist Michael Janssen Is Committing to New Models of Collaboration | Artsy Skip to Main Content Advertisement Art Market How Berlin Gallerist Michael Janssen Is Committing to New Models of Collaboration Maxwell Rabb Jan 31, 2024 6:46PM Gulnur Mukazhanova Untitled, from the series ‚Self Portaits‘ , 2023 Galerie Michael Janssen €9,000 Portrait of Michael Janssen...

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about 3 months ago (01/30/2024)

Hyangro Yoon’s Paintings Are a Bold Take on Our Data-Obsessed Era | Artsy Skip to Main Content Advertisement Art Hyangro Yoon’s Paintings Are a Bold Take on Our Data-Obsessed Era Daehyung Lee Jan 30, 2024 10:55PM Hyangro Yoon, Tagging-H , 2022...

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about 3 months ago (01/26/2024)

Jessie Homer French’s Paintings of Wildfires Reveal the Beauty in Destruction | Artsy Skip to Main Content Advertisement Art Jessie Homer French’s Paintings of Wildfires Reveal the Beauty in Destruction Tara Dalbow Jan 26, 2024 11:58PM Portrait of Jessie Homer French by Ryan Schude...

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about 3 months ago (01/24/2024)

The Art We’re Obsessed with in January 2024 | Artsy Skip to Main Content Advertisement Art The Art We’re Obsessed with in January 2024 Artsy Editorial Jan 24, 2024 4:23PM “The Art We’re Obsessed With” is a new monthly series paying homage to the artworks Artsy staff members can’t stop thinking about, and why...

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about 3 months ago (01/23/2024)

How Jonathan LeVine Projects Embraces a Nimble Approach in a Hybrid Art World | Artsy Skip to Main Content Advertisement Art Market How Jonathan LeVine Projects Embraces a Nimble Approach in a Hybrid Art World Maxwell Rabb Jan 23, 2024 10:06PM Portrait of Jonathan LeVine wearing a Fez by Dylan Egan...

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about 5 months ago (12/18/2023)

Paulina Olowska’s Seductive Portraits of Women Rethink Eroticism | Artsy Skip to Main Content Advertisement Art Paulina Olowska’s Seductive Portraits of Women Rethink Eroticism Josie Thaddeus-Johns Dec 18, 2023 5:05PM Paulina Olowska, S eductress , 2020...

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about 5 months ago (12/15/2023)

5 Standout Shows to See at Small Galleries This December | Artsy Skip to Main Content Advertisement Art 5 Standout Shows to See at Small Galleries This December Maxwell Rabb Dec 15, 2023 2:00PM Andrea Respino Infastidite Acque #5 , 2023 Rolando Anselmi Price on request Adam Baker Sea snail , 2023 Schlomer Haus Gallery Sold In this monthly roundup, we shine the spotlight on five stellar exhibitions taking place at small and rising galleries worldwide...

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about 5 months ago (12/08/2023)

In Taipei and Beijing, Asia Art Center Nurtures Diversity across Generations | Artsy Skip to Main Content Advertisement Art Market In Taipei and Beijing, Asia Art Center Nurtures Diversity across Generations Maxwell Rabb Dec 8, 2023 6:26PM Portrait of Alan and Steven Lee...

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about 5 months ago (12/04/2023)

4 Things That Happened in the Asian Art World This Fall | Artsy Skip to Main Content Advertisement Art Market 4 Things That Happened in the Asian Art World This Fall Hilary Joo Dec 4, 2023 4:17PM In the first of a new quarterly series, we hear from Hilary Joo, a Seoul-based sales manager and gallery partnerships lead at Artsy, for her thoughts on what has happened in the Asian art market this quarter...

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about 5 months ago (11/28/2023)

6 Artists to Watch during Miami Art Week according to Sarah Harrelson | Artsy Skip to Main Content Advertisement Art Sarah Harrelson’s Artists to Watch during Miami Art Week Sarah Harrelson Nov 28, 2023 10:35PM Sarah Harrelson at home in Beverly Hills standing next to a Pierre Chapo table with ceramics by Seth Bogart and Haas Brothers...

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about 5 months ago (11/27/2023)

Rising Artist Emily Yong Beck’s Ceramics Tackle the Power of Cuteness | Artsy Skip to Main Content Advertisement Art Rising Artist Emily Yong Beck’s Ceramics Tackle the Power of Cuteness Harley Wong Nov 27, 2023 10:43PM Portrait of Emily Yong Beck...

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about 5 months ago (11/27/2023)

HAIRandNAILS Is the Minneapolis Gallery for Artists, by Artists | Artsy Skip to Main Content Advertisement Art Market HAIRandNAILS Is the Minneapolis Gallery for Artists, by Artists Maxwell Rabb Nov 27, 2023 5:27PM Portrait of Kristin Van Loon and Ryan Fontaine...

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about 5 months ago (11/22/2023)

Kenwyn Crichlow’s Glowing Abstractions Reflect on 50 Years of Portraying Trinidad | Artsy Skip to Main Content Advertisement Art Kenwyn Crichlow’s Glowing Abstractions Reflect on 50 Years of Portraying Trinidad Vittoria Benzine Nov 22, 2023 7:20PM Kenwyn Crichlow, Light Dancing on the Borderline, 2019...

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about 5 months ago (11/22/2023)

Exploring Canyon Road, Santa Fe’s Timeless Gallery District | Artsy Skip to Main Content Advertisement Art Market Exploring Canyon Road, Santa Fe’s Timeless Gallery District Annie Lyall Slaughter Nov 22, 2023 4:49PM Installation view of “Transcendent” at Turner Carroll, 2023...

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about 5 months ago (11/21/2023)

Amanda Baldwin’s Bold, Surreal Landscapes Transform the Way We See Nature | Artsy Skip to Main Content Advertisement Art Amanda Baldwin’s Bold, Surreal Landscapes Transform the Way We See Nature Bella Bonner-Evans Nov 21, 2023 3:27PM Amanda Baldwin Sweeping The Sea , 2023 Public Gallery Sold A considerable shift occurred in Amanda Baldwin ’s practice three years ago...

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about 5 months ago (11/21/2023)

At sobering galerie, Trust in Emerging Talent Pays Off | Artsy Skip to Main Content Advertisement Art Market At sobering galerie, Trust in Emerging Talent Pays Off Maxwell Rabb Nov 21, 2023 6:38PM Exterior view of sobering galerie in Paris...

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about 6 months ago (11/17/2023)

5 Standout Shows to See at Small Galleries This November | Artsy Skip to Main Content Advertisement Art 5 Standout Shows to See at Small Galleries This November Maxwell Rabb Nov 17, 2023 1:00PM Lesia Vasylchenko Tachyoness , 2022 Catinca Tabacaru Gallery Sold María Fragoso Jara Bébete mi amor , 2023 1969 Gallery Sold In this monthly roundup, we shine the spotlight on five stellar exhibitions taking place at small and rising galleries worldwide...

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about 6 months ago (11/16/2023)

Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility | Artsy Skip to Main Content Advertisement Art Diana Al-Hadid’s Monumental, Spiky Bronzes Examine Feminine Strength and Fragility Rawaa Talass Nov 16, 2023 5:13PM Diana Al-Hadid The Bride in the Large Glass , 2023 Kasmin Price on request Portrait of Diana Al-Hadid by Diego Flores...

© » TATE EXHIBITIONS

about 6 months ago (11/08/2023)

Women In Revolt! | Tate Britain Art, Activism and the Women’s movement in the UK 1970–1990 This exhibition will be the first of its kind – a major survey of work by over 100 women artists working in the UK from 1970 to 1990...

© » SLASH PARIS

about 8 months ago (08/26/2023)

Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 — Centre Georges Pompidou — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 — Centre Georges Pompidou — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 Exposition Céramique, dessin, sculpture Marc Chagall, Maquette pour le plafond de l’Opéra Garnier, 1963 Encre de Chine, mine graphite et feutre sur papier découpé — Diamètre : 33,5 cm Don de Mme Meret Meyer, 2022 Chagall à l’œuvre Dessins, céramiques et sculptures 1945-1970 Encore 3 mois : 4 octobre 2023 → 26 février 2024 L’exposition réunit un ensemble d’œuvres entrées en collection en 2022 grâce à la générosité de Bella et Meret Meyer...

© » SLASH PARIS

about 8 months ago (08/26/2023)

Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 — Centre Georges Pompidou — Exhibition — Slash Paris Login Newsletter Twitter Facebook Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 — Centre Georges Pompidou — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Chagall à l’œuvre — Dessins, céramiques et sculptures 1945-1970 Exhibition Ceramic, drawing, sculpture Marc Chagall, Maquette pour le plafond de l’Opéra Garnier, 1963 Encre de Chine, mine graphite et feutre sur papier découpé — Diamètre : 33,5 cm Don de Mme Meret Meyer, 2022 Chagall à l’œuvre Dessins, céramiques et sculptures 1945-1970 Ends in 3 months: October 4, 2023 → February 26, 2024 This exhibition brings together a set of works that entered the collection in 2022, thanks to the generosity of Bella and Meret Meyer...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Art Collector to Plant 299 Trees in a Stadium to Protest Inaction About Climate Change - via Hyperallergic...

© » KADIST

about 59 months ago (06/29/2019)

© » KADIST

about 107 months ago (07/08/2015)

© » KADIST

about 130 months ago (09/11/2013)

© » KADIST

about 133 months ago (05/16/2013)

© » KADIST

about 133 months ago (05/16/2013)

© » KADIST

about 189 months ago (11/01/2008)