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La Memoria Verde
© » KADIST

Enrique Ramirez

Film & Video (Film & Video)

Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible . Other well known works by Ramirez feature the movement and endless symbolism of the sea—like the simultaneous engagement and retreat of the tide—but La Memoria Verde takes the land, plant life, and its human inhabitants as its subject. The film begins with a soft, green, algae-like image that waxes and wanes in focus, then gives way to swaying treetops blowing in a soft wind.

Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

Photography (Photography)

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi . These staged photographs were shot against the backdrop of the city’s empty streets at sundown during the holy month of Ramadan. During this time, Muslims fast and retreat indoors, leaving the city eerily empty.

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

Film & Video (Film & Video)

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation. In a contemporary Indian society beholden by strongmen, Abidi uses Sutar’s studio to fictionalize a sculptor producing commemorative works for populist, preening figures, surrounded by the likenesses of idolized politicians of the post-colony. Abidi’s video presents one such aspirational bureaucrat, trailed by a cadre of lackeys who fawn over the varying statues that are laboriously carted out for his approval.

Karachi Series 1 (Ken DeSouza, 7:42pm, 25th August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

Photography (Photography)

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi . These staged photographs were shot against the backdrop of the city’s empty streets at sundown during the holy month of Ramadan. During this time, Muslims fast and retreat indoors, leaving the city eerily empty.

The Last Post
© » KADIST

Shahzia Sikander

Film & Video (Film & Video)

The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China. In this animation, layers of images, abstract forms, meaning, and metaphorical associations slowly unfold at the same time that more visual myths are created. The identity of the protagonist, a red-coated official, is indeterminate and suggestive of both the mercantilist policies that led to the Opium Wars with China and the cultural authority claimed by the Company school of painting over colonial India.

Los rastreadores
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez. In the video, Suarez returns home from prison and survives a massacre that takes place at his home in Bolivia. Told in four chapters, the story is inspired by John Ford’s American Western classic film The Searchers (1956), this work similarly focuses on the politicized atmosphere of Bolivian history, searching for cues of race and alienation.

Vallegrande 1967
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.

Drawn and Quartered
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido)
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist. The video begins with the image of a ghost-like female figure, representing La Llorona, slowly walking down a well-known street in Oaxaca, from the main square (el Zócalo) to the Teatro Macedonio Alcalá, with a painful expression on her face. According to this famous oral myth, the Weeping Woman drowned her two sons in a fit of grief and anger after her husband abandoned her.

Round and Round and Consumed by Fire
© » KADIST

Claudia Joskowicz

Film & Video (Film & Video)

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television. Video plays a role in the relation between the use of her locations and the stories of actual figures depicted as central in the frame. The meaning behind these historical icons such as Che and Cassidy, speak to their stories as itinerant figures whom traveled in a preglobalized era through borders and cultures in order to escape the law or overthrow it.

n°5 The International Sail
© » KADIST

Enrique Ramirez

Installation (Installation)

Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail. These works epitomize the idea of perpetual movement and migration while carrying a deep personal meaning in the creative process, as the artist’s father himself, still living in Chile, mends and sends the sails to his son, living in Europe. The reversed position of the sail recalls both the shape of South America itself and the Eurocentric view that in the Southern Hemisphere, everything is “upside-down.” The stitches themselves create an illusion of an alternative political geography, and the framed-cuts impose a cartographic grid.

100 Hand drawn maps of my country, India
© » KADIST

Shilpa Gupta

Drawing & Print (Drawing & Print)

These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory. Gupta created each map by superimposing 100 separate drawings of each country. The project investigates modern notions of the nation-state, national identity, and borders by looking at countries in which boundaries are contested and the history of the land far precedes such ideas.

Vanishing Point
© » KADIST

Xiaoyun Chen

Film & Video (Film & Video)

The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect.

Iris Tingitana Oxalis
© » KADIST

Yto Barrada

Photography (Photography)

This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris. If Yto Barrada was initially interested in the architectural heritage of the city, today the core of her research focuses on risks around landscape and its heritage. The iris, found bordering the city, carries the name of the city, and is an emblem of Tangier.

Regard Eating Every Single Time as a Formal Declaration, My Stomach is Sexy out of Anger
© » KADIST

Xiaoyun Chen

Photography (Photography)

The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction. Chen emphasizes the direct sensational impact of his work to allow his viewer to question the boundary between reality and art. The image of nails as food harks at a visceral relationship with the title, which cries the tone of a manifesto.

A Little Bit More Virtual Than Reality, A Little Bit Warmer than Craziness, A Little Bit Whiter Than Darkness, A Little Bit Longer than A heavy Sigh
© » KADIST

Xiaoyun Chen

Photography (Photography)

The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image. Near his studio, Chen often walks over fallen branches in late autumn and sense their existence. Thus, his placing them in diverse contexts builds a “narrative Ariadne’s thread” where the branches become “the language of things” intertextually cohering his oeuvre.

State Terrorism in Ultimate Form of PreRaphaelite Brotherhood
© » KADIST

Xiaoyun Chen

Photography (Photography)

State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism. The title alludes to the Pre-Raphaelite notion of a brotherhood based on “truth to nature.” Censorship of the mouth and indigestion of freshly cut stalks, central to Chen’s language of tree branches, feeds back provocatively to the title’s suggestion of “state terrorism.” However, one must resist seeking symbolic meaning in the image as Chen’s focus is on the direct visual impact of the absurd act portrayed.

Untitled (Don’t See, Don’t Hear, Don’t Speak)
© » KADIST

Shilpa Gupta

Photography (Photography)

The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears. These images suggest that seemingly mobilized societies can actually produce more fear and myths, and that no real freedom is ensured. Instead of facilitating the free circulation of ideas, “advanced” political and technological systems often generate more cultural clichés, wars, and terror.

Bus Logos
© » KADIST

Yto Barrada

Photography (Photography)

In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe. They become like abstract paintings that recall Modernist formal experimentation. They are somehow symptomatic of the circulation of goods and people that is made to sound so abstract.

Untitled (Sword)
© » KADIST

Shilpa Gupta

Sculpture (Sculpture)

In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall. Its severed tip dangles from the end of the blade by a string, floating just above the gallery floor.

100 Hand drawn maps of my country, Tel Aviv / Jerusalem
© » KADIST

Shilpa Gupta

Drawing & Print (Drawing & Print)

These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory. Gupta created each map by superimposing 100 separate drawings of each country. The project investigates modern notions of the nation-state, national identity, and borders by looking at countries in which boundaries are contested and the history of the land far precedes such ideas.

Un hombre que camina (A Man Walking)
© » KADIST

Enrique Ramirez

Film & Video (Film & Video)

In Un Hombre que Camina (A Man Walking) (2011-2014), the sense of rhythm and timing is overpowered by the colossal sense of timelessness of this peculiar place. Shot in Uyuni, Bolivia, the film depcits world’s largest salt flat, a site that sits in a mountainous region at over twelve thousand feet above sea level. Ramirez’s work is deeply invested in the loss of regional identity, and the anachronistic dress of his “modern-day shaman” in the film is meant to reconcile the historical and cultural gaps between tribal traditions of a specific time and place and the all-too-prevalent homogeneity brought on by advanced capitalism.

Drag
© » KADIST

Xiaoyun Chen

Film & Video (Film & Video)

In the video work Drag, a man in a dark room pulls on the end of a rope. In midst of sounds of heavy breathing, the camera presents alternating scenes of a man and the shadow of a man wearing a long, pointed hat cast against a wall. Insinuating a sinister mood, the man and the shadow struggle to control the scene through alternating tugs and releases of a rope.

A meditation on the possibility…
© » KADIST

Daniel Joseph Martinez

Sculpture (Sculpture)

Martinez’s sculpture A meditation on the possibility… of romantic love or where you goin’ with that gun in your hand , Bobby Seale and Huey Newton discuss the relationship between expressionism and social reality in Hitler’s painting depicts the legendary Black Panther leaders Huey P. Newton and Bobby Seale. By using Carrara marble, a material usually associated with heroic public sculptures, Martinez casts the history of African-American revolutionaries into the artistic tradition of monumentality. Like the artist’s earlier work included in the 1993 Whitney Biennial, an interactive piece made up with pins that read, “I CAN’T IMAGINE EVER WANTING TO BE WHITE,” A meditation on the possibility… continues Martinez’s effort to expose cultural contradictions and increase public awareness.

I used to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance
© » KADIST

Daniel Joseph Martinez

Photography (Photography)

For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied. Against a bare white background, the men appear unexpectedly vulnerable, caught between performance and rehearsal, public and private. While they present themselves deliberately as exemplars of strength, they also inadvertently expose something about the value system that underlies their endeavors—whatever drove them to keep building by tearing tissue, and whatever makes flexing feel like the most honest pose possible.

Sal Sem Carne
© » KADIST

Cildo Meireles

Sculpture (Sculpture)

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.

The Nature of Conflict
© » KADIST

Allora & Calzadilla

Installation (Installation)

This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph. Here Allora & Calzadilla condemn the worldwide threat of violence caused by the high desirability of oil and water. Caught in the light, the patterning of the two liquids in the print creates attractive rainbow-like pools, a distanced comment on pollution.

Meanwhile
© » KADIST

Karan Shrestha

Film & Video (Film & Video)

After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures. From accessing essentials to employment, education, compensation, legal justice, health facilities, and human rights, the people of Nepal have been forced to wait. Meanwhile by Karan Shrestha records moments of impasse as the post-conflict period dragged on.

This Day
© » KADIST

Imran Qureshi

Painting (Painting)

At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century. But upon closer inspection, highly detailed floral elements reveal themselves amongst the bold red brushstrokes. The botanical motifs in Qureshi’s work represent life and regeneration while the red paint refers to death and mortality.

Claudia Joskowicz

Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...

Xiaoyun Chen

Shilpa Gupta

Ian Cheng

The work of Ian Cheng explores evolutionary processes, including mutation and adaptation in response to changing conditions...

Joanna Piotrowska

Photographer and filmmaker Joanna Piotrowska explores issues such as the female condition, family dynamics, and post-Soviet Poland, through black and white images that depict the quotidian...

Daniel Joseph Martinez

Prabhakar Kamble

Prabhakar Kamble is an artist, curator, and cultural activist...

Bani Abidi

Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...

Enrique Ramirez

Manuel Correa

Manuel Correa’s practice deals with the reconstruction of post-conflict intergenerational memory in contemporary societies...

Agnieszka Kurant

Jiang Zhi

Victor & Sergiy Kochetov

Viktor Kochetov became engaged in photography in 1968 and was also a professional photographer in film and photo laboratories...

Yto Barrada

Maya Watanabe

Drawing on her background in theater design and direction, Maya Watanabe is known for her multi-channel video installations that explore the relationship between language, collectivity, identity, and space...

Kaoru Arima

Kaoru Arima experiments with painting in order to discover new expressive forms...

Pratchaya Phinthong

Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...

Farah Al Qasimi

Working primarily with photography, video and performance, Farah Al Qasimi examines postcolonial structures of power, gender, and taste in the Gulf Arab states...

Risham Syed

Risham Syed has a diverse art practice in which painting and other mediums are used to explore issues of history, sociology, and politics...

Danielle Dean

Danielle Dean creates videos that use appropriated language from archives of advertisements, political speeches, newscasts, and pop culture to create dialogues to investigate capitalism, post-colonialism, and patriarchy...

Firenze Lai

Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways...

Tadasu Takamine

Tadasu Takamine is one of the most controversial, thought provoking, and irreverent media, video and installation artist working in Japan...

Tobias Fike & Matthew Harris

Artists Tobias Fike and Matthew Harris regularly work together on collaborative projects...

Tuan Andrew Nguyen

Tuan Andrew Nguyen is an artist and filmmaker, one of the three founders of The Propeller Group created in 2006...

Louisa Bufardeci

Louisa Bufardeci is fascinated by the way our world is visually materialized through data measurement...

Benvenuto Chavajay Gonzalez

Benvenuto Chavajay’s body of work includes sculpture, interventions into objects, installation, performance, and painting...

Sinzo Aanza

Sinzo Aanza is a visual artist, poet, and playwright...

Shahzia Sikander

Julia Rommel

Julia Rommel (b...

Ha Tae-Bum

Ha Tae-Bum (b...

© » WHITEHOT

about 3 months ago (02/12/2024)

On Sung Hwa Kim: Today’s Yesterday, Yesterday’s Tomorrow at Harper's Chelsea 512 advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 On Sung Hwa Kim: Today’s Yesterday, Yesterday’s Tomorrow at Harper's Chelsea 512 Installation view...

© » 1854 PHOTOGRAPHY

about 3 months ago (02/10/2024)

Nikita Teryoshin goes into the backroom of war - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images from the series Nothing Personal – The Back Office of War by Nikita Teryoshin Shot in arms fairs around the world over the last eight years, Nikita Teryoshin’s Nothing Personal reveals the chilling business of conflict In a conflict-ridden world, weapons are instruments of both war and politics...

© » HYPERALLERGIC

about 3 months ago (02/06/2024)

8 Art Books to Read This February Skip to content Image from Søren Solkær's Black Sun series in Starling (2023) (image courtesy Edition Circle) This month, we’re turning to books that spark questions and crack open new possibilities, with digital culture on our minds as always, and photography looming large as a tool for both oppression and self-determination...

© » ARTFORUM

about 3 months ago (02/06/2024)

Russia to Sit Out Sixtieth Venice Biennale – Artforum Read Next: FRIEZE ANNOUNCES PARTICIPANTS IN 2024 NEW YORK EDITION Subscribe Search Icon Search Icon Search for: Search Icon Search for: Follow Us facebook twitter instagram youtube Alerts & Newsletters Email address to subscribe to newsletter...

© » 1854 PHOTOGRAPHY

about 3 months ago (01/26/2024)

Following football fans on the streets of Bamako - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW All images © Émile-Samory Fofana Émile-Samory Fofana’s Champions League Koulikoro traces the influence of European clubs on African fans – and their own aspirations beyond the pitch In 2018, French-Malian photographer Émile-Samory Fofana could be found on a roof in Bamako, camera in hand...

© » LENS CULTURE

about 3 months ago (01/26/2024)

In Pieces - Photographs by Sophia Bulgakova, Lia Dostlieva, Ola Lanko, Katia Motyleva and Kateryna Snizhko | Book review by Sophie Wright | LensCulture Feature In Pieces In this imaginative collection of photobooks “made with a child in mind,” five artists of Ukrainian descent explore the everyday heroism of life in wartime...

© » THEARTNEWSPER

about 5 months ago (12/18/2023)

Ancient Saint Hilarion Monastry in the Gaza Strip gains enhanced protection from Unesco Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news Ancient Saint Hilarion Monastry in the Gaza Strip gains enhanced protection from Unesco The archaelogical site, which dates back to the fourth century, has reportedly sustained damage during the ongoing Israel-Hamas war Sarvy Geranpayeh 18 December 2023 Share A view of Saint Hilarion Monastery before the damage caused by the current conflict Photo: Ahmed Zakot / SOPA Images/Sipa USA Unesco has granted provisional enhanced protection to Saint Hilarion Monastery in the Gaza Strip following reports that it has sustained damage during the ongoing Israel-Hamas war...

© » HYPERALLERGIC

about 5 months ago (12/15/2023)

Yuan Goang-Ming to Represent Taiwan at the 60th Venice Biennale With “Everyday War” Skip to content Yuan Goang-Ming, “Everyday War” (expected in 2024), still frame from video (© Yuan Goang-Ming, image courtesy the artist) The Taipei Fine Arts Museum (TFAM) , artist Yuan Goang-Ming, and curator Abby Chen are pleased to announce Everyday War , the exhibition representing Taiwan at the 60th Venice Biennale in 2024...

© » THEARTNEWSPER

about 5 months ago (12/13/2023)

Protesters calling for Gaza ceasefire stage die-in at Canadian Museum for Human Rights Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Protesters calling for Gaza ceasefire stage die-in at Canadian Museum for Human Rights The action, staged on International Human Rights Day, lasted 64 minutes in observance of the 64 days since the Israel-Hamas war began Hadani Ditmars 13 December 2023 Share The 10 December protest at the Canadian Museum for Human Rights Listen from Queers for Palestine - Winnipeg Palestinian solidarity groups, activists and community members marked International Human Rights Day on Sunday (10 December) by calling for an immediate ceasefire in Gaza and staging a mass “die-in”for 64 minutes at the Canadian Museum for Human Rights (CMHR) in Winnipeg...

© » ART & OBJECT

about 5 months ago (12/12/2023)

Documenta Team Resigns Over Israel-Hamas Conflict | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...

© » ARTSJOURNAL

about 5 months ago (12/12/2023)

Louvre To Hike Admission Price Ahead of 2024 Summer Olympics – ARTnews.com Skip to main content By Tessa Solomon Plus Icon Tessa Solomon Reporter, ARTnews View All December 11, 2023 2:57pm Tourists walk past the Louvre Pyramid, designed by Chinese architect Ieoh Ming Pei at the Louvre museum in central Paris on September 21, 2023...

© » HYPERALLERGIC

about 5 months ago (12/11/2023)

Displaced by War, Sudanese Artists Fight to Keep Making Work Skip to content Without access to her digital camera, artist Arwa Ahmed uses her phone to keep a visual diary, documenting the war that has displaced her and her family from Khartoum...

© » ARTNEWS

about 5 months ago (12/09/2023)

Activists Call for Ceasefire in Gaza in Art Basel Miami Beach Protest – ARTnews.com Skip to main content By Alexandra Martinez Plus Icon Alexandra Martinez View All December 9, 2023 11:15am Protestors from the South Florida Coalition for Palestine demonstrate for a ceasefire in the Israel-Hamas conflict at Art Basel Miami Beach at the Miami Beach Convention Center...

© » 1854 PHOTOGRAPHY

about 5 months ago (12/08/2023)

Profit, power and TV personalities: Photographing the community in conflict with Trump - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Construction and damming of Blairton Burn causing course to collapse between third green and fourth tee; January 2013...

© » AESTHETICA

about 5 months ago (12/08/2023)

Aesthetica Magazine - Layers of Detail Layers of Detail Photographer An-My Lê (b...

© » THEARTNEWSPER

about 5 months ago (12/08/2023)

Nevada lithium mine threatens cultural sites Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Heritage news Nevada lithium mine threatens cultural sites The US federal government’s manoeuvres to boost domestic lithium extraction are raising fears from tribal communities about archaeological and environmental impacts Gabriella Angeleti 8 December 2023 Share Members of the Fort McDermitt Paiute-Shoshone tribe gather to oppose the Thacker Pass lithium mine Photo: Carolyn Cole/Los Angeles Times via Getty Images The construction of an open-pit lithium mine in northern Nevada, which is scheduled to begin full-fledged operation in 2026, will have irreversible effects on the environment and cultural heritage sites in the region, according to archaeologists, environmentalists and Native American communities who oppose the project...

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about 5 months ago (12/08/2023)

Cold feet? Why fewer investors are guaranteeing art at auction Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Market Eye comment Cold feet? Why fewer investors are guaranteeing art at auction According to a recent report, guarantees are down—what's happened?...

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about 5 months ago (12/07/2023)

London’s Middle Eastern art sales have defied tensions Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Israel-Hamas war news London’s Middle Eastern art sales have defied tensions Auction purchases by Arab cultural entities overcome early uncertainties of Israel-Hamas war Melissa Gronlund 7 December 2023 Share Samia Halaby’s Seventh Cross No...

© » 1854 PHOTOGRAPHY

about 5 months ago (11/27/2023)

‘A mosaic of traditions’: Capturing Bangladesh’s most beloved beach - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Two Bangladeshi life guard at the beach of Cox’s Bazar © Ismail Ferdous For his Leica Award-winning body of work, Sea Beach, Ismail Ferdous returned to the seaside of his childhood...

© » SOUTH CHINA MORNING POST

about 6 months ago (11/18/2023)

Transcending the Israeli-Palestinian conflict, this musical ensemble plays a message of hope for the Middle East | South China Morning Post Advertisement Advertisement Performing arts in Hong Kong + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more The West-Eastern Divan Ensemble at the Pierre Boulez Saal concert hall in Berlin, Germany...

© » LENS CULTURE

about 6 months ago (10/30/2023)

Arctic Dreams - Photographs by Mario Heller | Essay by Erik Vroons | LensCulture Feature Arctic Dreams A photo essay about the small community living in the isolated town of Barentsburg on a Norwegian island in the far north — a location so remote it can only be reached by helicopter, snowmobile or ship...

© » TRIBLIVE

about 6 months ago (10/30/2023)

Frick Pittsburgh museum quietly postpones Islamic art exhibition as Israel-Hamas war continues | TribLIVE.com Israel-Palestine Frick Pittsburgh museum quietly postpones Islamic art exhibition as Israel-Hamas war continues Ryan Deto Sunday, Oct...

© » PAINTERS' TABLE

about 7 months ago (10/16/2023)

Art review: Larry Groff at Prince Street Gallery | Painters' Table Images only Larry Groff, Will be Wild, 2022, oil on linen, 36 × 52 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Nap Dream, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Gracias a la vida, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, My French Defense, 2023, oil on linen mounted on panel, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Unbroken Circle, 2023, oil on linen, 24 × 30 inches (courtesy of the artist and Prince Street Gallery) Larry Groff, Circling the Square, 2023, oil on linen mounted on board, 36 × 36 inches (courtesy of the artist and Prince Street Gallery) Larry Groff: Flipped Prince Street Gallery, New York October 3 – 28, 2023 A lot is happening in Larry’s Groff’s recent paintings...

© » ARTS EQUATOR

about 25 months ago (03/29/2022)

Opposition: Cycles of love, forces of change | ArtsEquator Skip to content Faezah Zulkifli dissects Opposition - a multilayered narrative of the relationships people have with one another, with themselves and the spaces they inhabit...

© » THE INDEPENDENT

about 26 months ago (03/18/2022)

Art | The Independent Latest features and reviews Features John Lurie: ‘I want to teach people about living in the moment’ As the musician and artist’s cult TV series ‘Painting With John’ returns, he tells Kevin E G Perry about going viral in Russia, New York in the Eighties and how he hopes to inspire his viewers with his unorthodox art show Reviews Francis Bacon’s Man and Beast feels raw and challenging Culture Mark Hudson Life Between Islands is joyous and thought-provoking Culture Mark Hudson Dark energy meets technical mastery in Royal Academy’s Constable show Reviews Anicka Yi’s In Love With The World has overweening intentions Culture Mark Hudson Poussin and the Dance shows a youthful look at the painter Reviews Turner Prize: Art comes second to the happy-clappy spirit of lockdown Features Big Bird tweeting about his Covid vaccine isn’t propaganda Reviews Adrien Brody left the Roys in dire straits in episode 4 of Succession Reviews Mixing It Up: Painting Today is a big, punchy show with an upbeat vibe Long Reads Kevin Childs What can the Sleeping Hermaphroditus teach us about love? Features ‘Traces of this tumult’: The precious artworks looted by the Nazis News News ‘Imagine how proud I am’: Madonna shares son Rocco’s art on Instagram News The artists taking a stand against Russia in the Ukraine conflict News Robbie Williams sells two Banksy pieces for millions at auction News National Portrait Gallery and BP end 30-year partnership News Bryan Cranston says he has confronted his ‘white blindness’ News Ai Weiwei says ‘it’s obvious’ Covid didn’t come ‘from an animal’ News Remembering Brian Aris’s iconic photo of David Bowie in a Mugler suit...

© » IMA

about 52 months ago (02/07/2020)

No More No Less | Exhibition | IMA ONLINE No More No Less 13 February 2020 - 21 March 2020 IMA gallery TAGS IMA gallery Kensuke Koike Thomas Sauvin Share In 2015, French artist Thomas Sauvin acquired an album produced in the early 1980s by an unknown Shanghai University photography student...

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about 60 months ago (05/25/2019)

Critics Live: A Post-Show Response to Displaced Persons' Welcome Dinner | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Checkpoint Theatre May 25, 2019 Below is a summary of Critics Live! for Displaced Persons’ Welcome Dinner by Checkpoint Theatre...

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about 61 months ago (04/22/2019)

Weekly Picks: Malaysia (22-28 Apr 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do April 22, 2019 For events in Penang this week, go to the Penang Free Sheet ...

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about 71 months ago (06/26/2018)

27 Artists Grapple with the Fractious Politics of Malaysia (via Hyperallergic) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles June 26, 2018 KUALA LUMPUR, Malaysia — Petani Semasa is a significant exhibition on contemporary art about the Patani region of Southern Thailand, that privileges local artists...

© » ART PIL

about 75 months ago (03/19/2018)

Peter van Agtmael | ARTPIL ARTICLES PROFILES ANNOUNCEMENTS WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN PHOTOGRAPHERS ABOUT CONTRIBUTORS SUBMISSIONS ARTICLES art photography film + video culture + lifestyle exhibits + events features prescriptions PROFILES artists photographers filmmakers designers/architects fashion organizations/mags museums/galleries ANNOUNCEMENTS ANNOUNCES WORKS COLLECTIONS EXHIBITIONS 30/30 WOMEN WORKS COLLECTIONS ABOUT CONTRIBUTORS SUBMISSIONS + [–] Search for: Search Button • [ share: facebook | twitter | linkedin | email ] RELATED ARTICLES WAR, and the Declaration of Human Rights 75 year Anniversary Matthew Hong / December 10, 2023 Recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family.....

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about 182 months ago (05/30/2009)

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about 182 months ago (05/30/2009)