Limbé

2021 - Film & Video (Film & Video)

10:00 minutes (looped)

Mathieu Abonnenc


The film Limbé by Mathieu Kleyebe Abonnenc takes its inspiration and its title from a poem by the Guyanese poet Léon-Gontran Damas, one of the co-creator of the negritude movement. This Creole expression, which activates the Limbo dance through language, evokes a great sadness, linked to the death of the artist’s sister. This silent film continues Abonnenc’s collaboration with dancer and choreographer Betty Tchomanga, who played the protagonist in his film Secteur IXB (2015). In Limbé Abonnenc attempts to give form to a state of deep melancholy, while echoing the reflections of Guyanese poet Wilson Harris, for whom the Limbo dance is a way of evoking, through its contortions, the gestures that slaves had to invent to survive crossing the Atlantic ocean in the hull of slave ships. It is said that the Limbo was born on slave ships during the Middle Passage; there was so little space that the slaves contorted themselves into human spiders. In the film, the black body appears and reappears progressively in the darkness, obliging the spectator to adjust their sight in order to apprehend what is happening before their eyes.


Mathieu Kleyebe Abonnenc’s practice engages with the cultural hegemonies that form the basis for the evolution of contemporary society. Abonnenc uses video, photography, installation, drawing, and exhibition projects to raise questions about imperial histories and their effects on the former colonies of developed countries. Examining the role of images and representations in the construction of these histories and the identities that result from it, the artist interprets and translates these sources. Kleyebe Abonnenc’s work grapples with why certain things are lost and how to make them exist again. The artist confronts the persistence of politically and culturally charged images in order to replace them with others, and by refusing to show terror while making it palpable, his work reflects on the means of “decolonizing culture”.


Colors:



Other related works, blended automatically  
» see more

Secteur IX B
© » KADIST

Mathieu Abonnenc

2015

Secteur IX B is full of ghosts: some that you can see, briefly appearing at the turn of a statue in an under construction museum, some that you only dream of when you switch from day to night, of one space to another...

Other works by: » Mathieu Abonnenc  
» see more

Secteur IX B
© » KADIST

Mathieu Abonnenc

2015

Secteur IX B is full of ghosts: some that you can see, briefly appearing at the turn of a statue in an under construction museum, some that you only dream of when you switch from day to night, of one space to another...

Related artist(s) to: Mathieu Abonnenc » Roman Ondák  
» see more

Awaiting Enacted
© » KADIST

Roman Ondak

2003

This work needs to be considered in relation to one of his performances during which people were made to queue in front of the Kunsthalle of Frankfurt in 2003 (Tate Collection)...

Slowed-down Journey
© » KADIST

Roman Ondak

2003

As the caption purposely admits, these drawings were made by friends of Ondák’s at home in Slovakia asked to interpret places he has journeyed to...

The Stray Man
© » KADIST

Roman Ondak

2006

“A man wanders near the windows of a gallery, situated adjacent to the street...

Related works found in the same semantic group  
» see more

Creole Portraits III
© » KADIST

Joscelyn Gardner

2009

Creole Portraits III alludes to the 18th century practice by slave women on Caribbean plantations of using tropical plants as natural abortifacients...

Há Terra!
© » KADIST

Ana Vaz

2016

Há Terra! (There Is Land!) is a short film by Ana Vaz that picks up on the artist’s previous film A Idade da Pedra (2013), in which Vaz imagined premodernity in her native Brazil...

Black Hands, White Cotton
© » KADIST

Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Caroline Monnet, Mobilize
© » KADIST

Caroline Monnet, Mobilize A screening program followed by the artist in with conversation with Adam Piron, Assistant Curator for Film at LACMA Montreal-based artist Caroline Monnet explores Indigenous identity, bicultural living, and complex cultural histories through photography, sculpture, film, video, and installation...