4.5H x 3W inches
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico. She had a keen eye for architectural composition, and captured eloquent details using a delicate platinum print process. In 1929 she was deported from Mexico because of her involvement in the Communist party and went to Europe. Soon thereafter her work began to blend her eye for space and shape with a more critical social angle, often engaging in an overtly anti-Fascist discourses. Untitled (Cathedral) (ca. 1930), taken after her arrival in Europe, is an excellent example of her skillfully composed architectural pictures. It evokes ideas about how the composition of public spaces can influence both politics and cultural life.
Tina Modotti was an Italian film actress and photographer. As a photographer, she collaborated with Edward Weston and extensively documented the Mexican mural movement. In addition to her photography of Diego Rivera’s murals, she is also depicted in five of them. Modotti was involved in both the artistic and political avant-gardes of Mexico City, befriending members of and eventually joining the Mexican Communist party. Political repression forced her to move back to Europe, and she eventually lived in Moscow before moving to Spain when the Civil war began in 1936. In 1939, she returned to Mexico, where she died in 1942.
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...
Miljohn Ruperto’s high-definition video Janus takes its name from the two-faced Roman god of duality and transitions, of beginnings and endings, gates and doorways...
In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Custom-built for a silent film star in 1934 in Santa Monica, the Sten-Frenke House is an idiosyncratic icon...
The fashion designer is selling off all the art inside his West Village townhouse at Sotheby’s New York to make way for a new collection....
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...