4.5H x 3W inches
The Italian photographer Tina Modotti is known for her documentation of the mural movement in Mexico. She had a keen eye for architectural composition, and captured eloquent details using a delicate platinum print process. In 1929 she was deported from Mexico because of her involvement in the Communist party and went to Europe. Soon thereafter her work began to blend her eye for space and shape with a more critical social angle, often engaging in an overtly anti-Fascist discourses. Untitled (Cathedral) (ca. 1930), taken after her arrival in Europe, is an excellent example of her skillfully composed architectural pictures. It evokes ideas about how the composition of public spaces can influence both politics and cultural life.
Tina Modotti was an Italian film actress and photographer. As a photographer, she collaborated with Edward Weston and extensively documented the Mexican mural movement. In addition to her photography of Diego Rivera’s murals, she is also depicted in five of them. Modotti was involved in both the artistic and political avant-gardes of Mexico City, befriending members of and eventually joining the Mexican Communist party. Political repression forced her to move back to Europe, and she eventually lived in Moscow before moving to Spain when the Civil war began in 1936. In 1939, she returned to Mexico, where she died in 1942.
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
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Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...