While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves. Elements used in various stages of photographic processes (color filters, glassine, and prints themselves) are integrated back into the artwork either as part of the sculpture or as collage elements that are later added to the print. In some of the works, Maisel cuts into the prints themselves. This re-working further shifts the spatial relationships within the surface and acknowledges the photograph as an object in and of itself. The final work lies somewhere between documentation of a sculpture, photographic print, and collage.
Maisel’s working process involves making precarious arrangements of materials in the studio. He selects accumulated objects, including building materials, studio supplies and photographs, things with histories that are just perceptible in the physical wear and tear. After establishing the parameters of the composition, he then makes multiple adjustments – repositioning, introducing or extracting various elements – photographing each intervention in a sequence.
Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Burak Delier’s sculpture Homage to Balotelli’s Missed Trick is a symbol of resistance to the demand for success and performance...
Braga’s video work Provisão (2009) opens with a still shot of a clearing in a forest, shoots of grass emerging from a muddy brown patch of seemingly dry and barren earth...
Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
ArtsEquator's Hot List: January 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints January 6, 2021 Every first Wednesday of the month, ArtsEquator will release a list of recommended shows/events/programmes that our readers can look out for in that month...
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
100+ Photographers Help Raise Funds for 13 Orphaned Elephants Home / Photography 100+ Photographers Contribute Their Work To Raise Funds for 13 Orphaned Elephants By Regina Sienra on December 2, 2023 Photo: Ami Vitale/Courtesy of Vital Impacts “Lorok and Ngilai comfort one another as they explore the wilderness at Reteti Elephant Sanctuary in northern Kenya...
Audra Knutson’s work The Oblivion was carved and printed in conjunction with the print The Death ...
Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances...