$From the reflections/refractions series$

From the reflections/refractions series

2012 - Drawing & Print (Drawing & Print)

Nazgol Ansarinia

year born: 1979

gender: female

nationality: Iranian

Nazgol Ansarinia dissects, interrogates, and recasts networks, objects, and events to draw out relationships to the contemporary Iranian experience. Her mode of working covers diverse media, including video, 3D printed models, and drawings. Subjects are as varied as automated telephone systems, U.S. national security policies, the memories associated with a family house, and the patterns of Persian Carpets.

Colors:

Other related works, blended automatically
» see more

© » KADIST

Residential apartments/ water reserve & wind towers on Sayad highway, Fabrications

Nazgol Ansarinia

2013

In the early 2000s, as urban redevelopment accelerated and intense construction significantly diminished public space in Tehran, state-funded murals began to represent imaginary landscapes on building facades...

Related works sharing similar palette
» see more

© » ARTNET

Mega-Collector Dimitris Daskalopoulos Gifts Over 350 Artworks to Four Museums in Three Countries

"The collection has to have a future beyond my lifetime, and the artworks have to have a life beyond that," he said...

© » LE MONDE

Les êtres évanescents d’Aya Takano

Les êtres évanescents d’Aya Takano Offrir Le Monde Article réservé aux abonnés L’artiste japonaise Aya Takano dans son atelier...

© » KADIST

Peau de chagrin

Gaëlle Choisne

2016

The average human has approximately 2 squared meters of skin...

Living in the Transition

Living in the Transition - Photographs by Shunta Kimura | Text by Magali Duzant | LensCulture Award winner Living in the Transition Traveling through Gabura Union in Bangladesh, Shunta Kimura documents impact, adaptation, and resilience in his quiet photographs of everyday life on the frontlines of rapid climate change...