Pay and Display is a film of a performance, for which there was no audience, staged in the multistory Pershore Street car park in Birmingham, a brutalist building, arguably one of the most inhospitable environments for a musical performance. Dilapidated and empty, the ghostly presence of the car park comes to life. Beer composed the piece to resonate with this architecture, finding the frequencies that would bring the building to life, acting as a sound box and in effect another voice. Thus the inherent harmonies of the architecture are revealed. The building becomes almost a mythical figure constantly harrying the public working itself into a frenzy of demands for money. The quasi-religious nature of the music suggests the primacy of mammon in our society, climaxing on the word Sunday, which is the day of worship in the Christian week. The text of the piece is based on the signs that are scattered insistently around the car park: ‘Have you paid and displayed except on Sunday’. There is thus a consonance between the vocal score, written in six parts, and the environment. His choice of building was in line with the project as a whole, which seeks to animate spaces that are generally forgotten, hidden or unremarked but which play an essential social role. The film is played on two large-scale screens with high quality sound, creating an intense immersive experience. The work of Oliver Beer explores the resonances in buildings and objects, exploiting the occurrence of natural frequencies that turn buildings and objects not only into amplifiers but musical instruments. Having studied musical composition at the Guildhall School of Music, he then trained as a fine artist at Ruskin School of Art. The artist combines expert musical knowledge with fine art practice to create performances, objects and films. Most recently, his piece for four voices was performed at Thaddaeus Ropac Gallery in London. Four singers, each in a different corner of the room, sang a score he composed specifically for the room, having established on what notes the room would resonate. In Beer’s practice, the room becomes a massive sound box, a wind instrument that is an extension of the singers’ own wind instrument, and the voice that resonates in the mind. The building, in effect, sings back to the singers. While there something quite Orphic about this process, the resonance equally has a strong relationship to the Platonic belief in the harmonics of the universe. The resonance project pitches sublime sound with the most banal, or democratic of architecture. Car parks, sewers, concert halls, corridors, vestibules and staircases have been the venues for his work, all of which is site specific.
The work of Oliver Beer explores the resonances in buildings and objects, exploiting the occurrence of natural frequencies that turn buildings and objects not only into amplifiers but musical instruments. Having studied musical composition at the Guildhall School of Music, he then trained as a fine artist at Ruskin School of Art. The artist combines expert musical knowledge with fine art practice to create performances, objects and films. Most recently, his piece for four voices was performed at Thaddaeus Ropac Gallery in London. Four singers, each in a different corner of the room, sang a score he composed specifically for the room, having established on what notes the room would resonate. In Beer’s practice, the room becomes a massive sound box, a wind instrument that is an extension of the singers’ own wind instrument, and the voice that resonates in the mind. The building, in effect, sings back to the singers. While there something quite Orphic about this process, the resonance equally has a strong relationship to the Platonic belief in the harmonics of the universe. The resonance project pitches sublime sound with the most banal, or democratic of architecture. Car parks, sewers, concert halls, corridors, vestibules and staircases have been the venues for his work, all of which is site specific .
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A Bruxelles, les foires d’art prolifèrent avec la Brafa et Ceramic Cet article vous est offert Pour lire gratuitement cet article réservé aux abonnés, connectez-vous Se connecter Vous n'êtes pas inscrit sur Le Monde ? Inscrivez-vous gratuitement Article réservé aux abonnés Des œuvres de Kevin McNamee-Tweed et Anne Marie Laureys, de la galerie Tatjana Pieters, à la foire Ceramic, à Bruxelles, en janvier 2024...
7 Shocking Incidents of Mona Lisa Vandalism and Theft | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Marina Abramović spreads the love in one-off performance at the Royal Academy Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Diary blog Marina Abramović spreads the love in one-off performance at the Royal Academy Against backdrop of turbulent real-world events, crowds gathered and hugged for Unconditional Love recital The Art Newspaper 11 December 2023 Share Marina Abramović performs An Invitation to Love Unconditionally in the Annenberg Courtyard at the Royal Academy of Arts, London...
The Big Review: Caspar David Friedrich at the Hamburger Kunsthalle ★★★★★ Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions review The Big Review: Caspar David Friedrich at the Hamburger Kunsthalle ★★★★★ This curatorial triumph highlights the measured artificiality of the German Romantic artist who made work that still mesmerises J...
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Podcast 65: M1 CONTACT Contemporary Dance Festival (Part 1) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Crispian Chan September 12, 2019 Duration: 20 min Podcast host Chan Sze-Wei and guest Melissa Quek discuss works they saw at the recent M1 CONTACT Contemporary Dance Festival, specifically at the platforms DiverCity, Off Stage and M1 Open Stage...