Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years. Many of the pieces are found objects and discarded materials that he has transformed into tools and eccentric prop-like sculptures to help him on his journeys. Map (from Uncertain Pilgrimage) is one such object that could be a metaphor for the whole project: a simple empty paper map that has no location written on it.
Gareth Moore’s practice—which explores ideas of journey and loss—combines performance, documentation, installation, and sculpture, as well as everyday activities. For the exhibition The Wizard of Oz at California College of the Arts’s Wattis Institute, Moore was blindfolded and deposited in an unknown location with only the clothes on his back, some pocket money, and a camera to find his own way back to the gallery.
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...
Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...
A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot...
Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds...
Federico Herrero’s energetic paintings reflect his experiences on the streets of his native San José, Costa Rica, and in the surrounding tropical landscape...
Tender reading: A review of Loss Adjustment by Linda Collins | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 28, 2021 By Grace Foo (650 words, 3-minute read) Not many people can endure the traumatic experience of losing a child to suicide, let alone be of sound mind to write about it in a painfully self-aware manner...
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...
“Untitled” is inspired by the movie “Opening Night” by John Cassavetes with Gena Rowlands playing the role of a fallen woman, anguished by her distressed life...