© » KADIST
Wong Wai Yin
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
© » KADIST
Wong Wai Yin
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China. For this video, Wong accompanied six male friends from art school to a group show of their work titled “Inside Looking Out” at Osage Gallery in Beijing. Throughout her visit, she was rarely acknowledged for her own creative accomplishments and was more frequently introduced as an artist’s girlfriend, and often without name.
© » KADIST
Wong Wai Yin
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
© » KADIST
Wong Wai Yin
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
© » KADIST
Wong Wai Yin
Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages. The artist used found images from the internet, including a viral photo of an elderly woman who took part in the 2016 “Black Monday” strike against a proposed anti-abortion law in Poland, and another image taken the same year of a group of protestors in the United Kingdom, rallying for the Black Lives Matter movement. Drawing parallels with Hank Willis Thomas’s I Am a Man (2013) painting in the KADIST Collection, Wong employs the visual language and terminology of mass media, specifically borrowing images from protests on civil rights issues.
© » KADIST
Gareth Moore
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years. Many of the pieces are found objects and discarded materials that he has transformed into tools and eccentric prop-like sculptures to help him on his journeys. Map (from Uncertain Pilgrimage) is one such object that could be a metaphor for the whole project: a simple empty paper map that has no location written on it.
© » KADIST
Bjorn Copeland
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco. These rather austere collages were created by simply cutting and inverting the text from existing information signs. In Sign #2 , for example, the original image that presumably carried the message “NO RIDERS” was placed upside down.
© » KADIST
Qiu Anxiong
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper.
© » KADIST
Gabriel Kuri
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials. Untitled (Ticket Roll) belongs to this group of sculptures and consists of three smooth ornate marble elements and a roll of public transport tickets. The artist poetically associates finesse and fragility as in a number of these works.
© » KADIST
Li Liao
A Slap in Wuhan documents Li Liao’s performance in Wuhan, China on January 8, 2011. Li waits at the entrance of the Optical Valley walking street. An anonymous person who was recruited online approaches Li and slaps him in the face.
© » KADIST
Patty Chang
The video “Shangri-La” refers to the mythical city of James Hilton’s novel “Lost Horizon” written in 1933 and is exemplified in a film by Frank Capra which speaks of eternal youth in a city of happiness. In 1997, a small town in an agricultural region of central China near the Tibetan border was proclaimed as the place that inspired Shangri-la. Thereafter, a dozen other cities in the same area have claimed to be paradise on earth, prompting a marketing battle without mercy, raging on until the government’s intervention.
© » KADIST
Choi Jeong-Hwa
The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle. And though his works share a similar sensibility to Claes Oldenburg’s oversized sculptures from everyday objects, Choi draws from his immediate surroundings and life experience. Public sculptures with a flower theme are often used to decorate the rapidly urbanized cities in Asia, which are constructed with concrete and steel materials.
© » KADIST
Cildo Meireles
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
© » KADIST
Donna Conlon and Jonathan Harker
In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented. The artists used disposable spoons as catapults to shoot thousands of plastic bottle caps at a hole in a concrete platform. The platform was once part of a U. S. military installation in the Panama Canal Zone, and it is now an observation deck in a nature park.
© » KADIST
Paul McCarthy
Drawing & Print (Drawing & Print)
To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey. On his shoulders he supports an enormous false head, Mickey’s familiar face grinning with glossy eyes. The artist has marked out in heavy black the background of Cinderella’s castle.
© » KADIST
Yoshua Okón
Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement. ” Filmed at display homes in the suburbs of Manchester in the United Kingdom, the video features real-estate agents clad in bright-red blazers enthusiastically describing features of the ‘dream home’ as they walk through different rooms. A couple of additional elements, a couch and neutral soft carpet, recreate the domestic setting and immerse the viewer in the unfolding scenes.
© » KADIST
Paul McCarthy
Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself. In homage to an influence in his early career, McCarthy attempted to reconstruct a pair of pants worn by Black Panther revolutionary Eldridge Cleaver in a picture that appeared in Rolling Stone magazine in the 1970s. But in the process, McCarthy misremembered their original design of the pants, which had black outer panels and white inner panels in white, and left a black shape highlighted in the crotch area.
© » KADIST
Paul McCarthy
McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works. Here, McCarthy squirts liquid out of a bottle held near his crotch onto a stuffed animal in the shape of a lion. The costuming, materials, and simulated bodily functions frequently appear in McCarthy’s work, which often disturbingly juxtaposes visceral and startling manipulation of the body with the cheerful artifacts of popular consumer culture.
© » KADIST
Chris Johanson
Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor. The works comment on subjects such as capitalism, consumerism, the art world, and therapy. The triptych I Am a Human, Abstract Foil, No Humans IV (2004) is a meditation on the cosmos.
© » KADIST
Diego Bianchi
Diego Bianchi’s main concern is distorting straight lines, both literally and metaphorically. To him, deviation is the only feasible strategy to allow the unexpected to happen, making space for semantic turns, impossible encounters, and dissolving binaries. The bodily dimension appears in his art both as disturbance of the senses and perception, and as research into processes of consumerism, oppression, decomposition, and destruction.
© » KADIST
Antonio Caro
Juego de Banderas (a play on words that loosely translates to both set of flags and game of flags) is a triptych of modified Colombian flags by Antonio Caro. Although the yellow, blue and red stripes on the first flag are faithful to the original, the second flag at the center has been modified to feature the word Colombia, emulating the typography and white-on-red design of the iconic Coca-Cola brand. Caro’s first version of this logo was a 1976 graphite drawing, and he has since produced several variations in different materials.
© » KADIST
Leung Chi Wo and Wong Sara
Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s. The retro-glamor of the 1950s style is restyled devoid of the original context of a Hong Kong street scene, where the “office lady” is walking on Queens Road of the Central district. With the “office lady” facing away from the viewer with a bare background, an introspective tone is created in Leung’s restaging while highlighting the red umbrella resonating with a red pencil skirt emblematic of the identity of the professional urban woman when Hong Kong was under British rule.
© » KADIST
Santu Mofokeng
Since the global capital expansion, billboards have been the medium of communication between the rulers and the residents of townships. In South Africa, a billboard is a relic from the times when Africans were subjects of power and when townships were restricted areas, subject to laws, municipality by-laws and ordinances regulated the movement of persons and governed who may or may not enter the township. Mofokeng references this medium for control through tracing the history of townships in South Africa.
Wong Wai Yin
Wong Wai Yin is an interdisciplinary artist who experiments with a variety of media ranging from painting, sculpture, collage, performance, video, installations and photography...
Paul McCarthy
- location: Los Angeles, California
- year born: 1945
- gender: male
- nationality: American
- home town: Salt Lake City, Utah
Leung Chi Wo and Wong Sara
Leung Chi Wo tends to highlight in his art the boundaries between viewing and voyeurism, real and fictional, and art and the everyday...
Jiang Zhi
- location: Beijing
- location: Shenzhen, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Yuanjiang, China
Chris Johanson
- location: Los Angeles, California
- year born: 1968
- gender: male
- nationality: American
- home town: San Jose, California
Gareth Moore
- location: Berlin, Germany
- year born: 1975
- gender: male
- nationality: Canadian
- home town: Matsqui, Canada
Roni Mocan
Roni Mocan ‘s works are inspired by common events of daily life...
Antonio Caro
- location: Bogotá, Colombia
- year born: 1950
- gender: male
- nationality: Colombian
Santu Mofokeng
The photographic artwork of Santu Mofokeng (b...
Lee Kit
Born in 1978 in Hong Kong Lives and works in Taipei, Taiwan Lee Kit represented the Honk Kong pavilion at the Venice Biennale in 2013 where the exhibition was turned into a half functional private space...
Cildo Meireles
- location: Rio de Janeiro, Brazil
- year born: 1948
- gender: male
- nationality: Brazilian
- home town: Rio de Janeiro, Brazil
Choi Jeong-Hwa
- year born: 1961
- gender: male
- nationality: Korean
- home town: Seoul, South Korea
Patty Chang
- location: New York, New York
- year born: 1972
- gender: female
- nationality: American
- home town: San Francisco, California
Bjorn Copeland
- location: New York, New York
- gender: male
Qiu Anxiong
- location: Shanghai, China
- year born: 1972
- gender: male
- nationality: Chinese
- home town: Chengdu, Sichuan Province, China
Donna Conlon and Jonathan Harker
- location: Panama City, Panama
- year born: 1966
- nationality: American and Ecuadorian
Li Liao
- location: Shenzhen, China
- year born: 1982
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Diego Bianchi
Since the early 2000s, Diego Bianchi has captured the atmosphere of a generation forged under a chronic state of crisis and precariousness in South America...
Gabriel Kuri
- location: Mexico City; Brussels, Belgium
- year born: 1970
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
© » DAZED DIGITAL
about 3 months ago (02/10/2024)
Bringing you the best of Berlin Fashion Week AW24 Womenswear | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Fashion Feature From Sia Arnika and SF 1 OG, to Shayne Oliver’s Anonymous Club, here’s everything that went down at the German city’s fashion fair 10 February 2024 Text Elliot Hoste Berlin Fashion Week AW24 35 It might have been founded 17 years ago, but Berlin Fashion Week is a relative newborn in comparison to its Big Four siblings...
© » THEARTNEWSPER
about 3 months ago (02/09/2024)
Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Mumbai blog Blockbuster Pop art show in Mumbai marks a new type of exhibition for India Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre is an unprecedented but surface-level survey for a broad audience Kabir Jhala 9 February 2024 Share Installation view of Pop: Fame, Love, Power at the Nita Mukesh Ambani Cultural Centre, Mumbai Courtesy of NMACC When Nita Ambani, India’s wealthiest woman, opened her eponymous cultural centre in Mumbai last March, many in the art world were intrigued...
© » HYPERALLERGIC
about 3 months ago (02/07/2024)
Yvette Mayorga’s Bubblegum-Pink Lament of the American Dream Skip to content Yvette Mayorga, “F* is for ICE 1975-2018 (After Portrait of Innocent X, c...
© » THEARTNEWSPER
about 3 months ago (02/05/2024)
Phillips auction gives James Rosenquist estate the best of both worlds Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market comment Phillips auction gives James Rosenquist estate the best of both worlds Pop artist’s paintings have seven-figure prices, but his prints are available for just a few hundred dollars at New York sale Melanie Gerlis 5 February 2024 Share James Rosenquist, See-Saw, Class Systems (G...
© » ARTSY
about 3 months ago (02/01/2024)
29 Emerging Black Artists to Discover This Black History Month, Part 1 | Artsy Skip to Main Content Art 29 Emerging Black Artists to Discover This Black History Month, Part 1 Isis Davis-Marks Feb 1, 2024 4:57PM To recognize Black History Month, Artsy is spotlighting 29 emerging Black artists—one for each day of this important month...
© » SOUTH CHINA MORNING POST
about 3 months ago (01/31/2024)
How Banksy’s 2015 amusement park parody Dismaland transformed a gallery founder’s view of exhibitions | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A mermaid sculpture sits in front of a fairy castle at Banksy’s Dismaland amusement park parody in Weston-super-Mare, England, in 2015...
© » APERTURE
about 3 months ago (01/26/2024)
Inspired by 2000s-era teen-girl magazines, Elizabeth Renstrom uses a mix of real and AI-generated imagery to consider the ongoing effects of media on young women....
© » SLASH PARIS
about 4 months ago (01/08/2024)
Tsherin Sherpa — What Is It You See? — Almine Rech Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Tsherin Sherpa — What Is It You See? — Almine Rech Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Previous Next Tsherin Sherpa — What Is It You See?...
© » ARTLYST
about 4 months ago (01/06/2024)
The discourse surrounding Appropriation Art has emerged as a nuanced exploration of cultural, societal, and artistic paradigms...
© » WHITEHOT
about 4 months ago (12/18/2023)
Ticket to Paradise: An Interview Whitney Oldenburg at Chart Gallery advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Ticket to Paradise: An Interview Whitney Oldenburg at Chart Gallery By CLARE GEMIMA December 13, 2023 The intellectual landscape of sculptures and drawings in Whitney Oldenburg's latest exhibition, Ticket to Paradise (notably the work in the show entitled Feeding Frenzy), scrutinizes the intricate dynamics between protection and waste in the context of contemporary consumption...
© » HYPERALLERGIC
about 5 months ago (12/12/2023)
A View From the Easel Skip to content Welcome to the 218th installment of A View From the Easel, a series in which artists reflect on their workspace...
© » APERTURE
about 5 months ago (12/08/2023)
Can photography be a form of play? The recent Foto/Industria Biennale shows how improvisation and mugging for the camera are as old as the medium....
© » THE GUARDIAN
about 5 months ago (12/07/2023)
‘My art makes a statement’: what to expect at this year’s Art Basel Miami | Art Basel Miami | The Guardian Skip to main content Skip to navigation Skip to navigation Art Basel Miami...
© » FAD MAGAZINE
about 5 months ago (11/29/2023)
Anna Uddenberg first ever film to premiere in the United States to audiences online this December - FAD Magazine Skip to content By Mark Westall • 29 November 2023 Share — Black Cube Nomadic Art Museum has announced the debut of Useless Sacrifice , a short film created by renowned international Berlin-based Swedish artist Anna Uddenberg...
© » FLASH ART
about 5 months ago (11/27/2023)
"HOPE" Museion / Bolzano | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » ARTLYST
about 7 months ago (10/09/2023)
Following its display at the General Idea retrospective in Stedelijk Museum Amsterdam The post AIDS Sculpture By General Idea Finds Permanent Home In Amsterdam Park appeared first on Artlyst ....
© » LONDONIST
about 7 months ago (09/30/2023)
The Top Exhibitions To See In London In October 2023 | Londonist The Top Exhibitions To See In London In October 2023 By Tabish Khan Tabish Khan The Top Exhibitions To See In London In October 2023 Looking for an awesome London exhibition this October? Here's our roundup of must-see shows in the capital — plus a bonus one from further afield...
© » LENS CULTURE
about 9 months ago (07/26/2023)
Steindamm-Atlas - Photographs and text by Alexandra Polina | LensCulture Feature Steindamm-Atlas A visual catalog of the vibrant and chaotically diverse “stuff of life” that can be found within just a few city blocks of one neighborhood in Hamburg, Germany — It’s a look at consumerism, fashion, excess and bling with a touch of humor, delight and disbelief...
© » HUFFINGTON POST
about 10 months ago (07/12/2023)
By the time flames were doused, all that was left of the installation by Michelangelo Pistoletto was a charred frame....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Made to be universally appealing and accessible, Pop art offers an opportunity to collect at every level....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
A Soon-to-Open Private Museum in Chinaâs Shunde District Could Offer a New Model for Arts Spaces in the Country - via ARTnews...
© » ARTS EQUATOR
about 24 months ago (05/19/2022)
Spectrum of Nature in SIFA 2022 | ArtsEquator Skip to content ArtsEquator interviews four artists whose works depict nature in different spectrums, at the upcoming Singapore International Festival of Arts 2022...
© » HIGH FRUCTOSE
about 53 months ago (12/07/2019)
In Amy Brener's "Omni-Kit" sculpture series, everyday objects and imagery are reprocessed into totem-like sculptures that speak to ritual and memory...
© » ARTS EQUATOR
about 58 months ago (07/29/2019)
Staying woke: “Awakenings” at National Gallery Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Safely Manoeuvring Across Linhe Road by Lin Yilin...
© » ARTS EQUATOR
about 60 months ago (05/23/2019)
"Beautiful Water": Intercultural Theatre Made in Threes | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of artist May 23, 2019 By Ken Takiguchi (1,229 words, 6-minute read) As I enter the auditorium of Kirari Fujimi, a public theatre located about one hour away from the centre of Tokyo, I find myself in the waters of somewhere in Asia...
© » ARTS EQUATOR
about 62 months ago (03/14/2019)
Open Calls and Opportunities: March 2019 (Singapore) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar March 14, 2019 Internship at NUS Museum, May to August 2019 Applications are now open for the NUS Museum Internship Programme! Five positions are available in exhibitions, outreach and collections across the period of the university summer holidays...
© » ARTS EQUATOR
about 68 months ago (09/27/2018)
"The Misinterpreted Futures of George Town 2068": Missing Futures | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tan Thian Chang September 27, 2018 By Akanksha Raja (960 words, four-minute read) Prior to stepping into the mystifying world of The Misinterpreted Futures of George Town 2068 , I was curious and fascinated by that science-fictioney title, coupled with the exciting premise of a performance with no performers: the technical elements of the show (lights, sound design, video projections) perform in lieu of human bodies...
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1970-1979
Cildo Meireles
1975Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
-
1980-1989
Paul McCarthy
1983McCarthy’s Mother Pig performance at Shushi Gallery in 1983 was the first time he used a set, a practice which came to characterize his later works...
Santu Mofokeng
1985Since the global capital expansion, billboards have been the medium of communication between the rulers and the residents of townships...
-
-
2000-2009
Chris Johanson
2004Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...
Gareth Moore
2006Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Roni Mocan
2007Roni Mocan’s work Welcome is a floorwork comprised of a grid-like arrangement of doormats that the artist borrowed from the local community, people in his building, and even from participating artists from the exhibition where it was first presented...
Wong Wai Yin
2008In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
Choi Jeong-Hwa
2008The application of bright colors and kitsch materials in Flower Tree manifests a playful comment on the influence of popular culture and urban lifestyle...
Paul McCarthy
2008Memory Mistake of the Eldridge Cleaver Pants was created for the show Paul McCarthy’s Low Life Slow Life Part 1 , held at California College of the Arts’s Wattis Institute in 2008 and curated by McCarthy himself...
Bjorn Copeland
2009Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
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2010-2019
Gabriel Kuri
2010Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Paul McCarthy
Drawing & Print
2010(Drawing & Print) To make Mickey Mouse (2010), Paul McCarthy altered a found photograph—not of the iconic cartoon, but of a man costumed as Mickey...
Leung Chi Wo and Wong Sara
2010Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
Leung Chi Wo and Wong Sara
2010Photojournalist with Two Cameras restages a portrait of a photojournalist from the background of an old photograph of protest published in South China Morning Post on January 10, 2010 under the headline “Return of the Radicals: Recent angry protests are nothing new.” The photojournalist in the photograph, probably from a protest of earlier decades, was capturing the scene of a protester’s arrest while wearing two cameras...
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Donna Conlon and Jonathan Harker
2012In Tapitapultas (2012), Donna Conlon and Jonathan Harker comment on mass consumerism and pollution by way of a game they invented...
Yoshua Okón
2015Fridge-Freezer is a 2-channel video installation where Yoshua Okón explores the darker side of suburbia, d escribed by the artist as “ the ideal environment for a numb existence of passive consumerism and social a nd environmental disengagement...
Antonio Caro
2016Juego de Banderas (a play on words that loosely translates to both set of flags and game of flags) is a triptych of modified Colombian flags by Antonio Caro...
Diego Bianchi
2019Diego Bianchi’s main concern is distorting straight lines, both literally and metaphorically...
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2020-2029
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
