Ink Diary
2006 - Film & Video (Film & Video)
Chen Shaoxiong
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” For Ink Diary , Chen recorded his daily life and impressions within a rapidly-changing urban setting in ink wash paintings which he then turned into an animated film. The complex result of this simple process is both highly innovative and reflective of modernization.
Chen Shaoxiong, was a founding member—along with Lin Yilin and Liang Juhui (and later Xu Tan)—of the well-known artist collective “Big Tail Elephant” which arose in response to the rapid urbanization od Guangzhou in the early 1990s. The group created a large body of multimedia work including performance, photography, video, installation, and paintings. In his solo work, Chen focuses his efforts on the new forms of perception of urban visions and life imposed by the age of information and global travel. Using both new media, like photography and video, and more traditional forms like painting, he produces ironic and uncanny images of a new reality and its constant negotiation between reality and fiction, memory and imagination, past, present and future.
Colors:
Other related works, blended automatically
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Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
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Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
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Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
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Xiaoyun Chen
2014The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
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Xiaoyun Chen
2012The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
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Lu Chunsheng
2004A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
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Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
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Karl Haendel
2011Haendel’s series Knights (2011) is a set of impeccably drafted, nine-foot-tall pencil drawings depicting full suits of armor...
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Du Zhenjun
2010The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
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Jianwei Wang
2007In Dilemma: Three Way Fork in the Road , Wang references Peking opera in a re-interpretation of traditional text...
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Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
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Pak Sheung Chuen
2008Pak created New York Public Library Projects (NYPLP) (2008) during a residency in New York, using public libraries as exhibition spaces and the books they house as raw materials...