Happy Birthday

2011 - Sculpture (Sculpture)

Jonathan Monk

location: Berlin, Germany
year born: 1969
gender: male
nationality: British
home town: Leicester, United Kingdom

Jonathan Monk re-fashions and re-examines seminal works of Conceptual and Minimal art through witty, ingenious, and irreverent means. Through wall paintings, monochromes, ephemeral sculpture, and photography, Monk reflects on the tendency of contemporary art to canabilize references, while paying homage to figures such as Sol LeWitt, Ed Ruscha, Bruce Nauman and Lawrence Weiner. Monk’s art practice does not follow any specific style; it doesn’t contain any common characteristic to identify his work at first glance. The amount and variety of his works poses questions about what supports them. Demystifying the creative process, Monk often employs appropriation, humor, irony, and anecdote in his work. To enter an exhibition of works by Jonathan Monk is like taking part in a treasure hunt, made up of digressions and space-time manipulations.


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Related works featuring themes of: » Appropriation Art, » Art in Art, » Contemporary Conceptualism, » Contemporary Pop, » British

Made in Heaven
© » KADIST

Mark Leckey

2004

In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...

Cityscapes 1 (boats), 2 (woods)
© » KADIST

Hamra Abbas

2010

At first glance, Cityscapes (2010) seems to be a collection of panoramic photographs of the city of Istanbul—the kind that are found on postcards in souvenir shops...

A vehicle with no Lights
© » KADIST

Ryan Gander

2004

A vehicle without light is a group of more personal photographs...

Plug the well ( July / August 2003)
© » KADIST

Keith Tyson

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence...

Wall Window or Bar Sign (Insanity is Doing the Same Thing Over and Over and Expecting Different Results)
© » KADIST

Mungo Thomson

2014

Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...

Untitled (TIME)
© » KADIST

Mungo Thomson

2010

In Thomson’s Untitled (TIME) , every front cover of TIME magazine is sequentially projected to scale at thirty frames per second...

Untitled (Women)
© » KADIST

Matt Lipps

2011

Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...

There are veins in these lands, I
© » KADIST

Rodney McMillian

2013

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...

Untitled (Breathless)
© » KADIST

Ian Wallace

2000

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...

The White Album
© » KADIST

Mungo Thomson

2008

The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...

Beyond the White Walls
© » KADIST

Jeremy Deller

2012

Beyond the White Walls , with a commentary written and spoken by Jeremy Deller, is often wryly amusing...

Landscape for Fire
© » KADIST

Anthony McCall

Landscape for fire is a major work by Anthony McCall...

White Minority
© » KADIST

Juan Capistran

2005

White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form...

Line describing a cone
© » KADIST

Anthony McCall

1973

The film Line Describing a Cone was made in 1973 and it was projected for the first time at Fylkingen (Stockholm) on 30 August of the same year...

You see with no lights
© » KADIST

Ryan Gander

2004

You see without light is a group of photographs around the theme of Bauhaus...

Study for my Heroes in the Street (Stan)
© » KADIST

Ian Wallace

1986

Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...