Half Full, Half Empty

The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...

The Third Seal—They Are Already Old...

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Dash shapes, manipulates, and molds the materials herself, as the works becomes something of a physical archive...

Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...

The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...

Meeting #100 is one in a series of text works by Jonathan Monk...

In his composition, Chocolate Bars, Eggs, Milk, Lassry’s subjects are mirrored in their surroundings (both figuratively, through the chocolate colored backdrop and the brown frame; and literally, in the milky white, polished surface of the table), as the artist plays with color, shape, and the conventions of representational art both within and outside of the photographic tradition...

In the video installation Tremble, Jiang projected the life-size images of seven naked men and women onto seven individual screens...

In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action...

The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...

Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...

Glenn Ligon’s diptych, Condition Repor t is comprised of two side-by-side prints...

In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...