Collectors’ Favorites

1994 - Film & Video (Film & Video)

Jennifer Bornstein

location: United States
year born: 1970
gender: male
nationality: American
home town: Seattle, Washington

Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos. When it comes her turn to “perform,” Bornstein displays mundane and disposable—but elaborately archived or framed—consumer objects such as coffee lids, plastic straws, candy wrappers, and product labels. Through the medium of public broadcasting, then, she makes visual the frequently overlooked but massive cultural penetration of advertising, and its proliferation of “throwaway culture” via images. Further, Bornstein suggests that within a massive and mercurial social network that often places value arbitrarily, any worthless mass-market products can be turned into coveted objects via absurd relations and vice versa.


Jennifer Bornstein’s works range from performance, conceptual photography, film, drawing, and etchings to curatorial practice. By foregrounding the self-constructed nature of narrative and subjectivity, Bornstein’s practice is a constant rethinking of relations, both social and historical—but not so much in terms of negation and rupture, but rather connection, mutuality, and reintegration.


Colors:



20 Surrogates
© » KADIST

Allan McCollum

1982

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...

This Exhibition
© » KADIST

Tino Sehgal

2004

Tino Sehgal’s This Exhibition requires an interpreter (in this particular piece, a gallery attendant) to faux faint each and every time a visitor enters into a given space...

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20 Surrogates
© » KADIST

Allan McCollum

1982

In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...

The Class
© » KADIST

Araya Rasdjarmrearnsook

2005

The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...

The Tower of Babel: Destruction
© » KADIST

Du Zhenjun

2010

The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...

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Studies of Chinese New Villages II
© » KADIST

Gan Chin Lee

2019

In Studies of Chinese New Villages II Gan Chin Lee’s realism appears in the format of a fieldwork notebook; capturing present-day surroundings while unpacking their historical memory...

30 Proposals of Flag
© » KADIST

Jao Chia-En

2009

30 Proposals of Flag explores the relationships between signs, meanings, aesthetics, and nations...

Millennial Collector Turns Her Epic NYC Pad Into Art Space - via artnet news
© » LARRY'S LIST

What model was reading an Alison Gingeras book in the south of France? What's the latest gallery decamping to Tribeca? Read on for answers....

Untitled (Untitled Passport II)
© » KADIST

Colter Jacobsen

2010

The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...

Related artist(s) to: Jennifer Bornstein » Loris Gréaud, » San Francisco, » Andrea Bowers, » Ann Hatch, » Bill Timken, » California College, » Dan Fox, » John Baldessari, » Keren Cytter, » Lara Favaretto  
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Dream Machines
© » KADIST

Loris Gréaud

2004

This work refers to the “Dream Machines”, an experimental object invented by the painter and writer Brion Gysin and the scientist Ian Sommerville, and which is composed of a light bulb with light passing through slits in a rotating cylinder...

Radical Hospitality
© » KADIST

Andrea Bowers

2015

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Untitled
© » KADIST

Keren Cytter

“Untitled” is inspired by the movie “Opening Night” by John Cassavetes with Gena Rowlands playing the role of a fallen woman, anguished by her distressed life...

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Peter Hort, Collector Who Forged Strong Connections in the New York Art World, Dies at 51 - via ARTnews
© » LARRY'S LIST

He was the son of Susan and Michael Hort, a collecting couple that is widely known....

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours
© » SOUTH CHINA MORNING POST

‘They feel they are part of that’: community engagement the aim of art initiative in Hong Kong that brings together a project’s developer and neighbours...

And so it is 3,200.00
© » KADIST

Michael Armitage

2015

In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...

The Ghost of Modernity (Lixiviado)
© » KADIST

Miguel Angel Ríos

2012

Superb production values and special effects that in the hands of Miguel Angel Rios do not get in the way or distracts from the content and deep essay of this work...