Collectors’ Favorites

1994 - Film & Video (Film & Video)

Jennifer Bornstein

location: United States
year born: 1970
gender: male
nationality: American
home town: Seattle, Washington

Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos. When it comes her turn to “perform,” Bornstein displays mundane and disposable—but elaborately archived or framed—consumer objects such as coffee lids, plastic straws, candy wrappers, and product labels. Through the medium of public broadcasting, then, she makes visual the frequently overlooked but massive cultural penetration of advertising, and its proliferation of “throwaway culture” via images. Further, Bornstein suggests that within a massive and mercurial social network that often places value arbitrarily, any worthless mass-market products can be turned into coveted objects via absurd relations and vice versa.


Jennifer Bornstein’s works range from performance, conceptual photography, film, drawing, and etchings to curatorial practice. By foregrounding the self-constructed nature of narrative and subjectivity, Bornstein’s practice is a constant rethinking of relations, both social and historical—but not so much in terms of negation and rupture, but rather connection, mutuality, and reintegration.


Colors:



Related artist(s) to: Jennifer Bornstein » Loris Gréaud, » San Francisco, » Andrea Bowers, » Ann Hatch, » Bill Timken, » California College, » Dan Fox, » John Baldessari, » Keren Cytter, » Lara Favaretto

Dream Machines
© » KADIST

Loris Gréaud

2004

This work refers to the “Dream Machines”, an experimental object invented by the painter and writer Brion Gysin and the scientist Ian Sommerville, and which is composed of a light bulb with light passing through slits in a rotating cylinder...

Radical Hospitality
© » KADIST

Andrea Bowers

2015

Bowers’ Radical Hospitality (2015) is a sculptural contradiction: its red and blue neon letters proclaim the words of the title, signaling openness and generosity, while the barbed wires that encircle the words give another message entirely...

Untitled
© » KADIST

Keren Cytter

“Untitled” is inspired by the movie “Opening Night” by John Cassavetes with Gena Rowlands playing the role of a fallen woman, anguished by her distressed life...

CFL
© » KADIST

Loris Gréaud

2004

The acronym “CFL” stands for an existing light standard (Compact Fluorescent Light) as well as a standard nutrient (Cognitive Fooding Laboratory)...

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists
© » KADIST

Andrea Bowers

2010

The small drawings that comprise Study from May Day March, Los Angeles 2010 (Immigration Reform Now) and We Are Immigrants Not Terrorists are based on photographs taken at a political rally in downtown Los Angeles in which thousands of individuals demonstrated for immigrants’ rights...

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...