Charco portatil congelado (Frozen Portable Puddle)

1994 - Photography (Photography)

16H x 20W inches

Gabriel Orozco

location: New York City, Paris
location: Mexico
year born: 1962
gender: male
nationality: Mexican
home town: Jalapa, Mexico

Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery. He left it out overnight, and by morning there was a layer of ice coating it—a serendipitous frozen portable puddle. The work highlights Orozco’s flexible practice and trust in chance encounters.


Gabriel Orozco could be described as a traveler-artist, without a fixed studio. He works following contexts and produces work that flows. “Special Service” (1997) is a collage on a plane ticket, and indicates nomadism, between territories. The artist, who is the son of muralist Mario Orozco Riviera, questions the boundaries of his artistic identity in Mexico. In “Crazy tourist” (1991), Orozco creates a situation with oranges in the Brazilian market tables in a desert. The artist uses objects or “poor” situations, found in the everyday landscape, natural or urban. By their division, their juxtaposition, or collage, inventing semantic or sensitive scenarios, always surprising, sometimes humorous and sometimes lyrical … The sculptural practice of the artist, inseparable from his drawings, photographs, or films, invents relationships of space, and disrupts our perception of objects. Such is the case of “Yielding Stone” (1992), a photo of a plasticine ball, the weight of the artist, rolled through the streets of New York. Gabriel Orozco was born in 1962 in Jalapa, Mexico. He lives and works in New York, Mexico, and Paris.


Colors:



Perpetual Motion Two
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Diana Thater

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Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

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Jonathan Monk

2003

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Pedro Reyes

2012

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Martin Creed

2003

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2005

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Douglas Gordon

1996

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Untitled
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Martin Kippenberger

1988

Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...

The Transparencies of the Non-Act
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Mario Garcia Torres

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Sebastián Díaz Morales

2014

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Douglas Gordon

2002

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

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Martin Creed

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Serious Games 3, Immersion
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Harun Farocki

2009

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Kara Walker

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Pasajes I
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Sebastián Díaz Morales

2012

Pasajes I is the first in a series of Sebastián Díaz Morales’s four videos Pasajes , which focuses on a solitary man walking through Buenos Aires...