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David Haxton
In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter. As inferred from the title—and the titles of most of his work—Haxton has a methodical, near-scientific approach to studying and documenting the effects of light. In Holes in White and Holes in Cream with?
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Valeska Soares
Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning. With copper wire stretched out across the room like a clothesline, Valeska Soares’ La Ligne du Temps creates a timeline out of fluttering, old book pages. Read upon the pages of this delicately wrought installation are linguistic approaches to time and its phenomonologies.
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Zhang Peili
In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique. His ultimate goal is to reveal the ways in which social image is constructed and to cast doubt on the ephemeral vision of a middle-class utopia offered by mass media.
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Lin Yilin
All his artworks utilize the use of body – the artist’s own body and that of others. The Result of 1000 Pieces typi?es an image of Lin: Lin is standing in an empty hole of a brick wall. By incorporating the brick wall for his work, Lin develops a speci?c strategy to question and negotiate with the relationship between people and the changing environments.
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Rivane Neuenschwander
Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities. When installed, viewers are invited to fill out and mail a postcard to any destination, an act which parallels the dissemination and global circulation of image, text, and the idea of place.
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Gabriel Orozco
Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery.
David Haxton
Although trained as a painter, David Haxton is known for his exploration of light through the mediums of photography and film...
Zhang Peili
- location: Hangzhou, China
- year born: 1957
- gender: male
- nationality: Chinese
- home town: Hangzhou, China
Lin Yilin
- location: Beijing & New York
- year born: 1964
- gender: male
- nationality: Chinese
- home town: Guangzhou, China
Martin Creed
- location: Wakefield, United Kingdom
- year born: 1968
- gender: male
- nationality: British
Gabriel Orozco
- location: New York City, Paris
- location: Mexico
- year born: 1962
- gender: male
- nationality: Mexican
- home town: Jalapa, Mexico
Valeska Soares
- location: New York, New York
- year born: 1957
- gender: female
- nationality: Brazilian
- home town: Belo Horizonte, Brazil
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1990-1999
Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
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2000-2009
David Haxton
2005In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter...
Rivane Neuenschwander
2007Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...
Zhang Peili
2008In the video installation A Gust of Wind , Zhang continues to explore notions of perspective and melds them seamlessly with a veiled but incisive social critique...
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2010-2019
Valeska Soares
2012Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...